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Showing 3985–4008 of 8306 results

The Death of Ananias. Etching1830-1850

25,00 

The Death of Ananias It is an engraving made by J. Rogers between 1830 and 1850, inspired by the biblical subject of the death of Ananias.
This work is part of the Scripture Gallery of Engraving, published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back with editorial frame and vignettes

La morte di Cleopatra, 1842

15,00 

La morte di Cleopatra è un’incisione su rame realizzata nel 1842, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa incisione rappresenta un momento drammatico della storia, raffigurando Cleopatra VII, l’ultima regina del Regno tolemaico d’Egitto.

  • Sheet size: cm. 10×16 approx.
  • Support: Lightweight paper, printed back
  • Condition: Excellent condition

​La Mummia di Ramsete II, 1886

30,00 

La Mummia di Ramsete II It is an engraving made in 1886, taken from the prestigious publication The Italian Illustration, published in Milan by the Treves Brothers.
Questa opera presenta un’immagine di dimensioni cm. 16×13, arricchita da scritte decorative intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 16×13 approx.
  • Support: Paper
  • Condition: Excellent

La nascita di Belfoebe e Amoretto, 1850-60

20,00 

La nascita di Belfoebe e Amoretto è un’incisione realizzata tra il 1850 e il 1860, ispirata all’opera presente nella Royal Collection.
Questa opera è una combinazione di etching and burin, published in Art Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

La Nonna.Litografia 1842

15,00 

La Nonna it's a lithography made in 1842, tratta dal dipinto di Mad. Brune Pagèt e incisa dal litografo G. Riccio.
Questa opera rappresenta una nonna altera e composta che prega con i suoi nipotini, una bimba e un bimbo inginocchiati, vestiti con abiti antichi.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 16 x 15 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

La Odalisca, L.Leloir, 1889

20,00 

La Odalisca è un’acquerello realizzato da L. Leloir nel 1889.
Questa opera è una xilografia tratta da The Italian Illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 200×250
  • Margins: Almost absent
  • Condition: Good, with writing on the back
  • Support: Paper

Peace, Neapolitan Women, 1850

40,00 

Peace, Neapolitan Women It is a watercolour lithograph made by an anonymous author in 1850.
This work represents a valuable and lively scene of Neapolitan costumes, with Vesuvius in the background, which captures the essence of Neapolitan life and culture.

  • Sheet size: cm. 20×25 approx.
  • Lithograph dimensions: cm. 12×17 approx.
  • Support: Paper
  • Condition: Good condition, with light stains on the edges

La partenza dei coscritti, Gerolamo Induno, 1889

25,00 

La partenza dei coscritti It is an engraving made by Gerolamo Induno In the 1889.
This woodcut, taken from The Italian Illustration published by Treves Brothers di Milano, rappresenta un momento significativo della storia italiana.

  • Sheet size: mm. 430×290
  • Engraving size: almost no margins
  • Support: Paper
  • Condition: Good

La partenza del guerriero, Wilkie, 1850

20,00 

La partenza del guerriero è un’incisione realizzata da Sir David Wilkie nel 1850, che cattura un momento significativo con tre personaggi in primo piano.
This work, performed with the technique of burin, è parte della Royal Collection e rappresenta un esempio pregevole del talento del pittore scozzese.

  • Sheet size: cm. 170×200 più margini
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Departure of Agar1830-1850

25,00 

Hagar's departure It is an engraving made by Rob Wallis, taken from the Scripture Gallery of Engraving and published by John Tallis & Company in London and New York.
This work, dated between 1830 and 1850, represents a significant moment in the biblical narrative.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Furthermore, the engraving is presented with an editorial frame decorated with vignettes, making it a fascinating piece for collectors and art enthusiasts.

La partenza di Rebecca. Acquaforte 1830-1850

25,00 

La partenza di Rebecca è un’incisione realizzata da J.W. Cook tra il 1830 e il 1850, parte della Scripture Gallery of Engraving.
Questa opera, pubblicata da John Tallis & Company di Londra e New York, presenta una cornice editoriale decorata con vignette.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

La Pena, Sintra, Convent, Palacio de Pena, Portugal, 1832

25,00 

La Pena, Sintra, Convento, Palacio de Pena, Portogallo It is an engraving made in 1832.
This etching rappresenta un’importante opera della prima metà del XIX secolo, catturando la bellezza del famoso palazzo di Sintra.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

La Pietà, Canova, 1837

20,00 

The Piety è un’incisione su rame realizzata da Antonio Canova nel 1837.
This work is taken from the Picturesque Polyorama e presenta un’incisione di dimensioni cm. 15×18 circa.
La stampa è stata estratta dal libro e include testo sia intorno che al verso.
Viene spedito il foglio intero, garantendo così la preservazione dell’opera.

