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Costumes of the Kingdom of Naples, 1835

40,00 

Incisione realizzata al burin nel 1835. Rappresenta vari costumi ed usi del Regno di Napoli: Lazzaro, Ischia, Procida, Contadino di Napoli, S.Lucia, Marinaio napoletano.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16×25 approx.
  • Dimensione dell’immagine: cm. 12×20 circa ogni vignetta
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Costumes of the Kingdom of Naples, 1840

30,00 

Costumes of the Kingdom of Naples it is an engraving made in 1840, which presents a series of figures representative of Neapolitan culture.
Among the subjects portrayed we find:

  • Peasant of Naples
  • Carovilli Girl
  • Girl dancing the Tarantella
  • Neapolitan wet nurse

This engraving was made using the technique of burin on steel and measure cm. 15×23.

  • Support: Medium thickness paper
  • Condition: Good condition, with traces of printing on the back slightly visible on the front

The work is based on a 19th century French text.

Costumes of the Kingdom of Naples, 1840

30,00 

Costumes of the Kingdom of Naples è un’incisione del 1840 che rappresenta vari personaggi tipici della cultura napoletana, tra cui:

  • Lazzaroni
  • Pescatore napoletano
  • Frate questuante
  • Brigante Calabrese

This work is made in burin on steel and has a format of cm. 15×23 about.

  • Support: Medium thickness paper
  • Condition: Buono stato, con traccia di stampa al verso leggermente visibile al recto

Tratta da un testo francese del XIX secolo, questa incisione è un’affascinante testimonianza della tradizione e dei costumi del Regno di Napoli.

Costumi di Tagliacozzo, Aquila, 1835

20,00 

Costumi di Tagliacozzo è un’incisione in rame realizzata nel 1835, proveniente dall’opera The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs by C. Strahlheim.
Questa incisione rappresenta un’importante testimonianza culturale e artistica dell’epoca.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Costumes of Venice, 1840

20,00 

Costumi di Venezia è un’incisione al bulino realizzata nel 1840, che cattura l’essenza dei costumi tradizionali veneziani.
This work is taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

Maltese Costumes, 1835

35,00 

Maltese Costumes It is a burin engraving made in 1835, which represents the traditional costumes of the island of Malta.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Neapolitan Costumes, 1835

35,00 

Neapolitan Costumes It is a burin engraving made in 1835, which represents a lively scene of Neapolitan culture.
Among the characters portrayed we find Return from the Madonna dell'Arco, Pulcinella, Public scribe And The storyteller. This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 20×12 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Neapolitan Costumes, 1835

30,00 

Neapolitan Costumes è un’incisione realizzata nel 1835, che rappresenta vari personaggi tipici della tradizione napoletana, tra cui Lazzaro, Ischia, Procida, Contadino, S.Lucia e Marinaio.
This work is taken from the volume “Italy, Sicily, the Aeolian Islands, Elba, Sardinia, Malta, Calypso Island, etc.” by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Neapolitan Costumes, Mellonaro, 1835

30,00 

Neapolitan Costumes è un’incisione realizzata da Mellonaro nel 1835, che rappresenta la tradizione e la cultura napoletana.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Costumi romani, 1835

20,00 

Costumi Romani It is a copper engraving made in 1835, taken from the work The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs by C. Strahlheim.
Questa incisione presenta un’affascinante rappresentazione dei costumi romani, con dettagli accurati e un tratto elegante.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent condition

Sicilian Costumes, 1835

60,00 

Sicilian Costumes It is an engraving made in 1835, which represents a Carriage of Sicily.
This work is an engraving on burin on steel, watercolour, from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

This engraving is distinguished by its beautiful execution and for the expert coloring.

Sicilian Costumes, 1835

35,00 

Sicilian Costumes It is a burin engraving made in 1835, which represents the traditional costumes of the regions of Palermo, Trapani, Biscari and Palma.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 20×12 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Cremona, Cathedral Square, 1835

35,00 

Cremona, Cathedral Square It is a double steel engraving made between 1834 and 1837.
This work is part of the series Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

The views are lively and decorative, making this engraving a fascinating piece for collectors and art enthusiasts.

