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Showing 169–192 of 2360 results

Berlin, Monument to Frederick the Great, AHPayne, 1840-50

20,00 

Berlin, Monument to Frederick the Great It is an engraving made by AH Payne between 1840 and 1850.
This work represents the famous monument dedicated to Frederick the Great, executed in etching on medium thickness paper.

  • Sheet size: cm. 21×27
  • Support: Paper
  • Condition: Excellent

The press was published in Payne's Universum und Buch der Kunst, in Leipzig and Dresden.
AH Payne, English engraver and designer, worked in Leipzig from 1838, founding the English Art Institute.

Bernardo Rosaspina, Florence, 1832

30,00 

View of the S.Trinità Bridge It is an engraving made by Bernardo Thorn Rose in 1832, which captures the architectural beauty of one of Florence's most iconic bridges.
This work is an etching on laid paper, signed lower right with the words 'B.Rosaspina Incise'.

  • Sheet size: cm. 20×24 approx.
  • Engraving size: mm. 155×198 at the copper edge
  • Support: Laid paper
  • Condition: Good condition, with a stain that also partially affects the print

Cattle, H.Roos, 1840-50

20,00 

Livestock It is an engraving made by H. Roos between 1840 and 1850.
This work, an etching on strong paper, represents a livestock subject and was published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig.
From 1838, Payne founded a publishing house, the English Art Institute, contributing significantly to the artistic landscape of the time.

Livestock, Van der Velde, 1840-50

20,00 

Livestock It is an engraving made by Van der Velde between 1840 and 1850.
This work, an etching on strong paper, measures 21x27 cm and has a white back.
Published in Payne's Royal Dresden Gallery from AH Payne and W. French in Dresden, Leipzig and London, the engraving is in excellent condition.

  • Sheet size: cm. 21×27
  • Technique: Etching
  • Support: Strong paper

Bible, Biblical Episode of Jeremie, 1850

30,00 

Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.

  • Sheet size: cm. 18×20 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Double card
  • Condition: Excellent

Bible, Biblical Episode of Jeremie, 1850

30,00 

Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.

  • Sheet size: cm. 18×20 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Double card
  • Condition: Excellent

River Mouth, Terracina, 1819

25,00 

River Mouth, Terracina It is an engraving made by TO THE CASTELLAN in 1819.
This work is an etching representing a suggestive landscape, part of the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Boccaccio Giovanni, 1857

30,00 

Boccaccio Giovanni it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera misura la battuta di mm. 140×180 su un foglio di cm. 23×32, ed è stampata su carta forte con retro bianco.

  • Sheet size: cm. 23×32
  • Engraving size: mm. 140×180
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione.

Bologna, Bird's eye view, 1850

40,00 

Bologna, Veduta a volo d’uccello è un’incisione realizzata nel 1850, che offre una splendida prospettiva della città.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Questa veduta è caratterizzata da una nitidezza e un’animazione che la rendono un pezzo d’arte affascinante.

Bonn, View of the city, Germany, 1850

25,00 

Bonn, View of the city It is an engraving made in 1850, which offers a suggestive representation of the German city of Bonn.
This etching The image measures 7x11 cm, including margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Borelli Alfonso, 1857

30,00 

Borelli Alfonso è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work features a joke of mm. 140×180 on a sheet of paper cm. 23×32, made on strong paper with white back.
Sebbene presenti qualche leggera macchia di foxing ai bordi, queste non interessano l’incisione.

  • Giovanni Alfonso Borelli: nato a Messina il 28 gennaio 1608 e morto a Roma il 31 dicembre 1679, è stato un importante matematico, fisiologo e filosofo italiano.
  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Good

Bouttats Pieter Balthazar, (1666 – 1755)

30,00 

Liber Tobia Caput 1 It is an engraving made by Pieter Balthazar Bouttats in the 17th century.
Questa opera è un’acquaforte firmata in lastra a destra con la dicitura P.B.Boutats fecit, che ne attesta l’autenticità.

  • Engraving size: mm. 120×160 alla battuta del rame
  • Sheet size: mm. 152×210
  • Support: Laid paper with partial watermark
  • Condition: Excellent condition

Bouzonnet-Stella, Les jeux et plaisirs, 1657

40,00 

Les jeux et plaisirs It is an engraving made by Claudine Bouzonnet-Stella nel 1657, che rappresenta i giochi di bambini attraverso l’immagine di putti giocosi.
This work is taken from the work Les jeux et plaisirs de l'enfance, illustrating the joy and innocence of childhood.

