Paper

Showing 3625–3648 of 8309 results

Jacob's Dream, Ferd. Bol, 1840-50

20,00 

Jacob's Dream It is an engraving made by Ferd. Bol between 1840 and 1850.
This work, which represents a significant moment in the biblical narrative, was published in Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Engraving size: cm. 21×27
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent

Scipio's Dream Woodcut 1872

15,00 

Scipio's Dream It is a woodcut made in 1872, taken from the Picturesque Store.
This work, engraved by J. Guillaum and designed by Chevignard, represents a fascinating and meaningful subject.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 21 x 15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

The Soldier and Death, Deuchar, 1803

50,00 

The Soldier and Death It is an engraving made by David Deuchar in 1803, inspired by the famous theme of the Dance of Death.
This work comes from the volume The Dances of Death through the various stages of human life, with the original drawings by Hans Holbein.

  • Sheet size: cm. 20×16 approx.
  • Engraving size: cm. 11×9 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Il Taglialegna, xilografia dell’800

30,00 

Il Taglialegna è una xilografia dell’800, proveniente da una stampa antica.
Questa opera è acquarellata e tratta da un testo della fine dell’800.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Il tavernaio, Duclere, 1853

60,00 

Il Tavernaio è un’incisione realizzata nel 1853 da Duclere, caratterizzata da un bulino al delineato acquarellato su carta media.
Questa opera è firmata in lastra e proviene dal volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Condition: Perfect state of preservation
  • Support: Medium paper, white back

The Temple of S. Fedele in Milan, 1837

20,00 

The Temple of S. Fedele in Milan It is a woodcut engraving made in 1837, which offers a beautiful decorative view of the historic Milanese church.
This print was extracted from the magazine Pictorial Cosmorama, published in the third year of its edition.

  • Printed part dimensions: cm. 11×16
  • Margins: almost absent
  • Condition: Excellent, with writing on the back partly visible
  • Support: Card, shipped complete with passepartout

Pictorial Cosmorama It was an innovative magazine for its time, founded by Giovanni Francesco Zini and directed by Giuseppe Sacchi, who gave great importance to illustrations.
This engraving represents a significant piece of Milanese artistic history.

Il Tessitore, xilografia dell’800

25,00 

Il Tessitore It is a 19th century woodcut, made by Jost Amman.
Questa opera è tratta da un testo della fine dell’800 e presenta un’incisione di dimensioni cm. 8×6 circa, su un foglio di cm. 27×18.
La stampa include testo attorno e al verso, e verrà spedita la pagina intera, estratta dal libro.

  • Sheet size: cm. 27×18
  • Engraving size: cm. 8×6
  • Support: Paper
  • Condition: Excellent state of preservation

Il Tipografo, xilografia dell’800

25,00 

Il Tipografo it's a woodcut satirica dell’800, che rappresenta un tipografo vestito di lettere.
Questa stampa è tratta da un testo della fine dell’800 e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent

The page will be shipped in its entirety, containing the print extracted from the book.

The Bullfighter, Leitghton Brothers

30,00 

Il Torero it's a chromolithography made by Leitghton Brothers In the 20th century.
This work, with dimensions of cm. 22×15, is printed on thick paper with white back.

  • Sheet size: cm. 22×15 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Il tornitore, xilografia dell’800

25,00 

Il Tornitore It is a 19th century woodcut, inspired by an ancient 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 12×11 approx.
  • Support: Paper
  • Condition: Excellent

The page will be shipped in its entirety, containing the print extracted from the book.

Il Tornitore, xilografia dell’800

25,00 

Il Tornitore It is a 19th century woodcut, made by Jost Amman.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 8×6 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The full page, containing the print, extracted from the book will be sent.

