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Showing 1033–1056 of 6450 results

Cesena, Coat of Arms, 1871

15,00 

Cesena, Coat of Arms It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
This print, with an engraved part size of 8x9 cm, has small margins and was extracted from a book, with writing on the back.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

Cetara, 1850

30,00 

Cetara, 1850 it is a copper engraving representing a beautiful view of the bay of Salerno.
This work is taken from Payne's Universe and has dimensions of mm. 150×105, with additional margins.

  • Sheet size: mm. 150×105 approx.
  • Support: Lightweight paper, white back
  • Condition: Excellent

Chambord, France, Chateau de Chambord, 1850

25,00 

Chateau de Chambord It is an engraving made in 1850, which represents one of the most iconic castles in France.
This etching It measures 10x15 cm without margins and is printed on medium-thickness paper with a white back.

  • Era: Mid 19th century
  • Condition: Excellent condition
  • Support: Paper
  • Dimensions: Small

Russian Chapel Russian Church Paris.

11,00 

Russian Chapels in Paris It is an 1862 woodcut depicting the Russian Orthodox Church located in the French capital.
This work, taken from the Picturesque Store, captures a lively moment with a large group of worshipers entering the church.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 15 x 13 approx.
  • Support: Light paper
  • Condition: Excellent

Charles Grey, 1842

15,00 

Charles Grey, 1842 è un’incisione in rame che ritrae il noto politico britannico Charles Grey, Conte Grey.
Questa opera è stata estratta dal volume Picturesque Omnibus, published in Naples in 1842.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: La stampa presenta scritte al retro e viene spedita con la pagina intera contenente l’incisione.

Charles Pierre François Augereau, 1839

15,00 

Charles Pierre François Augereau It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa stampa, che presenta margini quasi assenti, è contenuta nella pagina del libro e presenta scritte al verso.

  • Sheet size: cm. 13×11 approx.
  • Support: Paper
  • Condition: Excellent

Chartres, France, 1836

20,00 

Chartres, France, 1836 è una litografia affascinante, tratta dal volume Universal Pictorial Warehouse del 1836, pubblicato a Genova.
Questa opera rappresenta una veduta storica della città di Chartres, evidenziando la sua architettura e il suo paesaggio.

  • Sheet size: cm. 21×28 approx.
  • Lithograph dimensions: cm. 15×20 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Chateaubriand, 1838

20,00 

Chateaubriand è un’incisione realizzata da Gnaccarini nel 1838, stampata su rame.
Questo mezzobusto è tratto da The Picturesque Omnibus, pubblicato a Napoli nel 1839.
L’opera presenta scritte sul retro e si distingue per i suoi dettagli raffinati.

  • Sheet size: mm. 110×140 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Chatillon, New Bridge, 1890

20,00 

Chatillon, New Bridge It is a woodcut print made in 1890, which represents a view of the Ponte Nuovo from the Ponte Vecchio.
This work is taken from a late nineteenth-century Italian text and features text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 8×8 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

He who sees the defects of others and not his own.

15,00 

He who sees the defects of others and not his own It is a copper engraving made in 1838 by Salvator Rosa and engraved by Morgese.
This work is taken from the work Picturesque Omnibus and reflects the theme of perceiving the defects of others compared to one's own.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 23×16 approx.
  • Support: Paper
  • Condition: Excellent

Clairvaux, 1865

15,00 

Clairvaux, 1865 It is a woodcut which represents an important illustration of the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work, published in Milan by Vallardi Editore in 1865, is decorated with approximately 1000 coloured municipal coats of arms.

  • Sheet size: mm. 130×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Chiaravalle, Cemetery in the Chiaravalle Abbey, 1860

35,00 

Chiaravalle, Cimitero nell’abbadia di Chiaravalle è un’incisione realizzata nel 1860, che rappresenta un’importante opera del XIX secolo.
This etching is part of the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Chiaravalle, Interior of the Church, 1884

30,00 

Chiaravalle, Interior of the Church It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work offers a suggestive view of the interior of the church of Chiaravalle, capturing the architectural essence of the period.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Written on the back, the entire sheet containing the print will be sent.