  • Condition: Excellent condition
  • Engraving size: cm. 15×18 approx.
  • Support: Paper

The Pietà, by Michelangelo, 1893

25,00 

The Piety It is a woodcut created in 1893, inspired by the sculpture of the same name by Michelangelo.
This work is taken from the volume Italy souvenirs and travel impressions by Abbé Paul Barbier, published in Paris.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 18×11 approx.
  • Support: Paper
  • Condition: Excellent condition

The Place Rouge Moscow Red Square. 1860

15,00 

The Red Square It is a woodcut made in 1860, which represents the famous Red Square in Moscow, with the monument to Minine and Pozharsky.
This work is taken from the Picturesque Store of the same year, and the drawing was made by d'Henriel, while the engraving was executed by E. Vermorcken.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 12×15 approx.
  • Support: Light paper
  • Condition: Excellent

La Poetessa, Matita su carta, XIX sec.

30,00 

La Poetessa è un’opera realizzata in matita su carta da un artista anonimo nel 19th century.
Questa affascinante rappresentazione mostra una bella esecuzione, con dettagli curati e un’atmosfera evocativa. Sul retro del foglio sono presenti altri parziali disegni, che aggiungono valore e interesse all’opera.

  • Sheet size: cm. 18×12 approx.
  • Dimensions of the work: cm. 18×12 approx.
  • Support: Paper
  • Condition: Excellent

The Jerusalem Gate, 1839

15,00 

La Porta di Gerusalemme It is an engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione in rame presenta dimensioni di cm. 10×14 e margini quasi assenti. La stampa è contenuta nella pagina del libro e presenta scritte al verso. Si spedisce la pagina intera che contiene la stampa.

  • Sheet size: cm. 10×14 approx.
  • Support: Paper
  • Condition: Excellent

La Predica al Colosseo, Pinelli, 1840

25,00 

La Predica al Colosseo It is an engraving made by Bartholomew Pinelli in 1840.
Questa opera, non firmata, è un’incisione al burin su rame che rappresenta una scena vivace e animata con molti personaggi.
Taken from FROMMEL, Picturesque Italy, pubblicato a Lipsia nel 1840, questa stampa offre uno sguardo affascinante sulla vita e i costumi dell’epoca.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

La predica, Ledoux, 1840-50

90,00 

La Predica è una litografia acquerellata a mano e rifinita all’albume, realizzata tra il 1840 e il 1850.
Questa opera proviene probabilmente da Scenes populaires en Italie lithographiees par A. Ledoux d’après les dessins de F. Cerrone, pubblicata a Napoli da Augusto Ledoux, noto negoziante di litografie.
L’immagine rappresenta una scena popolare animata e variopinta, rendendola un pezzo raro e affascinante per collezionisti.

  • Sheet size: mm. 440×270
  • Condition: Excellent state of preservation
  • Support: Paper

The Presentation in the Temple, Louis Boullogne, 1846

30,00 

La Presentazione nel Tempio è un’incisione realizzata da Louis Boullogne nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Presentation in the Temple, Louis Boullogne, 1846

30,00 

La Presentazione nel Tempio è un’incisione realizzata da Louis Boullogne nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

La Prigione dell’Inquisizione a Barcellona, 1870

20,00 

La Prigione dell’Inquisizione a Barcellona è un’incisione realizzata da Gustave Doré nel 1870.
Questa xilografia è tratta da L’Universo Illustrato e rappresenta un’importante testimonianza visiva della storia.

  • Sheet size: cm. 20×31 circa
  • Image size: cm. 24×16 approx.
  • Support: Paper
  • Condition: Excellent condition

La Proposta rifiutata, N.Verkolje, 1840-50

20,00 

La Proposta Rifiutata è un’incisione realizzata da N. Verkolje tra il 1840 e il 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Back: White
  • Condition: Excellent

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

La raccolta dell’uva, Leitghton Brothers

30,00 

La raccolta dell’uva it's a beautiful one chromolithography made by Leitghton Brothers.
Questa opera, datata al 20th century, presenta un’immagine vivace e dettagliata della vendemmia.

  • Sheet size: cm. 22×15 approx.
  • Support: Thick paper, white back
  • Condition: Excellent

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