Etching

Showing 1–24 of 249 results

1843, Rome, People's Square, Cottafavi

70,00 

People's Square It is an engraving made by Gaetano Cottafavi In the 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
This work represents a lively and decorative view of the famous Roman square, characterized by an excellent contrast and printed on heavy paper.

  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Sheet size: cm. 32×47 approx.
  • Support: Heavy paper
  • Condition: Excellent condition

This engraving will be shipped in a hard tube for maximum protection.

Agrigento, Ancient Ruins, Saint-Non, 1781-86

90,00 

Agrigento, Ancient ruins It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating look at the ancient ruins of Agrigento, making this engraving a valuable piece for collectors and art enthusiasts.

Agrigento, Athenian Rock, Saint-Non, 1781-86

90,00 

Agrigento, Athena Rock It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating glimpse of Sicily, highlighting the beauty of the Rupe Atenea or Scala dei Franceschini.

Agrigento, Temple of Concord, Saint-Non, 1781-86

90,00 

Agrigento, Temple of Concordia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21x34 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent

The view represents a lively scene of the Temple of Concordia, testifying to the artistic ability and archaeological interest of the author.

Agrigento, Temple of Concord, Saint-Non, 1781-86

90,00 

Agrigento, Temple of Concordia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies, a work that combines art and archaeology.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

This engraving offers a beautiful animated view of the Temple of Concord, testifying to Saint-Non's artistic skill and his contribution to the documentation of historical sites in Sicily.

Agrigento, Temple of Juno, Saint-Non, 1781-86

90,00 

Agrigento, Temple of Juno It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The engraving offers a beautiful animated view of the ruins of the Temple of Juno in Sicily, representing an important artistic and historical testimony of the eighteenth century.

Albani, Audran, Diana and Love, 1770

130,00 

Diana and Love It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is an example of an etching on heavy laid paper, signed on the plate with the following indications: Franc. Albanus in and pinx And Well. Audran ex cum privilege. Regis.

  • Dimensions of the figured part: cm. 32×26 approx.
  • Engraved part dimensions: cm. 34×30 approx.
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Albani, Audran, Venus and Adonis, 1770

130,00 

Venus and Adonis It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is a fine example of etching on heavy laid paper, signed on the plate by Albani and Audran.

  • Sheet size: cm. 34×30 approx.
  • Dimensions of the figured part: cm. 32×26 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Albano, Tomb of Ascanius, 1843

70,00 

Tomb of Pompey called Ascanius It is an engraving made by Gaetano Cottafavi in 1843, which represents a lively and decorative view of the tomb located on the Appian Way in Albano.
This work is taken from the collection Collection of the Principal Views of Rome and its Outlines drawn from life and engraved by Gaetano Cottafavi, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

This engraving has a great contrast and a white back. It will be shipped in a rigid tube.

America Meridionale, 1865

60,00 

America Meridionale, 1865 è una carta geografica acquarellata che offre una rappresentazione dettagliata del continente sudamericano.
Drawn by Naymiller and engraved by Allodi, this map is from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, pubblicata a Milano nel 1865.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Buona conservazione

North America, 1865

60,00 

North America It is a watercolour map made in 1865.
Drawn by Naymiller and engraved by Allodi, this map is from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Andrea Schiavone, Jesus Before Pilate, 1786

70,00 

Jesus Before Pilate it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper with watermark, coming from the Gallery of the Palais Royal.

  • Engraving size: cm. 24×37 (including the editorial frame)
  • Margins: Good irregular margins
  • Condition: Excellent condition, nice proof with good contrast
  • Published by: J. Couche, Paris, 1786

Asia, 1865

60,00 

Asia, 1865 è una carta geografica acquarellata realizzata da Naymiller e incisa da Allodi.
This map is taken from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, pubblicata a Milano nel 1865.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Ottima stato di conservazione

Siege of Jerusalem, etching ca. 1650

40,00 

Assedio di Gerusalemme è un’acquaforte realizzata intorno al 1650, che rappresenta l’assedio della città sotto Antioco Sidete.
Questa opera è stampata su carta spessa vergellata senza filigrana, con una dimensione alla battuta del rame di cm. 43×30 e un foglio di cm. 46×38.

  • Sheet size: cm. 46×38
  • Engraving size: cm. 43×30
  • Support: Carta spessa vergellata
  • Condition: Excellent condition

Crossing the ford, 1850

20,00 

Attraversando il guado è un’incisione realizzata nel 1850, che rappresenta un momento suggestivo tratto dalla collezione reale.
This work was created using the technique ofEtching and Burin e proviene dall’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Bartolomeo Pinelli Brigand Massaroni 1823

1.300,00 

Bartolomeo Pinelli – Brigand Massaroni It is a work created in 1823, which collects significant events linked to the life of the brigand leader Massaroni, along the road that leads from Rome to Naples.
This rare collection is composed of a frontispiece with the image of Massaroni and 10 engraved platesetching and painted in watercolours in a non-contemporary period.

