Paper

Showing 3577–3600 of 8309 results

The hairdresser, 19th century woodcut

25,00 

Il Parrucchiere è una xilografia dell’800, proveniente da una stampa antica del XIX secolo.
Questa incisione è tratta da un testo della fine dell’800 e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 12×11 approx.
  • Support: Paper
  • Condition: Excellent

The page will be shipped in its entirety, containing the print extracted from the book.

The hairdresser, 19th century woodcut

25,00 

Il Parrucchiere è una xilografia dell’800, proveniente da una stampa antica.
Questa incisione, tratta da un testo della fine dell’800, presenta un testo attorno e al verso.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

Il Pascolo, 1850

20,00 

Il Pascolo è un’incisione realizzata nel 1850, tratta dall’opera Art Journal Engraving.
Questa opera, che rappresenta un paesaggio sereno, è stata realizzata con la tecnica dell’Etching and Burin, ed è parte della collezione reale.

  • Sheet size: cm. 32×24 approx.
  • Support: Strong engraving paper
  • Condition: Excellent general condition

The Pastry Chef, 19th century woodcut

25,00 

The Pastry Chef it's a woodcut from the 19th century, inspired by an old 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
The print will be shipped as a full page, extracted from the book.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Pastry Chef, 19th century woodcut

25,00 

The Pastry Chef it's a woodcut from the 19th century, inspired by an old 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Original Sin, Michelangelo, 1877

15,00 

The original sin it is a woodcut made by Michelangelo in 1877.
This work is taken from the volume L'Italy illustrée de 450 engravures sur wood, edited by Gourdault Jules and published in Paris by Hachette.

  • Sheet size: mm. 130×65
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

Il Penseroso, 1850

20,00 

Il Penseroso è un’incisione realizzata nel 1850, proveniente dalla collezione reale.
Questa opera è stata realizzata utilizzando la tecnica dell’etching and burin and it is taken from theArt Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il Pescatore, A.H.Paynes, 1850

20,00 

The Fisherman It is an engraving made by AH Payne in 1850.
This work, also known as The Fisherman, è un’acquaforte su carta spessa che presenta un’accurata rappresentazione del tema marittimo.

  • Engraving size: cm. 12×17 approx.
  • Condition: Excellent condition
  • Support: Thick paper

Il Pescivendolo, 1806

30,00 

Il Pescivendolo è un’incisione del 1806, conosciuta anche come The Fishmonger.
Realizzata con la tecnica dell’acquaforte e acquatinta colorata all’acquarello, questa opera è stampata su carta spessa bianca al verso.

  • Sheet size: cm. 27×35 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Il Pescivendolo, 1827

140,00 

Il Pescivendolo It is a watercolour lithograph made in 1827 by Hjalmar Morner, with lithography by Cuciniello and Bianchi.
This work is part of the collection The new collection of scenes and costumes of Naples, edita dai signori Cuciniello e Bianchi.

  • Sheet size: cm. 27×38 approx.
  • Condition: Fair general condition, with some small tears at the edges that do not affect the print
  • Support: Paper
  • Characteristics: Neapolitan subject masterfully represented, rare for collectors

Il picnic, Leitghton Brothers

30,00 

Il Picnic it's a beautiful one chromolithography made by Leitghton Brothers in the 20th century.
Questa opera, caratterizzata da colori vivaci e dettagli accurati, rappresenta un momento di convivialità all’aperto.

  • Sheet size: cm. 22×15 approx.
  • Support: Thick paper, white back
  • Condition: Excellent

Il Pittore perplesso, 1850

15,00 

Il Pittore perplesso è un’incisione realizzata nel 1850, che cattura l’attenzione per la sua espressione artistica unica.
This work is made with the technique ofEtching and burin su carta di medio spessore, presentando dimensioni dell’incisione di cm. 7×8, con margini più piccoli.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The Plane Tree by Godfrey of Bouillon, 1840

20,00 

The Plane Tree by Godfrey of Bouillon It is a copper engraving made in 1840, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, measuring 13x16 cm, has small margins and was extracted from a book, with the verso printed.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

The entire page containing the print will be sent.

