Paper

Showing 1249–1272 of 2164 results

Leg muscles, glutes 1694

35,00 

Leg muscles, glutes it is an engraving made in 1694 by Giulio Casserio and Odoardo Fialetti.
This work is an anatomy plate illustrating the muscles of the human body, taken from the important work on anatomy Myographia nova, sive musculorum omnium, published in Amsterdam.

  • Sheet size: cm. 34×21 approx.
  • Engraving size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Good condition, with Latin writings on the back visible on the front

Muscles, 1814

70,00 

Muscles It is an anatomical plate made in 1814, which illustrates the external posterior muscles of the human trunk.
This work is an etching engraved by Antonio Gajani based on a design by Joseph Guizzardi, and it is part of the volume Anatomical tables for painters and sculptors Of Giambattista Sabattini, published in Bologna.

  • Sheet size: cm. 33×23
  • Engraving size: cm. 24×16
  • Support: Heavy paper
  • Condition: Good condition

This rarity is sold together with the explanations of the plates.

Muscles, 1814

70,00 

Muscles è una tavola anatomica realizzata nel 1814, che illustra i muscoli esterni del tronco visti lateralmente.
Incisa da Antonio Gajani su disegno di Giuseppe Guizzardi, questa opera è parte del volume Anatomical tables for painters and sculptors di Giambattista Sabattini, pubblicato a Bologna.

  • Sheet size: cm. 33×23 approx.
  • Engraving size: cm. 24×16 approx.
  • Support: Heavy paper
  • Condition: Good condition

Rarità, viene venduta insieme alle spiegazioni delle tavole.

N. Berchem (1620-1683), C.Visscher (1586-1652)

80,00 

Donna su asino It is an engraving made by Nicolaes Berchem (1620-1683) e C. Visscher (1586-1652).
Quest’opera rappresenta un uomo e una donna su un asino, circondati da altri animali, in un contesto che evoca la vita pastorale.

  • Sheet size: cm. 27×21 approx.
  • Support: Carta vergellata con filigrana 1742
  • Condition: Buono stato di conservazione, con macchia ai margini
  • Technique: Etching

Nicolaes Berchem è noto per le sue scene pastorali, mentre C. Visscher è stato un importante incisore e cartografo del secolo d’oro olandese. Questa incisione è una bella prova del loro talento e della loro collaborazione artistica.

N. Berchem (1620-1683), J. de Visscher (1666-1712)

40,00 

Donna su asino It is an engraving made by Nicolaes Berchem (1620-1683) e Jan de Visscher (1666-1712).
This etching rappresenta una donna che frusta un asino, un soggetto che riflette la maestria di Berchem nel ritrarre scene pastorali.

  • Sheet size: cm. 15×19 approx.
  • Support: Medium thickness laid paper without watermark
  • Condition: Good state of preservation
  • Notes: Margini ricostruiti, foglio con qualche mancanza agli angoli

Nannoni Lorenzo, 1857

30,00 

Nannoni Lorenzo, 1857 è un’incisione all’acquaforte originale tratta da Italian Iconoteca – Collection of sixty portraits of illustrious Italians, pubblicata a Firenze nel 1857.
Questa opera rappresenta Lorenzo Nannoni, un chirurgo italiano nato a Firenze nel 1749 e morto nel 1812.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

Nantes, Francia, 1850

25,00 

Nantes, Francia, 1850 It is an engraving made in etching su carta leggera, che offre una splendida veduta della città di Nantes nel XIX secolo.
Questo pezzo è tratto da un libro di metà ‘800 e presenta un’immagine di dimensioni cm. 10×15 approx., rendendolo un’opera di dimensioni Small.

  • Condition: Excellent state of preservation
  • Support: Light paper

Napoleone I e III, A.H.Payne, 1840-50

20,00 

Napoleone I e III it is an etching made by A.H. Payne between 1840 and 1850.
Questa opera rappresenta una celebrazione storica dei due imperatori e fa parte della pubblicazione Payne's Universum und Buch der Kunst, edita a Lipsia e Dresda.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Medium thickness paper
  • Condition: Excellent condition

Napoli da Capodimonte, 1820

50,00 

Napoli da Capodimonte è un’incisione realizzata in acquatinta nel 1820, che offre una vista suggestiva della città di Napoli dal punto di vista di Capodimonte.
Questa opera anonima cattura una scena vivace e animata, rendendo omaggio alla bellezza del paesaggio napoletano.

  • Sheet size: mm. 275×210 circa
  • Support: Thick paper
  • Condition: Excellent condition

Napoli da Posillipo, Acquarello, XIX secolo

250,00 

Napoli da Posillipo è un pregevole watercolor realizzato da un autore anonimo nel 19th century.
Questa opera cattura una suggestiva veduta di Napoli, con il maestoso Vesuvio che emana fumi.

  • Sheet size: cm. 16×17 approx.
  • Condition: Buone condizioni, con qualche piccola macchia nella parte superiore
  • Support: Carta di medio spessore, incollata al margine superiore ad altro supporto cartaceo

Napoli, Altare Chiesa di Monteoliveto, 1712

25,00 

Napoli, Altare Chiesa di Monteoliveto it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy, German edition by De Rogissart, published in Berlin in the same year.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Bagni di Tritoli, 1712

25,00 

Napoli, Bagni di Tritoli è un’incisione realizzata nel 1712, che rappresenta un affascinante scorcio di Lucrino, nei Campi Flegrei.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Baia, Campi Flegrei, 1712

40,00 

Napoli, Baia, Campi Flegrei è un’incisione realizzata nel 1712, che rappresenta una vista affascinante di questa storica località.
Questa opera è un’acquaforte su rame acquarellata, tratta dal volume The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Baia, Campi Flegrei, 1850

40,00 

Napoli, Baia, Campi Flegrei è un’incisione realizzata nel 1850, che offre una splendida veduta di questa storica area.
The work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent

Napoli, Capo Miseno, 1712

40,00 

Napoli, Capo Miseno è un’incisione realizzata nel 1712, che rappresenta una vista dei Campi Flegrei.
Questa opera è un’acquaforte su rame acquarellata, tratta dal volume The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Naples, Ascanio Filomarino Chapel, 1712

25,00 

Naples, Ascanio Filomarino Chapel it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Naples, Caracciolo di Vico Chapel, 1712

25,00 

Napoli, Cappella Caracciolo di Vico it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Cappella del Cardinal Orfino, 1712

25,00 

Napoli, Cappella del Cardinal Orfino it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Cappella del S. Rosario, 1712

25,00 

Napoli, Cappella del Santo Rosario it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Cappella della Natività, 1712

25,00 

Napoli, Cappella della Natività it is an engraving made by P. Mortier in 1712.
This work is taken from The delights of Italy by De Rogissart, German edition published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Cappella di S.Agata, 1712

25,00 

Napoli, Cappella di S.Agata it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition, published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent condition

Napoli, Cappella Famiglia Origlia, 1712

25,00 

Napoli, Cappella Famiglia Origlia it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from The delights of Italy by De Rogissart, German edition, published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Cappella Pappacoda, 1712

25,00 

Napoli, Cappella Pappacoda è un’incisione realizzata da P. Mortier nel 1712, che rappresenta la Cappella di San Giovanni dei Pappacoda, situata in Largo San Giovanni Maggiore.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Naples, Chapel of S. Gennaro, 1712

25,00 

Naples, Chapel of S. Gennaro it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy, German edition by De Rogissart, published in Berlin in the same year.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

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