Etching

Showing 73–96 of 993 results

Beccaria Cesare, 1857

30,00 

Beccaria Cesare it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera ritrae Cesare Bonesana, marchese di Beccaria, una figura di spicco dell’Illuminismo italiano.

  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.

Benigno Bossi (1727-1792), Head of a Boy, 1754

90,00 

Testa di ragazzo It is an engraving made by Benigno Bossi In the 1754.
Questa opera è un’acquaforte su carta vergellata con filigrana a croce uncinata, parte della Raccolta di teste inventate, disegnate e incise da B.Bossi.

  • Sheet size: cm. 33×22
  • Engraving size: mm. 95×70
  • Support: Laid paper
  • Condition: Buone condizioni, con qualche piega e piccoli strappi ai margini

Benigno Bossi, Study of a Head, 1754

80,00 

Studio di testa It is an engraving made by Benigno Bossi In the 1754.
Questa opera è un’acquaforte su carta vergellata con filigrana a croce uncinata, parte della Raccolta di teste inventate, disegnate e incise da B.Bossi.

  • Sheet size: cm. 29×22 circa
  • Engraving size: mm. 84×73 circa
  • Support: Laid paper
  • Condition: Buone condizioni, con qualche piega e piccoli strappi ai margini

Benjamin Franklin, 1770

30,00 

Benjamin Franklin è un’incisione realizzata nel 1770, che ritrae uno dei Padri fondatori degli Stati Uniti.
Franklin è noto per il suo contributo in vari campi, dalla scienza alla politica, e la sua figura rappresenta un simbolo di innovazione e leadership.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Berchem, A Landscape, 1830

70,00 

A Landscape It is a coloured aquatint made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a splendid execution based on one of the paintings in the gallery, and stands out for its rarity and decorativeness.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent
  • Origin: DULWICH GALLERY by R. Cockburn, 1830
  • Stamping: Haverhill Public Library stamp on the back

Berckheyde, van de Velde, Bashan, 1771

30,00 

View of Harlem It is an engraving made by Job Adriaensz Berckheyde And Adriaen van de Velde, published by Pierre-François Basan in 1771.
This work is part of the Record of recorded prints after the tables on the cabinet of Monseigneur le Duc de Choiseul, and was printed in Paris.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Bergamo, Upper Town Gate, 1860

35,00 

Bergamo, Porta di Città Alta è un’incisione realizzata nel 1860, rappresentante una vista iconica della città di Bergamo.
This work is taken from theAlbum of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Berlin, AHPayne, 1840-50

20,00 

Berlin It is an engraving made by A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

Berlin, The Royal Mills, AHPayne, 1840-50

20,00 

Berlin, The Royal Mills It is an engraving made by A.H. Payne between 1840 and 1850.
This work, an etching on medium-thickness paper, depicts the famous royal mills of Berlin.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition
  • Publication: Print published in Payne's Universum und Buch der Kunst, Leipzig and Dresden
  • Signature: AHPayne sc. bottom right

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

Berlin, The Royal Palace, AHPayne, 1840-50

20,00 

Berlin, The Royal Palace It is an engraving made by A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
This engraving represents an important artistic testimony of the 19th century.

Berlin, Monument to Frederick the Great, AHPayne, 1840-50

20,00 

Berlin, Monument to Frederick the Great It is an engraving made by AH Payne between 1840 and 1850.
This work represents the famous monument dedicated to Frederick the Great, executed in etching on medium thickness paper.

  • Sheet size: cm. 21×27
  • Support: Paper
  • Condition: Excellent

The press was published in Payne's Universum und Buch der Kunst, in Leipzig and Dresden.
AH Payne, English engraver and designer, worked in Leipzig from 1838, founding the English Art Institute.

Cattle, H.Roos, 1840-50

20,00 

Livestock It is an engraving made by H. Roos between 1840 and 1850.
This work, an etching on strong paper, represents a livestock subject and was published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig.
From 1838, Payne founded a publishing house, the English Art Institute, contributing significantly to the artistic landscape of the time.

Livestock, Van der Velde, 1840-50

20,00 

Livestock It is an engraving made by Van der Velde between 1840 and 1850.
This work, an etching on strong paper, measures 21x27 cm and has a white back.
Published in Payne's Royal Dresden Gallery from AH Payne and W. French in Dresden, Leipzig and London, the engraving is in excellent condition.

