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Etching
Rome, Statue of Marforio, 1724
Rome, Statue of Marforio It is an engraving made in 1724, which offers a beautiful animated view of the famous statue located in Rome.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.
- Sheet size: cm. 16×12 approximately, plus irregular margins
- Engraving size: cm. 16×12 approx.
- Technique: Etching
- Support: Medium paper with white back
- Condition: Excellent
Rome, Statue of Pasquino, 1724
Rome, Statue of Pasquino It is an engraving made in 1724, which offers a beautiful animated view of the famous statue.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.
- Sheet size: cm. 16×12 approximately, plus irregular margins
- Technique: Etching
- Support: Medium paper with white back
- Condition: Excellent
Rome, Temple of the God Redicolo, 1796
40,00 €Rome, Temple of the God Redicolo it is an engraving from 1796 representing the tomb of Annia Regilla.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Technique: Etching and aquatint
- Support: Paper
- Condition: Excellent
This beautiful view is animated and well contrasted, with an explanation of the print on the back.
Roma, Tempio della Concordia, 1796
40,00 €Roma, Tempio della Concordia It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta offre una rappresentazione animata e ben contrastata del Tempio della Concordia, con spiegazioni dettagliate sul retro della stampa.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent
Rome, Temple of Antoninus and Faustina, 1798
40,00 €Rome, Temple of Antoninus and Faustina It is an engraving made in 1798, which offers a splendid view of the famous Roman temple.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Technique: Etching
- Support: Paper
- Condition: Excellent
The print features lively animation and sharp contrast, with a detailed explanation on the back.
Roma, Tempio di Fortuna Virile (Portuno), 1798
40,00 €Roma, Tempio di Fortuna Virile (Portuno) è un’incisione realizzata nel 1798, che offre una splendida veduta del famoso tempio romano.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent
The print features lively animation and sharp contrast, with a detailed explanation on the back.
Rome, Temple of Romulus and Remus, 1796
40,00 €Rome, Temple of Romulus and Remus It is an engraving made in 1796, which offers a suggestive view of the famous temple.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London, 1813.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent state of preservation
The print features a beautiful view, lively and well contrasted, with an explanation on the back that enriches the work.
Rome, Temple of Vesta, 1798
40,00 €Rome, Temple of Vesta It is an engraving made in 1798, which offers a splendid view of the famous Roman temple.
This work is taken from the volume Tour Through Italy by REv. John Chetwode Eustace, published in London by J. Mawman, 1813.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Technique: Etching
- Condition: Excellent
- Support: Paper
The print features lively animation and sharp contrast, with a detailed explanation on the back.
Roma, Trofeo di Mario, 1798
40,00 €Roma, Trofeo di Mario It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is animated and well contrasted, with an explanation of the print on the back.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Technique: Etching and aquatint
- Support: Paper
- Condition: Excellent
Roma, Villa Borghese, 1724
40,00 €Roma, Villa Borghese It is an engraving made in 1724, which offers a beautiful animated view del celebre parco romano.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.
- Size of the joke: cm. 16×12 approx.
- Margins: Irregular
- Technique: Etching
- Support: Medium paper with white back
- Condition: Excellent
St. Rose of Lima, 1750
40,00 €St. Rose of Lima It is an engraving made in 1750, which represents an important religious figure.
This work is made in etching and burin on heavy laid paper, back-glued onto another piece of laid cardboard.
- Engraving size: mm. 225×156 without margins
- Condition: Excellent condition
- Attribution: Probable attribution to Joseph Wagner (1706-1780)
Saint Non, L’Abbeveratoio, acquatinta, 1776
40,00 €Saint Non, L’Abbeveratoio è un’incisione realizzata nel 1776 da Jean-Claude Richard de Saint-Non, noto anche come Abate di Saint-Non.
This aquatint su carta vergellata presenta una parziale filigrana e misura cm. 18×14 alla battuta del rame, con margini più piccoli. L’opera è firmata in lastra con ‘Roberti del.’ e ‘Saint Non sc. 1766’.
- Sheet size: cm. 18×14 approx.
- Support: Laid paper
- Condition: Excellent
L’incisione è considerata bella e rara, raffigurante personaggi in un contesto vivace, tipico dello stile di Saint-Non, che era anche un noto umanista e archeologo.
Salerno, Antica Chiesa, 1781-1786
60,00 €Salerno, Antica Chiesa It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This etching offre una vista affascinante di una storica chiesa di Salerno, parte del volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily.
- Sheet size: mm. 230×165 approx.
- Condition: Perfect state of preservation
- Support: Paper
Salerno, Paestum, 1781-1786
50,00 €Salerno, Paestum, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This work is a vista presa d’apres nature sul cammino da Napoli a Paestum, situata a breve distanza da Salerno.