  • Sheet size: cm. 43×27
  • Condition: Very good, with some foxing spots on the edges that do not affect the engraving
  • Support: Paper
  • Characteristics: All etchings are numbered, signed and dated 1823, with explanations of the scenes at the bottom.

The binding is period and shows some loosening, while the engravings are in excellent condition and very fresh.

Bartolomeo Pinelli, New collection of 50 costumes…, 1815

4.300,00 

Nuova Raccolta di 50 Costumi Pittoreschi è un’opera di Bartolomeo Pinelli, realizzata nel 1815.
Questa raccolta, pubblicata a Roma presso Nicola De Antoni e Ignazio Pavon, è composta da 50 tavole incise all’acquaforte, tutte sapientemente acquarellate in un’epoca successiva.

  • Sheet size: cm. 28×41 circa
  • Support: Cartonato
  • Condition: Excellent

La raccolta è particolarmente ricercata per la rappresentazione dei costumi pittoreschi dell’agro romano.
Ogni incisione è numerata, firmata e datata 1815, con il titolo della scena. L’ultima tavola rappresenta il riposo dell’autore tra le rovine, con il motto scolpito sulla lapide: “Tutto finisce”.
Le incisioni sono in ottima tiratura e molto fresche, senza macchie o foxing, sebbene al retro si possano notare alcune macchie di colore.

Bartolozzi, Piazzetta, The Pentecost, 1756

250,00 

La Pentecoste It is an engraving made by Francesco Bartolozzi nel 1756, con disegno di Giovanni Battista Piazzetta.
This work is an example of etching and burin su carta vergellata pesante, caratterizzata da una filigrana non riconosciuta.

  • Engraving size: cm. 37,5×26,5 circa
  • Condition: Excellent
  • Support: Heavy laid paper

Al retro si trova un timbro di collezionista non riconosciuto.
Si ipotizza che questa incisione sia stata eseguita per un messale dell’editore Albrizzi, secondo le notizie storico-critiche di De Vesme e Calabi.

C.Le Brun, L.Desplaces, Manoah, 1730

50,00 

Manoah e sua moglie It is an engraving made by Louis Desplaces nel 1730, su soggetto di Charles Le Brun.
This work is an example of etching and burin on laid paper senza filigrana, rifilata alla battuta del rame.

  • Engraving size: cm. 28×34 circa senza margini apprezzabili
  • Condition: Buone condizioni, con tre piccoli fori e stampa un po’ sbiadita

Map of the Duchy of Lucca, 1842

90,00 

Map of the Duchy of Lucca It is an engraving made in 1842, which represents the territory of Lucca during Roman rule and in the Middle Ages.
This work is a physical, historical and statistical chorography of Italy and its islands, created by Attilio Zuccagni-Orlandini.

  • Sheet size: cm. 45×62
  • Engraving size: cm. 45×62
  • Support: Thick engraving paper
  • Condition: Perfect state of preservation
  • Technique: Etching finished with a burin

This detailed map offers a historical overview of the city of Lucca and its surroundings.

Catania, Water Cistern, Saint-Non, 1781-86

40,00 

Catania, Cisterna dell’acqua It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies, an encyclopedic work illustrated by the author himself.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Questa incisione offre una bella veduta animata della Sicilia, rappresentando un’importante testimonianza storica e artistica.

Knight of Jerusalem, 1850

30,00 

Cavaliere Gerosolimitano è un’incisione realizzata nel 1850, rappresentante un Cavaliere Gerosolimitano di Devozione.
Questa opera è stata disegnata da A. Moneta e incisa da C. Liberali, utilizzando la tecnica dell’Acquaforte colorata all’acquarello.

  • Sheet size: cm. 35×24
  • Support: Thick paper
  • Condition: Excellent condition

Charles Le Brun (1619-1690), Versailles Gallery, 1752

90,00 

Charles Le Brun (1619-1690) è un’incisione originale realizzata nel 1752, che rappresenta Ornements de L’Angle qui termine la Galerie, parte della Galleria di Versailles.
This work is taken from ‘La Grande Galerie de Versailles, et les deux Salons qui l’accompagnent’, pubblicata a Parigi nel 1752.

  • Sheet size: cm. 49×40 circa
  • Image size: cm. 40×33 circa
  • Technique: Etching
  • Support: Carta spessa vergellata
  • Condition: Excellent

Si prega di notare che, date le dimensioni, l’opera verrà spedita arrotolata in un tubo rigido.

Charles Le Brun, The Gallery of Versailles, 1752

90,00 

La Galleria di Versailles è un’incisione realizzata da Charles Le Brun nel 1752, che rappresenta un’importante opera del XVIII secolo.
Questa incisione, intitolata Ornements de L’Angle qui termine la Galerie (Salone della Pace), è stata impressa su carta spessa vergellata ed è tratta da La Grande Galerie de Versailles, et les deux Salons qui l’accompagnent, pubblicato a Parigi nel 1752.

  • Sheet size: cm. 49×40 circa
  • Engraving size: cm. 40×33 circa
  • Support: Laid paper
  • Condition: Excellent state of preservation

Si prega di notare che, date le dimensioni, l’opera verrà spedita arrotolata in un tubo rigido.

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