Etching

Showing 25–48 of 993 results

Human Anatomy, Arm Muscles 1684

35,00 

Anatomia umana, Muscoli delle braccia It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
Questa tavola rappresenta i muscoli del corpo umano, in particolare degli arti superiori, ed è un bellissimo esemplare su carta vergellata con filigrana.

  • Sheet size: cm. 36×22
  • Image size: cm. 26×18
  • Support: Laid paper
  • Condition: Good condition

Human Anatomy, Muscles of the Arms and Hands 1684

35,00 

Human Anatomy, Muscles of the Arms and Hands It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
This plate offers a detailed anatomical representation of the muscles of the human body, particularly of the arms and hands.

  • Sheet size: cm. 36×22
  • Engraving size: cm. 26×18
  • Support: Laid paper
  • Condition: Good condition

Human Anatomy, Leg Muscles 1684

35,00 

Anatomia umana, Muscoli delle gambe è un’incisione realizzata da Browne John nel 1684, tratta dall’opera Myographia nova, sive muscularum omnium.
Questa tavola di anatomia rappresenta i muscoli delle gambe del corpo umano ed è un bellissimo esemplare su carta vergellata con filigrana.

  • Sheet size: cm. 36×22
  • Image size: cm. 26×18
  • Technique: Etching
  • Condition: Good
  • Support: Laid paper

Human Anatomy, Muscles of the Legs and Feet 1684

35,00 

Anatomia umana, Muscoli delle gambe e piedi It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
Questa tavola rappresenta in dettaglio l’anatomia dei muscoli del corpo umano, con particolare attenzione a gambe e piedi.

  • Sheet size: cm. 36×22 approx.
  • Engraving size: cm. 26×18 approx.
  • Support: Laid paper
  • Condition: Good condition

Human Anatomy, Muscles of the Legs and Feet 1684

35,00 

Anatomia umana, Muscoli delle gambe e piedi It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
Questo esemplare presenta una dettagliata tavola anatomica dei muscoli del corpo umano, con particolare attenzione a gambe e piedi.

  • Sheet size: cm. 36×22
  • Engraving size: cm. 26×18
  • Support: Laid paper
  • Condition: Good condition

Ancona, Arch of Trajan, 1850

40,00 

Ancona, Arch of Trajan This is an engraving made in 1850, which offers a splendid view of this iconic monument.
The work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18,5
  • Support: Strong paper
  • Condition: Excellent

This engraving is notable for its sharpness and vividness, making it a valuable addition for collectors and art enthusiasts.

Andrea Palladio, 1857

30,00 

Andrea Palladio It is an original etching made in 1857, taken from the Italian Iconoteca, a collection of sixty portraits of illustrious Italians.
This work depicts Andrea Palladio, pseudonym of Andrea di Pietro, a Renaissance architect of great importance, known for his influence on Western architecture.

  • Sheet size: cm. 23×32
  • Engraving size: cm. 14×18
  • Support: Strong paper
  • Condition: Good, with some light rust stains at the edges, which do not affect the engraving.

Andrea Schiavone, Dead Christ, 1786

70,00 

Cristo Morto it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
È tratta dalla Gallery of the Palais Royal, che presenta opere delle diverse scuole artistiche, accompagnata da un riassunto della vita dei pittori e una descrizione storica di ciascun quadro, a cura dell’abbé de Fontenai.

  • Sheet size: cm. 24×37 approx.
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper
  • Published by: J. Couche; Parigi; 1786

Anfiteatro a Pola, Croazia, A.H.Payne, 1840-50

25,00 

Incisione realizzata all’acquaforte da A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Image size: cm. 11×15 circa con ampi margini
  • Support: Medium thickness paper
  • Condition: Excellent condition

Anthony van Dyck, 1830

30,00 

Anthony van Dyck, 1830 it is an etching made on laid paper, which represents a significant work by one of the most famous Flemish portraitists.
Van Dyck, known for his elegant style and his ability to portray the nobility, became the first court painter in England after a long stay in Italy.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Arabs dividing the spoils, 1830

20,00 

Arabi che dividono il bottino è un’incisione realizzata nel 1830, che rappresenta un momento di condivisione tra arabi.
Questa opera è stata creata con la tecnica dell’Etching and of the Burin, mostrando una notevole maestria artistica.