  • Sheet size: cm. 12×15 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper white back
  • Condition: Excellent state of preservation

Brendola, Vicenza, The White Cross, 1860

35,00 

Brendola, Vicenza, The White Cross It is an engraving made in 1860, a fine example of 19th century art.
This work is a small-sized etching, from theAlbum of Italy, published by the Austrian Album d'Italie Trieste, Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Brescia, Panorama, 1850

40,00 

Brescia, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Brescia.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. di John Sherer, illustrato con incisioni all’acquaforte su acciaio di artisti rinomati come Allom, Bartlett e Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo prezioso per collezionisti e appassionati di arte.

Toast, The Castle, Saint-Non, 1781

120,00 

Toast, The Castle It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work offers a suggestive view of the Castle of Brindisi and part of its port.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 17×22 approx.
  • Technique: Etching on laid paper colored with watercolor
  • Condition: Excellent state of preservation
  • Work taken from: “Voyage Pittoresque or description of the Royal Palaces of Naples and Sicily”

Brindisi, View of the City, Saint-Non, 1781

120,00 

Brindisi, Veduta della Città It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work, entitled Vue de la Ville de Brindes, è un’acquaforte su carta vergellata colorata all’acquarello, parte del volume Voyage Pittoresque ou description des Royaumes de Naples et de Sicile.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 17×22 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Browne, Muscles of the Legs, 1694

135,00 

Muscoli delle gambe è un’incisione realizzata da Giulio Casserio e Odoardo Fialetti nel 1694.
Questa tavola di anatomia, tratta dall’opera Myographia nova, sive musculorum omnium, pubblicata ad Amsterdam, offre una dettagliata rappresentazione dei muscoli del corpo umano.

  • Sheet size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con scritte retro in latino leggermente visibili al recto

Browne, Muscles of the Legs, 1694

35,00 

Muscoli delle gambe è un’incisione realizzata da Giulio Casserio e Odoardo Fialetti nel 1694.
Questa tavola di anatomia illustra i muscoli del corpo umano ed è tratta dall’opera Myographia nova, sive musculorum omnium, pubblicata ad Amsterdam nel 1694.

  • Sheet size: cm. 34×21 approx.
  • Engraving size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con scritte retro in latino leggermente visibili al recto

Brueghel, Bashan, 1771

30,00 

Brueghel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe basate sui dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Brueghel il Vecchio, noto anche come Bruegel dei Velluti, è stato un rinomato pittore fiammingo, membro di una famiglia di artisti.
È il figlio di Pieter Bruegel il Vecchio e il padre di Jan Brueghel il Giovane.

Bruno Missieri (Piacenza, 1940)

14,00 

Bruno Missieri è un artista di Piacenza, nato nel 1940, noto per le sue opere incisorie.
Questa particolare opera, realizzata nel 1998, is a stampa a tre colori eseguita con la tecnica dell’acquaforte a morsure aperte.
Il soggetto rappresentato è papi, un tema che riflette la sua creatività e il suo stile unico.

  • Sheet size: mm. 124×127
  • Support: Heavy paper
  • Condition: Excellent

Bruno Missieri (Piacenza, 1940)

20,00 

Giovanni Paolo II It is a work created by Bruno Missieri, artista di Piacenza, nel 1998.
Questa incisione è firmata e numerata, utilizzando la tecnica dell’acquaforte a morsure aperte per stampe a tre colori.

  • Sheet size: mm. 134×144
  • Support: Heavy paper
  • Condition: Excellent

Burgos, Spain, 1850

20,00 

Burgos, Spain, 1850 It is an engraving made in etching on light paper, che offre una splendida veduta della città di Burgos.
Questo pezzo è tratto da un libro di metà ‘800 e presenta un’immagine di dimensioni circa cm. 13×15.

  • Sheet size: Small
  • Condition: Excellent

C.Gillot, Leone, Theatre, 1700

20,00 

Leone, Teatro It is an engraving made by Claude Gillot In the 1700.
Questa opera, che misura cm. 8×10, è un esempio significativo del periodo rococò, caratterizzato da dettagli vivaci e una composizione dinamica.

  • Sheet size: cm. 8×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

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