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Andrea Schiavone, Dead Christ, 1786
70,00 €Cristo Morto it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
È tratta dalla Gallery of the Palais Royal, che presenta opere delle diverse scuole artistiche, accompagnata da un riassunto della vita dei pittori e una descrizione storica di ciascun quadro, a cura dell’abbé de Fontenai.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
- Published by: J. Couche; Parigi; 1786
Andrea Schiavone, Jesus Before Pilate, 1786
70,00 €Jesus Before Pilate it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper with watermark, coming from the Gallery of the Palais Royal.
- Engraving size: cm. 24×37 (including the editorial frame)
- Margins: Good irregular margins
- Condition: Excellent condition, nice proof with good contrast
- Published by: J. Couche, Paris, 1786
Anfiteatro a Pola, Croazia, A.H.Payne, 1840-50
25,00 €Incisione realizzata all’acquaforte da A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.
- Image size: cm. 11×15 circa con ampi margini
- Support: Medium thickness paper
- Condition: Excellent condition
Amphitheatre of the Boboli Gardens, Florence, 1826
20,00 €Amphitheatre of the Boboli Gardens, Florence it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
Anonymous, Goats, 19th century
20,00 €Goats It is an anonymous engraving made in 19th century.
This work, performed in etching, rappresenta un soggetto di grande fascino e delicatezza.
- Sheet size: cm. 14×22 approx.
- Condition: Sciupato con qualche piega
- Support: Laid paper
Anonymous, God who admonishes, 18th century
30,00 €God who warns It is an anonymous engraving from the 18th century, made in etching on laid paper.
The work represents God sitting on a cloud, supported by little angels, while pointing to a dove in the sky.
- Sheet size: mm. 125×84 at the marginal line
- Condition: Good condition
Anonymous, Jesus and St. Peter, 18th century
30,00 €Jesus and St. Peter It is an anonymous engraving from the 18th century which represents the moment in which Jesus hands over the keys to Saint Peter.
This work is made in etching on heavy paper, with dimensions of mm. 95×95 at the marginal line.
On the back there is a dry stamp from a previous collector, which certifies its provenance.
- Condition: Good condition
- Support: Heavy paper
Anonymous, Studies of hands, 18th century.
30,00 €Hand studies It is an engraving made by a anonymous engraver in the 18th century.
This work features detailed studies of hands and arms, highlighting the artist's technical skill.
- Sheet size: cm. 16×12 approx.
- Technique: Etching
- Condition: Good condition
- Support: Laid paper without watermark
Antonio Tempesta Bulls, 1620
60,00 €Tori It is an engraving made by Anthony Tempest nel 1620, proveniente dalla Nuova raccolta de li animali più curiosi del mondo.
This work is a fine example of etching, stampata su carta vergellata.
- Sheet size: cm. 15×21 approx.
- Engraving size: mm. 96×140 circa
- Support: Laid paper
- Condition: Good general condition
Anthony van Dyck, 1830
30,00 €Anthony van Dyck, 1830 It is an etching made on paper, which portrays the illustrious Flemish painter known for his portraits.
Van Dyck, who became the leading court painter in England, had an important influence on European portraiture after his stay in Italy.
- Sheet size: cm. 23×15
- Engraving size: cm. 10×8
- Support: Paper
- Condition: Excellent
Anthony van Dyck, 1830
30,00 €Anthony van Dyck, 1830 it is an etching made on laid paper, which represents a significant work by one of the most famous Flemish portraitists.
Van Dyck, known for his elegant style and his ability to portray the nobility, became the first court painter in England after a long stay in Italy.
- Sheet size: cm. 26×21 approx.
- Engraving size: cm. 9×7 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Aosta, 1833-35
30,00 €Aosta, 1833-35 It is an engraving made by James Duffield Harding, a well-known English landscape painter.
This etching on steel è tratta da The Landscape Annual di Londra, pubblicato tra il 1833 e il 1835.