Il trasporto della salma di Carlo Cattaneo al Famedio, 1884

30,00 

Il trasporto della salma di Carlo Cattaneo al Famedio it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un momento significativo della storia italiana e viene fornita con scritte al verso.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

Il tributo a Cesare 1830-1850

25,00 

Il tributo a Cesare è un’incisione realizzata da J. Rogers tra il 1830 e il 1850, ispirata al celebre soggetto del tributo a Cesare.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

The Tribute, Titian, 1840-50

20,00 

Il Tributo è un’incisione realizzata da Tiziano, pubblicata tra il 1840 e il 1850.
This work, also known as The Tribute Money, is an etching on strong paper, with a white back.
It was published in the Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

The Triumph of David, Domenichino, 1846

30,00 

The Triumph of David it is an engraving made by Domenichino in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Trumpeter, F.van Mieris, 1840-50

20,00 

Il Trombettiere è un’acquaforte realizzata da F. van Mieris tra il 1840 e il 1850.
This work was published in the Royal Dresden Gallery di Payne, un’importante galleria d’arte di Dresda e Lipsia.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

The Trumpeter, G.Terburg, 1840-50

20,00 

Il Trombettiere è un’incisione realizzata da G. Terburg tra il 1840 e il 1850.
This work, also known as The Trumpeter, is an etching on strong paper, published in the Royal Dresden Gallery by Payne, edited by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Back: White
  • Condition: Excellent condition

Albert Henry Payne, incisore, disegnatore ed editore inglese, nacque a Londra nel 1812 e morì nel 1902 a Lipsia, dove operò dal 1838 fondando l’Istituto d’Arte Inglese.

The Mont Cenis Tunnel, 1892

20,00 

The Mont Cenis Tunnel It is a woodcut made in 1892 by the author Chevalier C. Abbé.
This work represents the Church of S. Restituta, located in the Cathedral of Naples, and is taken from the volume Naples le Vesuve and Pompeii. Travel sketches.

  • Sheet size: cm. 19×28 approx.
  • Engraving size: cm. 12×18 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

The Cowherd, F.Palizzi, 1853

60,00 

The Cowherd It is an engraving made by Philip Palizzi In the 1853.
This work is an example of Burin with watercolor outline, printed on medium paper with white back.

  • Sheet size: cm. 17×25
  • Condition: Perfect state of preservation
  • Work taken from: Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard, 1853
  • Note: It is not an anastatic copy

The launching of the steamship San Gottardo, 1884,

30,00 

The launching of the steamship San Gottardo It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents a significant moment in the history of navigation and will be shipped in full size, with writing on the verso.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

Il venditore di capitoni, F.Palizzi, 1853

60,00 

Il venditore di capitoni It is an engraving made by F. Palizzi In the 1853.
This work is a bulino al delineato acquarellato su carta media, firmata in lastra da Fil. Palizzi.

  • Sheet size: cm. 17×25 approx.
  • Condition: Excellent state of preservation
  • Support: Medium paper, white back

The engraving is taken from Customs and Traditions of Naples and Surrounding Areas di Francesco De Bourcard, pubblicato nel 1853.
Si precisa che non si tratta di una copia anastatica.

The Meat Seller, G.Metsu, 1840-50

20,00 

Il Venditore di Carne è un’incisione realizzata da G. Metsu tra il 1840 e il 1850.
This work, also known as The Game Dealer, is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Il venditore di fichi d’india, P.Mattei, 1853

60,00 

Il Venditore di Fichi d’India è un’incisione realizzata da P. Mattei nel 1853.
This work is a burin al delineato acquarellato d’epoca, stampata su carta media con retro bianco.

  • Sheet size: cm. 17×25 approx.
  • Condition: Excellent state of preservation
  • Signed on the plate: Pas. Mattei dis., Cucinotta inc.
  • Work taken from: Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard, 1853

Si precisa che non si tratta di una copia anastatica.

Veronese, Man between Vice and Virtue, 1786

50,00 

Veronese, The Man Between Vice and Virtue it is an etching made in 1786 by Paolo Caliari, known as Il Veronese.
This work is taken from the Gallery of the Palais Royal, which collects works from different artistic schools, with a historical description of each painting provided by the Abbé de Fontenai.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Good, with a lack on the lower left edge
  • Support: Laid paper without watermark
  • Published by: J. Couche, Paris, 1786

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