Etching

Showing 361–384 of 516 results

Sheep, Anonymous, 18th century

15,00 

Sheep It is an engraving made by an anonymous artist in 18th century.
This work is an example of etching on heavy laid paper, which highlights the artist's mastery.

  • Sheet size: cm. 7x8 approx.
  • Condition: Excellent

Pecora, XVIII secolo

20,00 

Sheep It is an engraving made in 18th century, performed with the technique ofEtching on heavy laid paper.
This work, of small dimensions, measures approximately cm. 11×17. Presenta una firma illeggibile e una macchia di unto, che ne evidenziano la storia e l’autenticità.

  • Sheet size: Small
  • Condition: Good
  • Support: Heavy laid paper

Pesaro, Salmon Thomas, 1738-1768

40,00 

Pesaro it is an etching on copper made by Thomas Salmon between 1738 and 1768.
This work represents the city of Pesaro in the Duchy of Urbino, part of the Ecclesiastical State.

  • Size of the joke: cm. 15×10 approx.
  • Margins: Irregular
  • Technique: Etching on copper
  • Support: Laid paper without watermark
  • Condition: Excellent state of preservation

The work is taken from the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, Naples edition.

Pesaro, Salmon Thomas, 1738-1768

40,00 

Pesaro it is an etching on copper made by Thomas Salmon between 1738 and 1768.
This work represents the city of Pesaro in the Duchy of Urbino, part of the Ecclesiastical State.

  • Size of the joke: cm. 15×10 approx.
  • Margins: Irregular
  • Technique: Etching on copper
  • Support: Laid paper without watermark
  • Condition: Excellent state of preservation

The work is taken from the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, Naples edition.

Pesirini Gio Domenico, 1764

40,00 

Pesirini Gio Domenico It is an engraving made in 1764, part of the Series of portraits of famous painters, painted by hand.
This work was published in Florence by the Moückiana printing house, with the engraving by Antonio Pazzi.

  • Sheet size: cm. 16×21 approx.
  • Support: Cardboard in contemporary times
  • Condition: Excellent condition

Philippes Wouwermens, The Prey, 1786

70,00 

La Preda è un’incisione realizzata da Philippes Wouwermens nel 1786.
Questa opera è un’acquaforte su carta vergellata con filigrana, proveniente dalla Gallery of the Palais Royal, e rappresenta una bella prova con buon contrasto.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Support: Laid paper
  • Condition: Excellent

Philips Wouwerman, Basan, 1771

30,00 

Philips Wouwerman, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Philips Wouwerman è stato un rinomato pittore olandese del secolo d’oro, noto per le sue scene di genere e paesaggi.

Philips Wouwerman, Basan, 1771

30,00 

Philips Wouwerman, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Philips Wouwerman (Haarlem, 24 maggio 1619 – Haarlem, 19 maggio 1668) è stato un rinomato pittore e disegnatore olandese del secolo d’oro, noto per le sue opere paesaggistiche e di genere.

Map of Rome, 1791

80,00 

Pianta di Roma, made in 1791, è un’acquaforte su carta vergellata che offre una vista dettagliata della città eterna.
Questa pianta, parte dell’opera Histoire Universelle depuis les commencement du monde jusque a present, pubblicata a Parigi, rappresenta l’evoluzione di Roma dai tempi di Servio Tullio fino alla conquista da parte dei Galli.

  • Sheet size: cm. 16×33 alla linea marginale, con margini irregolari di 2-7 cm
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Ai lati della pianta si trovano le legende dei siti indicati e numerati, rendendo questa opera non solo un documento storico, ma anche un utile strumento di riferimento.

Pier Francesco Mola, Hagar and Ishmael, 1786

70,00 

Hagar and Ishmael it is an engraving made by Pier Francesco Mola in 1786.
This work is an etching on laid paper with watermark, from the prestigious Gallery of the Palais Royal.

  • Sheet size: cm. 24×37 approx.
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

The engraving is dedicated to SAS Monseigneur le Duc d'Orléans and was published by J. Couche in Paris in 1786.

Pier Francesco Mola, Death of Archimedes, 1786

50,00 

Death of Archimedes it is an engraving made by Pier Francesco Mola in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Engraving size: cm. 24×37
  • Support: Laid paper
  • Condition: Good, with a slightly dirty and worn sheet

The engraving is taken from Gallery of the Palais Royal, with a dedication to HSH Monseigneur le Duc d'Orléans, and presents a good contrast.