  • Sheet size: cm. 21×27
  • Technique: Etching
  • Support: Strong paper

Boccaccio Giovanni, 1857

30,00 

Boccaccio Giovanni it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera misura la battuta di mm. 140×180 su un foglio di cm. 23×32, ed è stampata su carta forte con retro bianco.

  • Sheet size: cm. 23×32
  • Engraving size: mm. 140×180
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione.

Bologna, Bird's eye view, 1850

40,00 

Bologna, Veduta a volo d’uccello è un’incisione realizzata nel 1850, che offre una splendida prospettiva della città.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Questa veduta è caratterizzata da una nitidezza e un’animazione che la rendono un pezzo d’arte affascinante.

Borelli Alfonso, 1857

30,00 

Borelli Alfonso è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work features a joke of mm. 140×180 on a sheet of paper cm. 23×32, made on strong paper with white back.
Sebbene presenti qualche leggera macchia di foxing ai bordi, queste non interessano l’incisione.

  • Giovanni Alfonso Borelli: nato a Messina il 28 gennaio 1608 e morto a Roma il 31 dicembre 1679, è stato un importante matematico, fisiologo e filosofo italiano.
  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Good

Bouttats Pieter Balthazar, (1666 – 1755)

30,00 

Liber Tobia Caput 1 It is an engraving made by Pieter Balthazar Bouttats in the 17th century.
Questa opera è un’acquaforte firmata in lastra a destra con la dicitura P.B.Boutats fecit, che ne attesta l’autenticità.

  • Engraving size: mm. 120×160 alla battuta del rame
  • Sheet size: mm. 152×210
  • Support: Laid paper with partial watermark
  • Condition: Excellent condition

Toast, The Castle, Saint-Non, 1781

120,00 

Toast, The Castle It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work offers a suggestive view of the Castle of Brindisi and part of its port.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 17×22 approx.
  • Technique: Etching on laid paper colored with watercolor
  • Condition: Excellent state of preservation
  • Work taken from: “Voyage Pittoresque or description of the Royal Palaces of Naples and Sicily”

Brindisi, View of the City, Saint-Non, 1781

120,00 

Brindisi, Veduta della Città It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work, entitled Vue de la Ville de Brindes, è un’acquaforte su carta vergellata colorata all’acquarello, parte del volume Voyage Pittoresque ou description des Royaumes de Naples et de Sicile.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 17×22 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Browne, Muscles of the Legs, 1694

135,00 

Muscoli delle gambe è un’incisione realizzata da Giulio Casserio e Odoardo Fialetti nel 1694.
Questa tavola di anatomia, tratta dall’opera Myographia nova, sive musculorum omnium, pubblicata ad Amsterdam, offre una dettagliata rappresentazione dei muscoli del corpo umano.

  • Sheet size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con scritte retro in latino leggermente visibili al recto

Browne, Muscles of the Legs, 1694

35,00 

Muscoli delle gambe è un’incisione realizzata da Giulio Casserio e Odoardo Fialetti nel 1694.
Questa tavola di anatomia illustra i muscoli del corpo umano ed è tratta dall’opera Myographia nova, sive musculorum omnium, pubblicata ad Amsterdam nel 1694.

  • Sheet size: cm. 34×21 approx.
  • Engraving size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con scritte retro in latino leggermente visibili al recto

Brueghel, Bashan, 1771

30,00 

Brueghel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe basate sui dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Brueghel il Vecchio, noto anche come Bruegel dei Velluti, è stato un rinomato pittore fiammingo, membro di una famiglia di artisti.
È il figlio di Pieter Bruegel il Vecchio e il padre di Jan Brueghel il Giovane.

Neapolitan Calesse, W.French, 1840-50

50,00 

Calesse Napoletano It is an engraving made by W. French between 1840 and 1850.
This work, a watercolor etching, rappresenta un elegante calesse tipico di Napoli.
Published in Payne's Universe e stampata a Lipsia e Dresda, questa incisione è un esempio pregevole dell’arte incisoria dell’epoca.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Callot, Great Miseries of War, 1633

80,00 

Great miseries of war It is an engraving made by Jacques Callot in 1633, part of the series The miseries and the evils of war.
This work, entitled The Firing Squad, is an extraordinary example of Callot's mastery of etching.

  • Sheet size: mm. 80×184 plus 1 cm margins
  • Engraving size: mm. 80×184
  • Support: Laid paper
  • Condition: Excellent condition

Jacques Callot, an engraver and illustrator from Nancy, is known for his ability to capture the complexity of war through powerful, detailed images.
His art represents one of the most original expressions of seventeenth-century France, combining a fantastic freedom with a precise modulation of light.

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