- Sheet size: mm. 230×165 approximately, with irregular margins
- Technique: Etching
- Condition: Perfect state of preservation
- Support: Paper
L’incisione fa parte dell’opera Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, pubblicata tra il 1781 e il 1786. Questa bella veduta è animata e offre un affascinante sguardo sulla bellezza del paesaggio italiano.
Salomon Gessner, Paesaggio, 1764
60,00 €Paesaggio con Pescatore e Bambini it is an etching made by Solomon Gessner nel 1764.
Questa opera rappresenta un idilliaco paesaggio con un pescatore e bambini accanto a un cottage dal tetto di paglia.
- Sheet size: cm. 20×17 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
- Technique: Etching
- Era: XVIII
- Dimensions: Small
Salomon Gessner, poeta e pittore svizzero, è noto per i suoi paesaggi delicati e immaginari, influenzati da maestri come Poussin e Claude Lorrain.
La sua opera riflette un profondo legame con la natura, esprimendo un’estetica rococò che caratterizza il suo tempo.
Salomon Gessner, Satyr and nymphs, 18th century
90,00 €Satyr and Nymphs It is an engraving made by Solomon Gessner in the 18th century, which represents a moment of play between a satyr and some nymphs in the forest.
This work is an example of his mastery in engraving and is part of a series of classical landscapes.
- Sheet size: cm. 32×22
- Engraving size: mm. 210×190
- Technique: Etching
- Support: Heavy laid paper with watermark
- Condition: Excellent
- Impression: Excellent with great inking
- Signed: S.Gessner inv. et f.
- Table: n.8 of a series of classical landscapes
Salomon van Ruysdael, Bashan, 1771
30,00 €Solomon van Ruysdael It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This collection of prints It is dedicated to the works of the famous Dutch painter, known for his landscapes.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent condition
Salomon van Ruysdael, Bashan, 1771
30,00 €Salomon van Ruysdael, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the famous collector.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent condition
Salomon van Ruysdael, a well-known Dutch landscape painter, created works that capture the beauty of natural landscapes, making him one of the most appreciated artists of his time.
Salomon van Ruysdael, Bashan, 1771
30,00 €Salomon van Ruysdael, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Salomon van Ruysdael, a well-known Dutch landscape painter, created works that capture the beauty of natural landscapes.
Salvator Rosa, Figurine, 1720
1.450,00 €Salvator Rosa, Figurines It is a complete set of 60 plates, including the title plate, published by the engraver and publisher François Chéreau in Paris in the first half of the 18th century.
This collection, known as the Figurines, was originally created by Rosa in 62 etchings between 1656 and 1657.
- Sheet size: Great
- Dimensions of the tables: Variables
- Technique: Etching
- Condition: Good
- Support: Laid paper
On the frontispiece we read: SALVATOR ROSA Invenit. Liber Primus.
This edition is a good example, with six backlit prints and a few stains that do not detract from the artwork.
Salvator Rosa, Soldier with spear pointing
75,00 €Soldato con lancia che indica It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, con le lettere intrecciate RS e il numero 22.
- Sheet size: mm. 142×93
- Support: Unlaid paper
- Technique: Etching and drypoint
- Condition: Ottima, con residui di colla ai margini visibili in parte a fronte
La prova è nitida e si presume sia una tiratura fine del ‘700 (Cfr. Bartsch 37).
Salvator Rosa, Soldier with shield
75,00 €Soldato con scudo It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines e presenta un monogramma RS con lettere intrecciate all’interno dello scudo.
- Sheet size: mm. 142×93
- Support: Unlaid paper
- Technique: Etching and drypoint
- Condition: Ottima, con residui di colla ai margini visibili al recto
- Notes: Bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37)
Salvator Rosa, Armored Soldier with Spear
75,00 €Soldato corazzato con lancia it is an engraving of Salvator Rosa dating back to 18th century.
This work is made in etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine. Presenta residui di colla ai margini al recto, visibili in parte a fronte.
- Monogram: RS con lettere intrecciate in basso a sinistra
- Numero: 6 in basso a destra
- Serie: Diverse figure o Figurine
- Condition: Excellent
- Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)
Salvator Rosa, Three Soldiers, Figurine, 18th century
75,00 €Tre Soldati It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, rappresentato dalle lettere intrecciate RS, e dal numero 20.
- Sheet size: mm. 142×93
- Technique: Etching and drypoint
- Support: Unlaid paper
- Condition: Excellent
La prova è nitida e si tratta di una probabile tiratura della fine del ‘700 (Cfr. Bartsch 37).
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