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Achille Vianelli, Sulphurous Water, 1830

120,00 

Acqua Solfurea è un’acquatinta acquarellata realizzata da Achille Vianelli nel 1830.
This work is taken from Scene popolari di Napoli, con tavole incise all’acquatinta da Witting, basate sui disegni di Vianelli. La coloritura è coeva e presenta una scena vivace con molti personaggi che sorseggiano l’acqua sulfurea da una fontana situata in via Chiatamone a Napoli, con il classico Vesuvio fumante sullo sfondo.

  • Sheet size: cm. 18×21
  • Engraving size: cm. 10×12
  • Support: Cardboard
  • Condition: Excellent

Achille Vianelli, Canta Storie, 1830

120,00 

Canta Storie è un’acquatinta acquarellata realizzata nel 1830 da Achille Vianelli, tratta da Scene popolari di Napoli.
Questa opera presenta una scena vivace in cui molti personaggi ascoltano con interesse il cantastorie Rinaldo, seduti al molo di Napoli, con il classico Vesuvio fumante sullo sfondo.

  • Sheet size: cm. 18×21
  • Engraving size: cm. 10×12
  • Support: Cardboard
  • Condition: Excellent

Neapolitan Water Carrier, 1875

20,00 

Acquaiolo Napoletano è un’incisione realizzata nel 1875 da Francois Ferogio, a well-known French painter and engraver.
This woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Engraving size: cm. 16×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper with printed back
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Water carrier, 1835

30,00 

Water carrier It is an engraving made in 1835 by C. Vogel and engraved by Gautier.
This work, performed with the technique of burin, represents a lively scene of a Neapolitan water-carrier's stall.
It is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 120×164 approx.
  • Support: Medium paper
  • Condition: Perfect state of preservation

Water carrier, 1884

35,00 

Water carrier è un’incisione xilografica realizzata nel 1884 da Ferogio, caratterizzata da una colorazione all’acquerello.
This work comes from the volume Naples and its surroundings by Rudolf Kleinpaul, published in Leipzig.

  • Sheet size: mm. 120×160
  • Support: Light paper
  • Condition: Excellent condition
  • Characteristics: Margini quasi assenti, retro stampato

La scena rappresentata è bella, interessante e decorativa.

Monochrome watercolor, 19th century

80,00 

Invitation to the light It is a monochrome watercolor made by an anonymous artist in 19th century.
This small watercolour, measuring 87x63 mm, represents a scene set in Shakespeare, showing a beautiful artistic execution.

  • Sheet size: mm. 87×63
  • Support: Cardboard
  • Condition: Excellent

18th century aquatint

40,00 

18th century aquatint It is an anonymous engraving dating back to the mid-1700s, which represents a historical scene of considerable interest.
This work is made in aquatint and measures 15x17 cm at the edge, on medium-thickness paper with white backing.

  • Sheet size: Small
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Acqui and surroundings, 1871

15,00 

Acqui and surroundings It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
This print represents a suggestive view of the city of Acqui and measures cm. 10×14 approximately, with small margins.

  • Sheet size: Small
  • Support: Light sheet
  • Condition: Excellent condition
  • Notes: Print extracted from the book with writing on the back

Acqui Terme, 1890

20,00 

Acqui Terme, 1890 it's a woodblock print from the late nineteenth century, which represents an important historical and cultural testimony.
This work is characterized by a large-sized image cm. 10×7 approximately, surrounded by text, with additional information printed on the verso of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×7 approx.
  • Support: Paper
  • Condition: Excellent

Acqui, Roman Aqueduct, 1890

20,00 

Acqui, Roman Aqueduct it's a woodblock print made in 1890 by the engraver Barberis.
This work represents an important testimony of the late nineteenth century, with an image measuring approximately 11x7 cm, surrounded by text and with further text on the back of the sheet.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 11×7 approx.
  • Support: Paper
  • Condition: Excellent

Acqui, Alessandria, Old Baths, 1890

20,00 

Acqui, Alessandria, Old Baths it's a woodblock print made in 1890 by the engraver Barberis.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 8 x 10 cm, surrounded by text and with additional annotations on the back of the sheet.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 8×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Acqui, New Spa, 1890

20,00 

Acqui, New Spa It is a woodcut print made in 1890 by the engraver Barberis.
This work represents an important testimony of the late nineteenth century, with accurate details and a text surrounding the image.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Acqui, St. Francis Square, 1890

20,00 

Acqui, St. Francis Square it's a woodblock print made in 1890 by the engraver Barberis.
This work represents an important visual testimony of the city of Acqui, in the province of Alessandria.

  • Sheet size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent

Acqui, La Bollente Spring, 1890

20,00 

Acqui, La Bollente Spring it is a woodcut made in 1890 by the engraver Barberis.
This print depicts the famous spring of Acqui, in the province of Alessandria, and is part of an Italian text from the late nineteenth century.

  • Sheet size: cm. 8×10 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Acqui, Coat of Arms, 1871

15,00 

Acqui, Coat of Arms It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy by Ariodante Manfredi.
This print, which measures cm. 8×9, has small margins and was extracted from a book, with writing on the back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Light paper

Acqui, Old Baths, 1890

20,00 

Acqui, Old Baths It is a woodcut print made in 1890, which represents an important testimony of the Italian cultural heritage.
Engraved by Barberis, this work is taken from a late nineteenth-century Italian text.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 8×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be shipped.

Acropolis, Athens, Akropolis, 1850

25,00 

Acropolis, Athens, Akropolis It is an engraving made in 1850, which offers a splendid view of the iconic Acropolis of Athens.
This work is an etching on light paper, from a book from the mid-19th century.

  • Sheet size: cm. 11×17 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Acteon tramutato in Cervo, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Acton Ferdinand, 1887

20,00 

Acton Ferdinand It is a woodblock print made in 1887, which portrays Vice Admiral Ferdinando Acton.
This work is taken from The Italian Illustration, published by the Treves Brothers of Milan.

  • Size of the joke: mm. 155×165
  • Margins: Almost absent
  • Condition: Good, with writing on the back

Adam Frans van der Meulen, Promenade, 19th century

30,00 

Stroll It is an engraving made by Adam Frans van der Meulen in the 19th century.
This work, signed AFVandermeulen pinx., represents a fascinating and detailed scene, highlighting the artist's mastery.

  • Sheet size: cm. 20×26 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Adamo ed Eva nel Paradiso, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Goodbye my little angel, 1840

20,00 

Goodbye my little angel It is a lithograph made in 1840, representative of 19th century art.
This work, of small dimensions, is glued on cardboard and is presented in excellent condition.

  • Sheet size: cm. 12×10 approx.
  • Technique: Lithography
  • Support: Cardboard
  • Era: 19th century

Adolphe Thiers, 1850

30,00 

Adolphe Thiers It is an engraving made in 1850, which portrays the famous French politician and historian.
This work is an etching on a sheet measuring 28x19 cm, with an image measuring 17x13 cm.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 17×13 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Adoration of the Magi, 1838

15,00 

Adoration of the Magi it is a lithograph made by Andrea Sabatino from Salerno in 1838.
This work is taken from Picturesque Polyorama, a periodical publication dedicated to the dissemination of useful knowledge for all social classes.

  • Sheet size: cm. 13×16 approx.
  • Support: Paper
  • Condition: Excellent

The print has almost no margins and is contained in a page extracted from the book, with writing on the verso. The entire page containing the print is sent.

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