Cremona, Small Square, 1835

35,00 

Cremona, Small Square It is a double steel engraving made between 1834 and 1837, which represents animated and decorative views of Cremona and Mantua.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Dimensions of each engraving: cm. 11×8 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Crescentino, 1835

20,00 

Crescentino It is a burin engraving made in 1835, taken from the work L'Univers, histoire et description de tous les peuples by M. Le Chevalier ARTAUD.
This lovely and lively view measures mm. 132×90 and features a high quality typeface on medium paper with a white back.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Crevola on the Simplon road, 1840

25,00 

Crevola on the Simplon road It is an engraving made by Frommel in 1840.
This work, which offers a beautiful view, was performed with the technique of burin on steel.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Cristina, Regina di Svezia, 1844

15,00 

Cristina, Regina di Svezia è un’incisione su rame realizzata nel 1844, tratta dall’opera Picturesque Omnibus pubblicata a Napoli.
Questa incisione ritrae Cristina di Svezia, una figura storica affascinante, regina dal 1632 al 1654, nota per la sua conversione al cattolicesimo e per il suo patronato verso artisti e intellettuali.

  • Sheet size: cm. 10×11 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Christ and the Woman of Samaria 1830-1850

25,00 

Cristo e la donna di Samaria è un’incisione realizzata tra il 1830 e il 1850, che rappresenta un momento significativo tratto dalla Scripture Gallery of Engraving.
Questa opera è stata creata dall’autore da Le Loir e incisa da W.T. Davey, pubblicata da John Tallis & Company, London & New York.

  • Engraving size: cm. 15 x 11 approx.
  • Sheet size: cm. 27 x 21 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, retro bianco
  • Notes: Cornice editoriale con vignette

Cristo incoronato, Guercino, 1850

20,00 

Cristo incoronato è un’incisione realizzata da Guercino nel 1850, che rappresenta un momento drammatico della Passione di Cristo, con il protagonista incoronato di spine da un soldato.
Questa opera è eseguita con la tecnica del burin e si basa su un quadro di Giovanni Francesco Barbieri, noto come il Guercino, un importante pittore del XVII secolo.

  • Sheet size: cm. 16×12 più margini
  • Support: Strong paper
  • Condition: Excellent condition

Cristoforo Colombo, 1840

20,00 

Christopher Columbus è un’incisione in rame realizzata nel 1840, che rappresenta il famoso navigatore davanti al consiglio di Salamanca.
This work is taken from the work Picturesque Omnibus, an artistic and literary encyclopedia edited by Vincenzo Torelli, published in Naples by the Omnibus printing house.

  • Sheet size: cm. 13×16 approx.
  • Support: Paper
  • Condition: Excellent

The print has been removed from the book and has the verso printed. The entire page containing the print will be sent.

Cryptophasa irrorata, 1836

30,00 

Cryptophasa irrorata è un’incisione al bulino realizzata nel 1836 da Edward Lear e William H. Lizars.
This work is part of the series The Naturalist's Library by Sir William Jardine.

  • Engraving size: mm 100×150
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

L’incisione è caratterizzata da una metamorfosi dettagliata della Cryptophasa irrorata, arricchita da acquarellatura manuale, che ne esalta la bellezza e la complessità.
Edward Lear, noto per i suoi limerick e le illustrazioni, ha saputo unire arte e scienza in questa opera affascinante.

Cumae, Cave of the Sibyl, 1835

20,00 

Cuma, Grotta della Sibilla è un’incisione realizzata nel 1835, che rappresenta uno dei luoghi più affascinanti dei Campi Flegrei.
This work is part of the publication Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di Audot padre, realizzata tra il 1835 e il 1837.

  • Sheet size: mm. 105×73 circa
  • Support: Medium paper
  • Condition: Good state of preservation

from Adriaen Van Ostade, The Drinker, 18th century

40,00 

Il Bevitore It is an engraving made by Adriaen Van Ostade in the 18th century.
Questa opera, caratterizzata da una tecnica mista di etching and burin, è acquarellata e presenta un’immagine di dimensioni cm. 10×7 circa.
L’incisione è priva di margini e si trova su carta molto sottile, controcollata su carta pesante color paglierino, con dimensioni complessive di cm. 15×20.

  • Condition: Excellent preservation
  • Support: Paper

Adriaen van Ostade, noto per le sue scene di genere, ha saputo catturare la vita quotidiana dei contadini e degli avventori di taverne, rendendolo uno dei più eminenti pittori e incisori olandesi del suo tempo.

From Rembrandt, Self-Portrait, 18th century

80,00 

Autoritratto di Rembrandt è un’incisione realizzata nel XVIII secolo, che rappresenta un soggetto iconico dell’arte.
Questa opera è stata incisa in rame utilizzando la tecnica dell’etching and of the burin, senza margini, e presenta un’ottima impressione su carta molto sottile.

  • Sheet size: mm. 97×85
  • Support: Very thin paper glued on straw-colored cardboard
  • Condition: Excellent preservation

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