Chiavenna and the Campodolcino Bridge, 1837

20,00 

Chiavenna e il Ponte di Campodolcino è un’incisione in xilografia realizzata nel 1837, rappresentante una bella veduta decorativa.
This work is taken from Pictorial Cosmorama, una rivista fondata a Milano da Giovanni Francesco Zini, che ha avuto un ruolo significativo nella diffusione delle illustrazioni artistiche.

  • Sheet size: cm. 16×13 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte al retro in parte visibili. Viene spedita completa di passepartout.

Chiavenna, 1890

20,00 

Chiavenna, 1890 it's a woodblock print di fine Ottocento, che rappresenta un’importante testimonianza della cultura visiva italiana dell’epoca.
This work presents a large-sized image cm. 10×12 circa, circondata da testo, mentre il verso del foglio contiene ulteriori informazioni. Il foglio completo misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Church of the Madeleine in Paris, 1838

20,00 

Church of the Magdalene in Paris it is a lithograph from 1838, taken from the work Picturesque Polyorama, an important publication that aimed to spread useful knowledge across all social classes.
This print, measuring 12x8 cm and with almost no margins, was cut from a book and features writing on the back. The full page containing the print will be sent, thus offering a broader context of the work.

  • Era: XIX
  • Technique: Lithography
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Chiesa di S. Nicolò di Bari, 1890

20,00 

Chiesa di S. Nicolò di Bari It is a woodcut print made in 1890 by the engraver Barberis.
Questa opera proviene da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 12×9 circa, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 12×9 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be shipped.

Chiesa di S.Agostino a Roma, 1856

35,00 

Chiesa di S.Agostino a Roma è un’incisione finissima realizzata al burin su acciaio, datata 1856.
Questa opera è stata prodotta dai Rouargue freres e fa parte del volume Picturesque voyage in southern Italy, scritto da M.Paul De Musset e pubblicato a Parigi da Morizot editeur.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Heavy paper
  • Condition: Perfect state of preservation

Chiesa di S.Gaetano, Napoli, 1856

25,00 

Chiesa di S.Gaetano, Napoli è una litografia del 1856 che celebra la liberazione della città di Napoli dalla peste grazie all’intercessione di S.Gaetano.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Lithograph dimensions: cm. 16×22 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Church of San Michele in Lucca, 1866

25,00 

Church of San Michele in Lucca It is a woodcut engraving made in 1866, taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.
This print represents an important artistic testimony of the time and measures cm. 19×13 about on a sheet of cm. 25×17 with white back.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Church of San Vittore in Pollenzo, 1890

20,00 

Chiesa di San Vittore in Pollenzo it is a woodcut made in 1890 by the engraver Barberis.
Questa opera rappresenta la chiesa parrocchiale di San Vittore a Brà, Cuneo, ed è tratta da un testo italiano di fine Ottocento.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

Chiesa di Santa Chiara, Napoli, 1838

20,00 

Chiesa di Santa Chiara, Napoli it's a lithographic printing made in 1838.
This work comes from Picturesque Polyorama, an important publication that aimed to spread useful knowledge across all social classes.

  • Sheet size: cm. 12×16 approx.
  • Condition: Excellent
  • Support: Paper
  • Notes: Margini quasi assenti, ritagliata dal libro con scritte al verso; viene spedita la pagina intera contenente la stampa.

Church of Zannone, Ponza, 1856

20,00 

Church of Zannone, Ponza it is a lithograph from 1856 which represents the remains of the Church of Zannone.
This work is taken from Picturesque Polyorama, a publication dedicated to the dissemination of useful knowledge.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 13×15 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.

Chiesa, Canivet, 1870-90

15,00 

Chiesa è un’opera realizzata tra il 1870 e il 1890, rappresentante un soggetto sacro.
Questa stampa è una chromolithography con un elegante bordo traforato a punzone, tipica della produzione artistica francese dell’epoca.

  • Sheet size: cm. 7×11
  • Condition: Buone, con strappo restaurato nell’angolo inferiore destro
  • Support: Paper

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