The Devil's Bridge, on the Gotthard, 1875

20,00 

The Devil's Bridge on the Gotthard It is an engraving made in 1875, part of the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden.
This woodcut has a format of cm. 20×11 and includes smaller margins, with printed back.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Il Ponte di Carignano a Genova, 1837

20,00 

Il Ponte di Carignano a Genova è un’incisione in xilografia realizzata nel 1837.
This work is taken from Pictorial Cosmorama, una rivista che ha avuto un ruolo significativo nella diffusione delle illustrazioni artistiche nel XIX secolo.

  • Sheet size: cm. 20×14 approx.
  • Support: Paper
  • Condition: Buone condizioni, con scritte al retro in parte visibili

La stampa, ritagliata dal libro, viene spedita completa di passepartout e rappresenta una bella veduta decorativa di Genova.

Il Ponte di Cassano sull’Adda, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 12×16 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

The Water Carrier, F.Palizzi, 1853

60,00 

The Water Bearer It is an engraving made by Philip Palizzi in 1853, performed with the technique of Burin and enriched with a delicate watercolor.
This work is part of the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

The print has a slight imperfection in the title part, but it is a unique piece and not an anastatic copy.
It represents a moment of daily life, with a galloping horse carrying sea or spring water, used for personal baths.

The Port of Palermo Woodcut 1847

15,00 

The Port of Palermo It is a woodcut made in 1847, which offers a suggestive view of the port of the city of Palermo.
This piece is taken from the Picturesque Store of 1847, an important publication of the time.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Light paper
  • Condition: Excellent

Portsmouth Harbour, 1850

20,00 

Portsmouth Harbour It is an engraving made in 1850, which represents the famous British port.
This work is taken from the Art Journal Engraving and presents a fascinating view of Portsmouth Harbour, preserved in the Royal Collection.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent state of preservation

Il postino del Villaggio, W.French, 1840-50

20,00 

Il postino del Villaggio It is an etching made by W. French between 1840 and 1850.
This work, entitled Die Dorfpost, is printed on medium-thickness paper and has a white back.

  • Sheet size: cm. 21×27
  • Support: Paper
  • Condition: Excellent

The press was published in Payne's Universum und Buch der Kunst, in Leipzig and Dresden.
William French, artista inglese, ha collaborato con Albert Henry Payne, un incisore e editore noto, che ha fondato una casa editrice a Lipsia nel 1838.

The Prefect in a large suit, 1850

30,00 

The Prefect with a big dress It is a hand-colored lithograph, made in 1850.
This work is taken from Les Français croqués par eux-mêmes, a series that offers a humorous and satirical look at French society.

  • Sheet size: cm. 20×15 approx.
  • Support: Thick paper, glued to another paper support
  • Condition: Excellent

Il Presepe, Francesco Mancini, 1845

20,00 

Il Presepe It is a lithograph made by Francesco Mancini nel 1845, tratta dall’opera Picturesque Polyorama, una pubblicazione dedicata alla diffusione di conoscenze artistiche e culturali.
Questa stampa, che misura cm. 16×23, presenta margini quasi assenti e include scritte attorno e al verso, rendendola un pezzo unico da collezione.

  • Sheet size: cm. 16×23 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Il principe Napoleone, 1859

30,00 

Il Principe Napoleone è una xilografia realizzata nel 1859, tratta dall’opera Wars of Italy.
Questa stampa, di grande impatto visivo, è estratta dal libro e non presenta scritte al verso, rendendola un pezzo unico per collezionisti e appassionati di storia.

  • Sheet size: cm. 37×25 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Prince Rupert, Van Dick, 1850

20,00 

Prince Rupert It is an engraving made by Anton Van Dyck in 1850, which portrays the young prince full-length.
This work is an interpretation of a famous portrait by the Flemish painter, Anthony van Dyck, known for his distinctive style and skill in portraying nobility.

  • Sheet size: cm. 111×198 approximately, plus margins
  • Engraving size: cm. 111×198 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

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