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La filatrice, K. Du Jardin, 1845
20,00 €The Spinner è una litografia realizzata da K. Du Jardin nel 1845.
This work was published in the magazine Art crown between 1845 and 1846.
- Sheet size: cm. 32×25 approx.
- Print Size: cm. 20×16 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
La filatrice, xilografia dell’800
25,00 €The Spinner It is a 19th century woodcut, inspired by an ancient 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
- Sheet size: cm. 27×18 approx.
- Engraving size: cm. 16×11 approx.
- Support: Paper
- Condition: Excellent
The full page, containing the print, extracted from the book will be sent.
La filatrice, xilografia dell’800,
25,00 €The Spinner It is a 19th century woodcut, inspired by an ancient 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
- Sheet size: cm. 27×18 approx.
- Engraving size: cm. 12×11 approx.
- Support: Paper
- Condition: Excellent
The full page, containing the print, extracted from the book will be sent.
La fioraia, F.Palizzi, 1853
60,00 €La Fioraia It is an engraving made by F. Palizzi In the 1853.
This work is a bulino al delineato acquarellato su carta media, con retro bianco.
- Sheet size: cm. 17×25 approx.
- Condition: Perfect state of preservation
- Signed on the plate: Fil.Palizzi dis., inc. F. Pisante
- Taken from: Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard, 1853
Si precisa che non si tratta di una copia anastatica.
La Fontaine de Vaucluse. Francia Xilografia 1842
15,00 €La Fontaine de Vaucluse è una xilografia realizzata nel 1842, che cattura la bellezza della famosa fonte situata nella Costa Azzurra, in Francia.
This piece is taken from the Picturesque Store del 1842 e presenta colori tenui che, insieme al delicato scorrere dell’acqua, comunicano una gradevole sensazione di freschezza.
- Sheet size: cm. 30 x 21 approx.
- Engraving size: cm. 21 x 15 approx.
- Support: Light paper
- Condition: Excellent state of preservation
La Fonte nel deserto, 1850-60
20,00 €La Fonte nel deserto It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata prodotta utilizzando la tecnica dell’etching and burin ed è stata pubblicata nell’Art Journal Engraving.
- Sheet size: cm. 32×24 approx.
- Condition: Excellent general condition
- Support: Strong engraving paper
La Fornarina, 1835
15,00 €La Fornarina It is an engraving made with the technique of Burin, taken from the work Picturesque Italy di De Norvins, pubblicata a Parigi nel 1835.
Questa incisione presenta una battuta di cm. 12×18 and is printed on lightweight paper with a white back.
- Condition: Excellent condition
- Support: Paper
The Force, Allegory, 1839
15,00 €The Force, Allegory It is a copper engraving made in 1839.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli and printed in Naples by the Omnibus printing house.
- Sheet size: cm. 8×15 approx.
- Support: Paper
- Condition: Excellent
The print is contained in the book page and has writing on the back; the entire page containing the print will be sent.
The Deer Pit. Bern. Switzerland.1840-70
15,00 €La Fossa dei Cervi è un’incisione che rappresenta La Fosse aux Biches a Berna, in Svizzera, realizzata tra il 1840 e il 1870.
This woodcut is from the Picturesque Store e presenta un’illustrazione dettagliata della fossa dei cervi, un luogo emblematico della capitale svizzera.
- Sheet size: cm. 30 x 21 approx.
- Engraving size: cm. 20 x 14 approx.
- Support: Light paper
- Condition: Excellent
La friggitrice di zeppole, T.Duclere, 1853
60,00 €La friggitrice di zeppole è un’incisione realizzata da T. Duclere nel 1853, che celebra la tradizione culinaria napoletana.
This work is taken from the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.
- Sheet size: cm. 17×25 approx.
- Engraving size: cm. 17×25 approx.
- Support: Medium paper
- Condition: Excellent state of preservation
L’incisione, realizzata con la tecnica del Burin e con un delicato acquarellato d’epoca, è firmata in lastra e presenta un retro bianco.
Questo pezzo unico non è una copia anastatica e rappresenta un’importante testimonianza della cultura gastronomica italiana.
La fuga in Egitto, F.Bol, 1840-50
20,00 €La fuga in Egitto it is an engraving made by F. Bol between 1840 and 1850.
This work is a etching su carta forte, pubblicata nella prestigiosa Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.
- Sheet size: cm. 21×27
- Condition: Excellent
- Support: Strong paper
F. Bol, noto per le sue opere di grande impatto visivo, ha saputo catturare l’essenza del tema biblico della fuga in Egitto, rendendo questa stampa un pezzo significativo per collezionisti e appassionati d’arte.
La gelosia, A.H.Payne, 1850
20,00 €La gelosia It is an engraving made by A.H. Payne nel 1850, rappresentante una scena di gelosia all’interno di un’aia.
Questa opera è stata realizzata con la tecnica del burin e pubblicata dalla Verlag d. Englischen Kunstastalt A.H. Payne, Leipzig & Dresden.