  • Sheet size: cm. 21×30 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Archimede, 1857

30,00 

Archimede è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper.

  • Sheet size: cm. 23×32
  • Engraving size: mm. 140×180
  • Support: Strong paper
  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.

Aretusi Caesar, 1764

40,00 

Aretusi Caesar It is an etching made in 1764, part of the Series of portraits of famous painters, published in Florence by the Moückiana printing house.
The engraving is the work of the engraver Antonio Pazzi and depicts the Bolognese painter Cesare Aretusi, known for his collaboration with Giambattista Fiorini in the decoration of the dome of St. Peter's in Bologna.

  • Sheet size: cm. 37×49 approx.
  • Engraving size: cm. 16×21 approx.
  • Support: Heavy paper
  • Condition: Good condition, with some stains on the edges that do not affect the engraving

Ariccia, 1860

35,00 

Ariccia It is an engraving made in 1860, part of the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work is an etching that represents an important artistic testimony of the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Armed, Salvino of the Armed, 1857

30,00 

Armed, Salvino of the Armed it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper with white back.

  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
  • History: Salvino degli Armati is known as one of the alleged inventors of glasses, although he is probably a character who never existed, the result of a 17th century forgery.

Arnolfo di Lapo, 1857

30,00 

Arnolfo di Lapo è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa opera rappresenta Arnolfo di Cambio, noto scultore e architetto italiano attivo a Roma e Firenze tra il Duecento e il Trecento.

  • Sheet size: cm. 23×32 approx.
  • Size of the joke: mm. 140×180 circa
  • Support: Strong paper
  • Condition: Ottima, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione

Arona, The Colossus of St. Charles Borromeo, 1860

35,00 

Arona, Il Colosso di S. Carlo Borromeo è un’incisione realizzata nel 1860, che rappresenta una delle opere più significative del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Arquà, Petrarca's House, 1860

35,00 

Arquà, Casa di Petrarca è un’acquaforte realizzata nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo, con un’accurata rappresentazione della casa di Petrarca ad Arquà.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Assarotti Octavius, 1857

30,00 

Assarotti Octavius It is an original etching made in 1857, part of the Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
This work portrays Octavius John Baptist Assarotti, an important Italian religious man and theologian, known for being the founder of schools for the deaf and the inventor of the manual alphabet.

  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Good, with some light foxing on the edges, which does not affect the engraving

AVELINE Pierre, Autumn, 18th century

80,00 

Autunno It is an engraving made by Pierre Aveline in the 18th century.
This work is an example of etching su carta vergellata, con una parziale filigrana non riconosciuta.

  • Sheet size: cm. 32×23 senza margini, rifilata alla linea marginale
  • Signed: sotto la linea quadrata, a sinistra ‘Pierre Aveline del. Sculp.’ e a destra ‘Bouché pinx.’
  • Publication: ‘a Paris chez Charpentier rue St Jacques au Coq’

B. Pinelli, Destitute Family, 1815

40,00 

Destitute Family It is an engraving made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent state of preservation

Bartolomeo Pinelli, born in Rome in 1781, was an engraver and painter known for his vast artistic production, which includes approximately four thousand engravings.
His works illustrate Italian customs and the great masterpieces of literature, with a particular focus on Rome and its history.

B. Pinelli, Picturesque Group, 1815

60,00 

Picturesque Group It is an engraving made by Bartholomew Pinelli in 1815, a work that captures a picturesque family scene where members help each other clean themselves of lice.
This engraving is part of the New Collection of Fifty Picturesque Costumes, a project that celebrates Italian customs and traditions.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

B. Pinelli, The Sermon in the Square, 1815

60,00 

The Sermon in the Square it is an engraving made by Bartolomeo Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, a series of engravings illustrating the customs and daily life of the time.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

B. Pinelli, The Litany of Tivoli, 1815

60,00 

The Litanies of Tivoli It is an engraving made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, an important collection of engravings celebrating Italian customs and culture.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

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