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Showing 1057–1080 of 2360 results

Joseph Mulder, The Battle of Leckerbeetje, 1679-1684

80,00 

The Battle of Leckerbeetje It is an engraving made by Joseph Mulder between 1679 and 1684, inspired by a work by Sebastian Vrancx.
This print represents the battle between Breauté And Leccerbeetje on the Vughterheide, which occurred on February 5, 1600.

  • Sheet size: cm. 27×34 at the copper edge
  • Margins: smaller margins
  • Technique: Etching
  • Support: Heavy laid paper
  • Condition: Excellent condition, with vertical central fold

Karel Dujardin, Bashan, 1771

30,00 

Karel Dujardin, Bashan, 1771 It is an engraving made by Karel Dujardin and published by Pierre-François Basan in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Kaub, Vue de Caub du Pfalz des ruines de Schoenberg et Gutenfels, 1850

25,00 

Kaub, Vue de Caub du Pfalz des ruines de Schoenberg et Gutenfels è un’incisione realizzata nel 1850.
This etching presenta un’immagine di cm. 10×15, esclusi i margini, su carta di medio spessore con retro bianco.

  • Era: Mid 19th century
  • Condition: Excellent condition
  • Dimensions: Small
  • Support: Paper

Kent, England, Barracks at Woolwich, 1850

25,00 

Kent, Inghilterra, Barracks at Woolwich è un’incisione realizzata nel 1850, rappresentante un’importante scena storica.
Questa acquaforte, di dimensioni contenute, misura cm. 10×15 più margini, ed è stampata su carta di medio spessore con retro bianco.

  • Era: 19th century
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Kent, England, Mount Norris, 1850

25,00 

Kent, Inghilterra, Mount Norris è un’incisione realizzata nel 1850, rappresentativa della bellezza paesaggistica dell’epoca.
This etching measures 10x15 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Kent, England, Sheerness, 1850

25,00 

Kent, England, Sheerness It is an engraving made in 1850, representative of the beauty of the region.
This etching measures 10x15 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Kent, England, Wilderness, 1850

25,00 

Kent, Inghilterra, Wilderness è un’incisione realizzata nel 1850, che cattura la bellezza della natura inglese.
This work is an example of etching e presenta una misura dell’immagine di cm. 10×15, esclusi i margini.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Medium thickness paper with white backing

Kentucky, United States, Mammoth cave, 1850

25,00 

Kentucky, United States, Mammoth Cave It is an engraving made in 1850, which represents one of the natural wonders of the United States.
This etching measures 10x15 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Kilian Ponheimer, La Cascata, XIX sec.

30,00 

La Cascata è un’incisione realizzata da Kilian Ponheimer nel XIX secolo.
Questa opera, che rappresenta un frate in preghiera davanti a una cascata, è firmata a sinistra da F. Kobell e a destra da K. Ponheimer, con l’ulteriore indicazione di J. Eder come incisore.

  • Sheet size: cm. 13×10 approx.
  • Engraving size: mm. 93×66 alla linea marginale
  • Support: Unlaid paper
  • Condition: Excellent condition

Kussnacht, Switzerland, Tell Chapel, 1850

25,00 

Kussnacht, Switzerland, Tell Chapel It is an engraving made in 1850, which represents an important work of the mid-nineteenth century.
This etching It measures 10 x 7 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent condition
  • Support: Paper

LA Zentner, N. Berghem, Landscape with Cows, 1789

40,00 

Paesaggio con mucche è un’incisione realizzata da L.A. Zentner e N. Berghem nel 1789.
Questa opera rappresenta un affascinante paesaggio rurale, caratterizzato dalla presenza di mucche, tipico dello stile dell’epoca.

  • Sheet size: cm. 15×20 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Signature: N. Berghem pinx L. Zentner fecit acquaforte 1789 Londini

L’ Anello nuziale, W.French, 1840-50

20,00 

L’ Anello nuziale It is an etching made by W. French between 1840 and 1850.
This work, entitled Der Brautring, is printed on medium-thickness paper and has a white back.

  • Sheet size: cm. 21×27
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

The press was published in Payne's Universum und Buch der Kunst, in Leipzig and Dresden.
William French, an English artist, collaborated with the publishing house of Albert Henry Payne, a prominent engraver and designer, active in Leipzig from 1838.

L’0fferta della vedova. Acquaforte1830-1850

25,00 

L’Offerta della Vedova è un’incisione realizzata da H. Wallis, parte della Scripture Gallery of Engraving, pubblicata da John Tallis & Company tra il 1830 e il 1850.
Questa opera, che rappresenta il celebre soggetto biblico, è realizzata in etching on steel e si distingue per la sua finezza e dettagliata esecuzione.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

The Agony, Correggio, 1846

30,00 

L’Agonia è un’incisione realizzata nel 1846, attribuita a Correggio.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Hague, The Hague, Holland, 1833

25,00 

The Hague, The Netherlands It is an engraving made in 1833, representative of the first half of the 19th century.
This etching offers a fascinating view of the Dutch city, with fine details and a harmonious composition.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent state of preservation

The Angel with the Book, J.Martin, 1846

30,00 

The Angel with the Book It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

L’Eremita, G.Dow, 1840-50

20,00 

L’Eremita è un’incisione realizzata da G. Dow tra il 1840 e il 1850.
This work, a etching su carta forte, è pubblicata nella Royal Dresden Gallery di A.H. Payne e W. French, edita a Dresda, Lipsia e Londra.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

L’Ingegnoso uomo della Mancha, A.H.Payne, 1840-50

20,00 

L’Ingegnoso uomo della Mancha It is an engraving made by A.H. Payne between 1840 and 1850.
This work, entitled Der sinnreiche Junker von Mancha, è un’acquaforte su carta di medio spessore.

  • Sheet size: cm. 21×27
  • Back: White
  • Signature: AHPayne sc. bottom right
  • Publication: Parte di Payne's Universum und Buch der Kunst, Leipzig and Dresden
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

L’ordinanza, G.Metzu, 1840-50

20,00 

L’ordinanza è un’incisione realizzata da G. Metzu tra il 1840 e il 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

The Last Dream, 1850

20,00 

The Last Dream It is an engraving made in 1850 by J. Edwards, inspired by a monument.
This work is performed with the technique ofEtching and Burin and it is taken from theArt Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

The Man of the Vineyard 1830-1850

25,00 

The Man of the Vineyard It is an engraving made between 1830 and 1850, attributed to Rembrandt and engraved by H.Wallis.
This work is part of the Scripture Gallery of Engraving and is published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent condition, with editorial frame and vignettes

La battaglia delle immagini, W.Hogarth, 1850-60

20,00 

La Battaglia delle Immagini è un’incisione realizzata da W. Hogarth tra il 1850 e il 1860.
This work, entitled The Battle of the Pictures, è un’acquaforte su acciaio acquarellata, che rappresenta un interessante confronto visivo.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 25×19 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

La Battaglia di Meeanee, 1850

20,00 

La Battaglia di Meeanee It is an engraving made in 1850, che rappresenta un’importante scena storica.
Questa opera è tratta da un’immagine della Royal Collection e pubblicata nell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent general condition

La Caccia, Rutsdael, 1840-50

20,00 

La Caccia è un’incisione realizzata da Albert Henry Payne tra il 1840 e il 1850.
Questa opera, pubblicata nella Royal Dresden Gallery, rappresenta un esempio pregevole di acquaforte su carta forte.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Albert Henry Payne, incisore e editore inglese, ha avuto un ruolo significativo nel panorama artistico del XIX secolo, fondando l’Istituto d’Arte Inglese a Lipsia nel 1838.

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