- Size of the joke: mm 150×180 più margini
- Condition: Good state of preservation
- Support: Medium engraving paper
La Lavandaia, xilografia dell’800
25,00 €La Lavandaia è una xilografia dell’800, proveniente da una stampa antica.
Questa opera è tratta da un testo della fine dell’800 e presenta un’incisione di dimensioni cm. 16×11 circa, su un foglio di cm. 27×18.
La pagina intera, contenente la stampa, verrà spedita estratta dal libro, con testo attorno e al verso.
- Sheet size: cm. 27×18 approx.
- Engraving size: cm. 16×11 approx.
- Support: Paper
- Condition: Excellent state of preservation
La lettera d’amore, 1850
15,00 €La lettera d’amore è un’incisione realizzata nel 1850 da H. Richter e Ch. Rolls.
Questa opera, che utilizza le tecniche dell’Etching and of the Burin, rappresenta un momento intimo e poetico.
- Sheet size: cm. 7×10 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
The letter of Uriah, F.Bol, 1840-50
20,00 €The Letter of Uriah it is an engraving made by F. Bol between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.
- Sheet size: cm. 21×27
- Back: White
- Condition: Excellent condition
Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
The letter, 1850
20,00 €The Letter It is an engraving made by Tlor Williams and W. French in 1850, using the technique of burin.
The work depicts a noble swordsman reading a letter, capturing a moment of reflection and nobility.
- Sheet size: mm. 125×170 approx.
- Condition: Excellent state of preservation
- Support: Medium engraving paper
La lettera, J.C.Merz, 1845
20,00 €The Letter è un’incisione realizzata da J.C. Merz nel 1845.
This work is an etching on medium-thickness paper, published in the volume Art crown between 1845 and 1846.
- Sheet size: cm. 32×25 approx.
- Engraving size: cm. 20×16 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
La Lettrice, acquarello di P.Bedini, 1886
30,00 €La Lettrice è un acquarello realizzato da P. Bedini nel 1886, tratto dalla prestigiosa pubblicazione The Italian Illustration, published in Milan by the Treves Brothers.
Questo affascinante pezzo d’arte presenta un’immagine di cm. 21×31, arricchita da scritte decorative intorno e annotazioni al retro del foglio.
- Sheet size: cm. 21×31 approx.
- Support: Paper
- Condition: Excellent
La lettura della mano, Manfredi, 1850
20,00 €La lettura della mano è un’incisione realizzata da Manfredi nel 1850, che rappresenta il tema affascinante della chiromanzia.
Questa opera è un’acquaforte al bulino, caratterizzata da dettagli raffinati e una composizione intrigante.
- Sheet size: cm. 26×17 approx.
- Engraving size: cm. 14×10 approx.
- Support: Light paper
- Condition: Excellent state of preservation
The Magdalene, 1854
20,00 €The Magdalene it's a lithographic printing made in 1854, part of the publication Picturesque Polyorama, a periodical work designed to spread useful knowledge among all social classes.
This print, measuring approximately 24x16 cm on a 30x20 cm sheet, was cut from the book and features writing on the back. The entire page containing the print will be sent.
- Era: XIX
- Technique: Lithography
- Condition: Excellent
- Dimensions: Medium
- Support: Paper
The Madonna of the Sacred Belt, 1856
20,00 €The Madonna of the Sacred Belt it's a lithographic printing made in 1856.
This work is taken from Picturesque Polyorama, a Neapolitan periodical publication aimed at spreading useful knowledge among all social classes.
- Sheet size: cm. 30×20 approx.
- Print Size: cm. 16×22 approx.
- Support: Paper
- Condition: Excellent
The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.
The Madonna of Casaluce, 1854
20,00 €The Madonna of Casaluce it's a lithographic printing made in 1854, coming from Picturesque Polyorama, a periodical work dedicated to the dissemination of useful knowledge among all social classes.
This print, which measures approximately cm. 20×16 on a sheet of paper cm. 30×20, was cut from a book and has writing on the back. The full page containing the print will be sent.
- Sheet size: cm. 30×20 approx.
- Print Size: cm. 20×16 approx.
- Support: Paper
- Condition: Excellent
La Mano di Sant’Anna, 1843
20,00 €Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.
- Sheet size: cm. 28×20 approx.
- Dimensione della immagine: cm. 8×10 approx.
- Technique: Woodcut
- Condition: buona, scritto al verso del foglio, in parte visibile al recto.
- Support: Paper
La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili, viene spedita la pagina intera che contiene la stampa .
Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.
Melancholy, Allegory, 1839
15,00 €La Melanconia, Allegoria è un’incisione realizzata nel 1839, eseguita in copper e parte dell’opera Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This small print has almost no margins and is contained within the book page, with writing on the verso.
- Sheet size: cm. 14×10 approx.
- Technique: Burin
- Condition: Excellent
- Support: Paper
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