Etching

Showing 457–470 of 470 results

Titian Vecellio, The Tempter, 1786

70,00 

Il Tentatore It is an engraving made by Tiziano Vecellio nel 1786, riproduzione di un’opera originale.
Questa acquaforte è stata pubblicata da J. Couche a Parigi e fa parte della serie Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

L’incisione presenta buoni margini irregolari e una bella prova con buon contrasto.

Trapani, The Salt Pans, Saint-Non, 1781-86

40,00 

Trapani, The Salt Pans It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating glimpse into the beauty of the Trapani salt pans, making it a valuable piece for collectors and art enthusiasts.

Valentin de Boulogne, Music, 1786

60,00 

La Musica It is an engraving made by Valentin de Boulogne In the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Ottime, bella prova con buon contrasto
  • Support: Laid paper

Venezia, Biblioteca Nazionale, 1724

40,00 

Venezia, Biblioteca Nazionale It is an engraving made in 1724, which offers a beautiful animated view della Biblioteca Nazionale Marciana.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×18 circa, più margini irregolari
  • Engraving size: cm. 16×18 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Good condition, has two editorial folds

Venezia, Chiesa della Salute 1712

25,00 

Venezia, Chiesa della Salute it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.

  • Sheet size: cm. 9×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Venezia, Chiesa della Salute 1712

25,00 

Venezia, Chiesa della Salute it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.

  • Sheet size: cm. 9×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Venezia, Piazza S.Marco, 1724

40,00 

Venezia, Piazza S.Marco è un’incisione realizzata nel 1724, che offre una splendida veduta animata della celebre piazza veneziana.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Venezia, Piazza S.Marco, Mortier 1712

35,00 

Venezia, Piazza S.Marco it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 12×15 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Venezia, Piazza San Marco 1712

25,00 

Venezia, Piazza San Marco it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition, published in Berlin in 1712.

  • Sheet size: cm. 9×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Venezia, Ponte di Rialto, 1724

30,00 

Venezia, Ponte di Rialto It is an engraving made in 1724, which offers a beautiful animated view della celebre struttura veneziana.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Vicenza, Plan of the Theatre 1712

20,00 

Vicenza, Pianta del Teatro It is an engraving made in 1712, using the copper etching technique.
This work is taken from The delights of Italy, edizione tedesca di De Rogissart, pubblicata a Berlino.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

W. Hogarth, L’Uovo di Colombo, 1753

50,00 

L’Uovo di Colombo It is an engraving made by William Hogarth In the 1753.
Questa opera, emessa come biglietto di abbonamento per il suo trattato d’arte L’analisi della bellezza, rappresenta un racconto apocrifo riguardante la risposta di Cristoforo Colombo ai suoi detrattori.
Hogarth utilizza questa storia come un parallelo con le sue scoperte artistiche.

  • Sheet size: cm. 18×21 circa
  • Engraving size: cm. 14×18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

William Hogarth The Distrest Poet 1822

70,00 

Il Poeta Distratto It is an engraving made by William Hogarth in 1822.
This work, also known as The Distrest Poet, is an etching that measures cm. 34×40 per l’immagine e cm. 64×48 per il foglio, stampata su carta spessa senza filigrana.

  • Condition: Excellent condition
  • Era: XVIII
  • Technique: Etching
  • Dimensions: Great
  • Support: Paper

L’incisione, nel suo terzo stato, fu pubblicata il 15 dicembre 1741 come compagna di The Enraged Musician, una scena comica che ritrae un violinista distratto dai rumori esterni.
La piastra iniziale per The Distrest Poet fu prodotta subito dopo il completamento del dipinto ad olio, ma il terzo stato non fu completato fino alla fine del 1740, quando Hogarth annunciò la sua intenzione di pubblicare un set di tre immagini, di cui solo due furono realizzate.

Zampieri, Transport of the Cross

60,00 

Carrying the Cross It is an engraving made by Dominic Zampieri, known as the Domenichino, in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

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