Pierre Mariette, 8 views of Rome, 18th century

120,00 

8 Vedute di Roma è un insieme di incisioni realizzate da Pierre Mariette nel XVIII secolo, che rappresentano monumenti e rovine iconiche della città eterna.
Le vedute includono il Colosseo, il ponte delle Sabine, la piramide di Cestius, i bagni di Antonino Pio, le rovine del tempio della Pace e le terme di Antonino Pio.

  • Sheet size: cm. 18×24 approx.
  • Engraving dimensions: cm. 14×20 approx.
  • Technique: Etching and burin
  • Support: Laid paper
  • Condition: Excellent

Cinque delle stampe presentano il titolo in inglese, mentre le altre tre sono in latino, con la dicitura in basso Chez P. Mariette avec Privilege du Roy.

Pierre Moreau, Esequie in Italia, 1760 ca.

60,00 

Esequie in Italia è un’incisione realizzata da Pierre Moreau, un artista francese attivo nel XVIII secolo.
Questa opera, datata circa 1760, è un esempio significativo della sua abilità nell’arte dell’acquaforte.

  • Sheet size: cm. 13×19 approx.
  • Technique: Etching
  • Support: Carta vergellata, incollato ai margini ad altro supporto cartaceo
  • Condition: Buone, con mancanze ai margini superiori

Pierre Moreau, Ships in the Port, ca. 1760

60,00 

Ships in the port It is an engraving made by Pierre Moreau around 1760.
This work, which represents a suggestive scene of moored ships, is executed in etching on laid paper.

  • Sheet size: cm. 13×19 approx.
  • Support: Glued at the edges to another paper support
  • Condition: Excellent condition

Pierre Vander AA, Plan of the city of Nola, 1729

90,00 

Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the volume Thesaurus antiquitatum et historiarum Italiae.
This map, from Leiden, offers a detailed representation of the city of Nola, located in the province of Naples.
The map includes a legend explaining the various locations, making it not only a work of art, but also an important historical resource.

  • Sheet size: cm. 33×25 approx.
  • Engraving size: cm. 47×40 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent
  • Rarity: Extremely rare

Pierre Vander AA, Plan of the city of Nola, 1729

40,00 

Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the Thesaurus antiquitatum et historiarum Italiae.
This detailed map represents the city of Nola, located in the province of Naples, and was created using the etching technique on laid paper.

  • Sheet size: cm. 40×24 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Laid paper
  • Condition: Excellent

Pieter Neefs (1578-1661), Bashan, 1771

30,00 

Pieter Neefs (1578-1661), Bashan, 1771 It is an engraving made by Pieter Neefs, a Flemish painter known for his architectural church interiors.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the Duc de Choiseul, published in 1771 by Pierre-François Basan.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×21 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Pieter van der Werff (1665 – 1722) was a Dutch Golden Age painter, known for his collaboration with his brother Adriaen van der Werff.

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del duca.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff (1665 – 1722) è noto come un pittore dell’età d’oro olandese, che ha collaborato con suo fratello Adriaen van der Werff.

Pieter van Laer called Bamboccio, The Servants, 1786

50,00 

Pieter van Laer called the Bamboccio, The Servants It is an engraving made in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Taken from: Galerie Du Palais Royal, with works from different schools
  • Description: Includes an abbé of the painters' lives and a historical description of each painting, by Mr l'abbé de Fontenai
  • Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
  • Published by: J. Couche, Paris, 1786
  • Condition: Excellent condition, nice proof with good contrast

Pietro Da Cortona (Pietro Berrettini), Jacob's Flight, 1786

70,00 

Jacob's Escape It is an engraving made by Peter From Cortona (Pietro Berrettini) in the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

Pisa, Piazza dei Miracoli, 1724

40,00 

Pisa, Square of Miracles It is an engraving made in 1724, which offers a beautiful animated view di uno dei luoghi più iconici d’Italia.
This work is taken from the volume Nieu We Reize van Misson naen door Italy, di Francois van Misson, pubblicato a Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Pula, Arch of Triumph, 1796

40,00 

Pula, Arch of Triumph It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Civita Castellana Bridge, 1798

40,00 

Civita Castellana Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

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