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de Larmessin, Nicolas (1632-1694), 1680
40,00 €Maria Anna Christienne Victoire de Baviere è un’acquaforte acquarellato realizzata da Nicolas de Larmessin nel 1680.
This work, signed De L’Armessin, sculpsit, è un esempio pregevole dell’arte del XVII secolo.
- Sheet size: cm. 25×18 approx.
- Support: Laid paper
- Condition: Buone, con strappo di 10 cm riparato al verso con carta
de Larmessin, Nicolas (1632-1694), 1680
40,00 €Luigi D’Auphin è un’acquaforte acquarellata realizzata da Nicolas de Larmessin nel 1680.
Questa opera ritrae il figlio di Luigi il Grande e di Maria Teresa d’Austria, ed è firmata De L’Armessin, sculpsit.
- Sheet size: cm. 25×18 approx.
- Technique: Etching
- Condition: Excellent
- Support: Laid paper
de Larmessin, Nicolas (1632-1694), 1680
40,00 €Mara Anna, figlia del re Luigi XIV è un’incisione realizzata da Nicolas de Larmessin nel 1680.
This watercolor etching d’epoca è un esempio pregiato dell’arte incisoria del XVII secolo.
- Sheet size: cm. 25×18 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Deckert, Basan, Al telaio, 1771
30,00 €Deckert, Basan, Al telaio è un’incisione realizzata nel 1771, parte del Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie incisioni basate sui dipinti del cabinet di Monseigneur le Duc de Choiseul, edito da Pierre-François Basan.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Delphi, Greece, Etching, 1834 C.Stanfield
30,00 €Delphi, Greece It is an engraving made in 1834 by C. Stanfield, a famous designer, and engraved by E. Finden.
This work is taken from Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron, published by John Murray in London.
- Sheet size: cm. 23×16 approx.
- Engraving size: cm. 13×9 approx.
- Support: Thick paper
- Condition: Excellent state of preservation
This animated view of Delphi, home of the oracle of the god Apollo, represents an important artistic testimony of the 19th century.
Della Bella, Various Vessels
60,00 €Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.
- Sheet size: cm. 17×32 approx.
- Engraving size: cm. 8×16 approx.
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
The plates of these copies belong to the Calcografia of Rome.
Della Bella, Various Vessels
60,00 €Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Excellent
The plates of these copies belong to the Calcografia of Rome.
Della Bella, Various Vessels
60,00 €Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, representing a series of vessels.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
Della Bella, Various Vessels
60,00 €Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
Della Bella, Various Vessels
60,00 €Various Vessels It is a work created by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This etching on thick ivory-colored unlaid paper it has the following characteristics:
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Support: Unlaid paper
- Condition: Perfect
The work is a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBellaThe plates of these copies belong to the Calcografia of Rome.
Della Bella, Various Vessels
60,00 €Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Excellent
The plates of these copies belong to the Calcografia of Rome.
Della Bella, Various Vessels
60,00 €Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
Della Bella, Various Vessels
60,00 €Various Vessels It is a work created by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This etching on thick ivory-colored unlaid paper it has the following characteristics:
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Support: Unlaid paper
- Condition: Perfect
The work is a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBellaThe plates of these copies belong to the Calcografia of Rome.
Della Bella, Various Vessels
60,00 €Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.
- Sheet size: cm. 17×32 approx.
- Engraving size: cm. 8×16 approx.
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
The plates of these copies belong to the Calcografia of Rome.
Della Bella, Various Vessels
60,00 €Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, representing a series of vessels.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
Della Bella, Various Vessels
60,00 €Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
The plates of these copies belong to the Calcografia of Rome.
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was produced in the 19th century and represents a significant example of his art.
- Sheet size: cm. 37×32 approx.
- Engraving size: mm. 133×133 at the copper edge
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Excellent
The engraving is signed lower left with the wording Stef.Della Bella invented fecit.
The plates of these copies belong to the Calcografia of Rome, as attested by the dry mark visible in the lower left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, is an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
The work is signed on the lower left with the wording Stef.Della Bella invented fecit and features the dry mark of the Calcografia of Rome, visible in the lower left corner of the title page (Lugt 2144).
This engraving is described by De Vesme and Massar on page 128, and is a reverse copy of the series mentioned.
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome It is an engraving made by Stefano della Bella, a well-known artist of the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was created in the 19th century and features an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Unlaid paper
- Condition: Excellent
The engraving is signed at the bottom left with the words 'Stef.Della Bella invent fecit' and features the dry mark of the Calcografia di Roma, visible in the bottom left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, is a fine example of etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Unlaid paper
- Condition: Perfect
The work is signed on the lower left with the wording Stef.Della Bella invented fecit and features the dry mark of the Calcografia of Rome, visible in the lower left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome It is an engraving made by Stefano della Bella, an important artist of the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was created in the 19th century and presents an extraordinary representation of Roman landscapes.
- Sheet size: cm. 37×32 approx.
- Engraving size: mm. 133×133 at the copper edge
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
The engraving is signed lower left with 'Stef.Della Bella invent fecit' and features the dry mark of the Calcografia di Roma, visible in the lower left corner of the title page.
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome It is an engraving made by Stephen of the Beautiful (1610-1664), which represents the famous landscapes and ruins of Rome.
This work dates back to the 19th century and it is an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Unlaid paper
- Condition: Excellent
Signed lower left with the wording Stef.Della Bella invented fecitThe plates of these copies belong to the Calcografia of Rome, as indicated by the dry mark visible in the lower left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was created in the 19th century and features a refined etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133
- Support: Unlaid paper
- Condition: Excellent
The work is signed on the lower left with the wording Stef.Della Bella invented fecit and features the dry mark of the Calcografia of Rome, visible in the lower left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was produced in the 19th century and features an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Unlaid paper
- Condition: Excellent
The work is signed at the bottom left with the words 'Stef.Della Bella invent fecit' and features the dry mark of the Calcografia di Roma, visible in the bottom left corner of the title page (Lugt 2144).
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