Etching

Showing 2449–2472 of 2512 results

Venezia, Santa Maria dell’Orto, 1860

35,00 

Venezia, Santa Maria dell’Orto è un’incisione realizzata nel 1860, rappresentante uno dei luoghi iconici di Venezia.
Questa opera è parte dell’Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent condition
  • Support: Medium thickness paper

Venezia, Scala dei Giganti, 1850

40,00 

Venezia, Scala dei Giganti è un’incisione realizzata nel 1850, che offre una splendida veduta della celebre scala.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Perfect

Venice, Souvenir de Venise, 1883

35,00 

Venice, Souvenirs of Venice It is a charming watercolour etching made by L. Gaucherel in 1883.
This work, which measures 140x220 mm, is printed on a sheet of 280x390 mm and is part of the volume Across Venice by J. Gourdault, published in Paris in 1883.

  • Sheet size: mm. 280×390
  • Engraving size: mm. 140×220
  • Support: Heavy paper
  • Condition: Excellent

This splendid and decorative view of Venice is a true souvenir of the lagoon city.

Venice, Statue of Colleoni, 1883

40,00 

Venice, Equestrian Statue of Colleoni It is an etching made in 1883 by Leon Gaucherel.
This work depicts the imposing statue of Colleoni on horseback, an iconic symbol of Venice.

  • Size of the joke: mm. 230×320
  • Sheet size: mm. 280×390
  • Support: Thick paper with wide margins
  • Condition: Excellent

Venosa, Horace's House, 1819

25,00 

Venosa, Casa di Orazio it is an etching made by TO THE CASTELLAN in 1819.
Questa opera rappresenta la casa del celebre poeta Orazio, situata a Venosa, e fa parte del volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Ventimiglia, 1884

35,00 

Ventimiglia, 1884 It is an engraving made in etching on steel, which represents a fascinating glimpse of the city of Ventimiglia.
This work is taken from Picturesque Europe. With Illustrations on Steel and Wood by the Most Eminent Artists, published in London by Cassell & Co. in 1884.

  • Sheet size: cm. 21×15 approx.
  • Support: Strong paper with white back
  • Condition: Excellent

Verona, Anfiteatro, 1850

40,00 

Verona, Anfiteatro è un’incisione realizzata nel 1850, che offre una splendida veduta dell’anfiteatro veronese.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Perfect

Verona, E.Finden 1834

30,00 

Verona It is an engraving made by E. Finden nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
This work was designed by H.Gasteneau and published by John Murray a Londra.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

La veduta animata di Verona cattura l’essenza del paesaggio italiano, riflettendo l’amore di William Brockendon per questa regione, dove ha trascorso parte della sua vita.

Verona, Panorama, 1850

40,00 

Verona, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Verona.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

Verona, Tomb of S. Anastasio, 1860

35,00 

Verona, Sepolcro a S. Anastasio It is an engraving made in 1860, part of the album Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
Questa acquaforte rappresenta un’importante testimonianza artistica del XIX secolo.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Verona, W. Finden, 1834

30,00 

Verona It is an engraving made by E. Finden nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
This work was designed by H.Gasteneau and published by John Murray a Londra.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

La veduta animata di Verona cattura l’essenza del paesaggio italiano, riflettendo l’amore di William Brockendon per l’arte e la bellezza del territorio.

Via Crucis, Raphael Sanzio, 1846

30,00 

Way of the Cross It is an engraving made by Raphael Sanzio in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Via Crucis, Raphael Sanzio, 1846

30,00 

Way of the Cross It is an engraving made by Raphael Sanzio in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Vicenza, Montegaldo Castle, 1860

35,00 

Vicenza, Castello di Montegaldo è un’incisione realizzata nel 1860, rappresentante un’importante veduta del castello.
Questa opera è parte dell’Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Vicenza, The Luzzo Gate, 1860

35,00 

Vicenza, Il portone del Luzzo è un’incisione realizzata nel 1860, rappresentante un’importante veduta architettonica della città di Vicenza.
This work is part of the album Album d’Italia, Album d’Italie Trieste, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Vicenza, Panorama, 1850

40,00 

Vicenza, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Vicenza.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Perfect

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo d’arte da collezione.

Vicenza, Plan of the Theatre 1712

20,00 

Vicenza, Pianta del Teatro It is an engraving made in 1712, using the copper etching technique.
This work is taken from The delights of Italy, edizione tedesca di De Rogissart, pubblicata a Berlino.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Vico (Equense) Napoli 1833-35

30,00 

Vico (Equense) – Baia di Napoli è un’acquaforte su acciaio realizzata da James Duffield Harding between 1833 and 1835.
Questa suggestiva veduta, nitida e ben contrastata, proviene dall’opera The Landscape Annual of London.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Vico (Equense) baia di Napoli 1833-35

35,00 

Vico (Equense) baia di Napoli è un’incisione realizzata da B. Metzeroth tra il 1833 e il 1835.
This etching on steel offre una suggestiva veduta della baia di Napoli, caratterizzata da un’illuminazione nitida e un contrasto ben definito.

  • Sheet size: cm. 18×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Vico (Equense) baia di Napoli 1833-35

35,00 

Vico (Equense) baia di Napoli è un’incisione realizzata da B. Metzeroth tra il 1833 e il 1835.
This etching on steel offre una suggestiva veduta della baia di Napoli, caratterizzata da un’illuminazione nitida e un contrasto ben definito.

  • Sheet size: cm. 18×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Vienna, Vienna, 1850

25,00 

Vienna, Vienna, 1850 It is an engraving made in etching su carta leggera, che offre una splendida veduta della capitale austriaca.
Questa opera è tratta da un libro di metà Ottocento, rappresentando un’importante testimonianza visiva dell’epoca.

  • Sheet size: cm. 10×15 approx.
  • Condition: Excellent state of preservation
  • Support: Light paper

Vignarola, acquarello

40,00 

Vignarola it's a beautiful watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
Questo piccolo capolavoro, di dimensioni circa cm. 7×10, è eseguito su cardboard con retro bianco, arricchito da scritte a penna al verso.

  • Condition: Excellent state of preservation
  • Colors: Alive and bright

Villa d'Este in Tivoli, Cottafavi, 1843

70,00 

Villa d’Este a Tivoli It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa di Tivoli, incisa su rame con grande maestria.

  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Sheet size: cm. 32×47 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Questa incisione è caratterizzata da un buon contrasto e un retro bianco, ed è pronta per essere spedita in tubo rigido.

Peasants Drinking, D.Teniers, 1840-50

20,00 

Peasants who drink It is an engraving made by David Teniers, published between 1840 and 1850.
This work, also known by its original title Boors drinking, is an etching on strong paper, with a white back.
It was published in the Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Strong paper

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