- Sheet size: cm. 12×19 approx.
- Engraving size: cm. 10×14 approx.
- Support: Medium thickness paper with white backing
- Condition: Excellent
Questa suggestiva veduta di Aosta è caratterizzata da un nitido contrasto e da un’animazione che cattura l’attenzione dello spettatore.
Aosta, San Bernardo, Das Hospiz, 1850
25,00 €Aosta, San Bernardo, Das Hospiz è un’incisione realizzata nel 1850, rappresentativa della bellezza paesaggistica della regione.
This etching misura cm. 15×11, esclusi i margini, ed è stampata su carta di medio spessore con retro bianco.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
Arabs dividing the spoils, 1830
20,00 €Arabi che dividono il bottino è un’incisione realizzata nel 1830, che rappresenta un momento di condivisione tra arabi.
Questa opera è stata creata con la tecnica dell’Etching and of the Burin, mostrando una notevole maestria artistica.
- Sheet size: cm. 21×30 approx.
- Engraving size: cm. 18×24 approx.
- Support: Thick paper
- Condition: Excellent state of preservation
Archimede, 1857
30,00 €Archimede è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper.
- Sheet size: cm. 23×32
- Engraving size: mm. 140×180
- Support: Strong paper
- Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
Arch and Loggia of Peruzzi, Florence, 1826
20,00 €Arch and Loggia of Peruzzi, Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent condition
Arcofelice, Pozzuoli, 1781-1786
60,00 €Arcofelice, Pozzuoli, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This etching, part of the work Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, offers a beautiful lively view of the historic town of Pozzuoli.
- Sheet size: mm. 230×165 approximately, with irregular margins
- Condition: Perfect condition
- Support: Paper
Ardea, C.Frommel, 1829
25,00 €Ardea It is an engraving made by Carl Frommel In the 1829, part of the series 50 Bilder zu Virgils Heneide….
This work is an example of etching on paper, characterized by an engraving measuring 7x10 cm, on a sheet of 13x22 cm.
- Sheet size: cm. 13×22
- Engraving size: cm. 7×10
- Support: Medium paper
- Condition: Excellent state of preservation
Aretusi Caesar, 1764
40,00 €Aretusi Caesar It is an etching made in 1764, part of the Series of portraits of famous painters, published in Florence by the Moückiana printing house.
The engraving is the work of the engraver Antonio Pazzi and depicts the Bolognese painter Cesare Aretusi, known for his collaboration with Giambattista Fiorini in the decoration of the dome of St. Peter's in Bologna.
- Sheet size: cm. 37×49 approx.
- Engraving size: cm. 16×21 approx.
- Support: Heavy paper
- Condition: Good condition, with some stains on the edges that do not affect the engraving
Ariccia, 1860
35,00 €Ariccia It is an engraving made in 1860, part of the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work is an etching that represents an important artistic testimony of the 19th century.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Armed, Salvino of the Armed, 1857
30,00 €Armed, Salvino of the Armed it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper with white back.
- Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
- History: Salvino degli Armati is known as one of the alleged inventors of glasses, although he is probably a character who never existed, the result of a 17th century forgery.
Arnolfo di Lapo, 1857
30,00 €Arnolfo di Lapo è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa opera rappresenta Arnolfo di Cambio, noto scultore e architetto italiano attivo a Roma e Firenze tra il Duecento e il Trecento.
- Sheet size: cm. 23×32 approx.
- Size of the joke: mm. 140×180 circa
- Support: Strong paper
- Condition: Ottima, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione
Arona, The Colossus of St. Charles Borromeo, 1860
35,00 €Arona, Il Colosso di S. Carlo Borromeo è un’incisione realizzata nel 1860, che rappresenta una delle opere più significative del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Medium thickness paper
Arquà, Petrarca's House, 1860
35,00 €Arquà, Casa di Petrarca è un’acquaforte realizzata nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo, con un’accurata rappresentazione della casa di Petrarca ad Arquà.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
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