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Etching
Amerigo Vespucci, 1857
30,00 €Amerigo Vespucci It is an original etching made in 1857, part of the Italian Iconoteca, a collection of sixty portraits of illustrious Italians.
This work depicts the famous Florentine navigator and cartographer, Amerigo Vespucci, born on March 18, 1454 and died on February 22, 1512 in Seville.
- Sheet size: cm. 23×32
- Engraving size: cm. 14×18
- Support: Strong paper
- Condition: Excellent, with some light rust spots on the edges, which do not affect the engraving.
Anagni, 1805
45,00 €Anagni, 1805 è una splendida acquaforte che offre una vista affascinante della città di Anagni.
Realizzata da Bourgeois e incisa da Lameau, questa opera è parte del volume Recueil de Vues et Fabriques Pittoresques d’Italie, pubblicato a Parigi nel 1805.
- Sheet size: mm. 140×180 circa, con margini irregolari
- Technique: Etching
- Support: Lightweight paper with white backing
- Condition: Excellent
Human Anatomy, Arm Muscles 1684
35,00 €Anatomia umana, Muscoli delle braccia It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
Questa tavola rappresenta i muscoli del corpo umano, in particolare degli arti superiori, ed è un bellissimo esemplare su carta vergellata con filigrana.
- Sheet size: cm. 36×22
- Image size: cm. 26×18
- Support: Laid paper
- Condition: Good condition
Human Anatomy, Muscles of the Arms and Hands 1684
35,00 €Human Anatomy, Muscles of the Arms and Hands It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
This plate offers a detailed anatomical representation of the muscles of the human body, particularly of the arms and hands.
- Sheet size: cm. 36×22
- Engraving size: cm. 26×18
- Support: Laid paper
- Condition: Good condition
Human Anatomy, Leg Muscles 1684
35,00 €Anatomia umana, Muscoli delle gambe è un’incisione realizzata da Browne John nel 1684, tratta dall’opera Myographia nova, sive muscularum omnium.
Questa tavola di anatomia rappresenta i muscoli delle gambe del corpo umano ed è un bellissimo esemplare su carta vergellata con filigrana.
- Sheet size: cm. 36×22
- Image size: cm. 26×18
- Technique: Etching
- Condition: Good
- Support: Laid paper
Human Anatomy, Muscles of the Legs and Feet 1684
35,00 €Anatomia umana, Muscoli delle gambe e piedi It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
Questa tavola rappresenta in dettaglio l’anatomia dei muscoli del corpo umano, con particolare attenzione a gambe e piedi.
- Sheet size: cm. 36×22 approx.
- Engraving size: cm. 26×18 approx.
- Support: Laid paper
- Condition: Good condition
Human Anatomy, Muscles of the Legs and Feet 1684
35,00 €Anatomia umana, Muscoli delle gambe e piedi It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
Questo esemplare presenta una dettagliata tavola anatomica dei muscoli del corpo umano, con particolare attenzione a gambe e piedi.
- Sheet size: cm. 36×22
- Engraving size: cm. 26×18
- Support: Laid paper
- Condition: Good condition
Ancona, Arch of Trajan, 1850
40,00 €Ancona, Arch of Trajan This is an engraving made in 1850, which offers a splendid view of this iconic monument.
The work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.
- Sheet size: cm. 22×32
- Engraving size: cm. 13×18,5
- Support: Strong paper
- Condition: Excellent
This engraving is notable for its sharpness and vividness, making it a valuable addition for collectors and art enthusiasts.
Andrea Palladio, 1857
30,00 €Andrea Palladio It is an original etching made in 1857, taken from the Italian Iconoteca, a collection of sixty portraits of illustrious Italians.
This work depicts Andrea Palladio, pseudonym of Andrea di Pietro, a Renaissance architect of great importance, known for his influence on Western architecture.
- Sheet size: cm. 23×32
- Engraving size: cm. 14×18
- Support: Strong paper
- Condition: Good, with some light rust stains at the edges, which do not affect the engraving.
Andrea Schiavone, Dead Christ, 1786
70,00 €Cristo Morto it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
È tratta dalla Gallery of the Palais Royal, che presenta opere delle diverse scuole artistiche, accompagnata da un riassunto della vita dei pittori e una descrizione storica di ciascun quadro, a cura dell’abbé de Fontenai.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
- Published by: J. Couche; Parigi; 1786
Andrea Schiavone, Jesus Before Pilate, 1786
70,00 €Jesus Before Pilate it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper with watermark, coming from the Gallery of the Palais Royal.
- Engraving size: cm. 24×37 (including the editorial frame)
- Margins: Good irregular margins
- Condition: Excellent condition, nice proof with good contrast
- Published by: J. Couche, Paris, 1786
Anfiteatro a Pola, Croazia, A.H.Payne, 1840-50
25,00 €Incisione realizzata all’acquaforte da A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.
- Image size: cm. 11×15 circa con ampi margini
- Support: Medium thickness paper
- Condition: Excellent condition
Amphitheatre of the Boboli Gardens, Florence, 1826
20,00 €Amphitheatre of the Boboli Gardens, Florence it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
Anonymous, Goats, 19th century
20,00 €Goats It is an anonymous engraving made in 19th century.
This work, performed in etching, rappresenta un soggetto di grande fascino e delicatezza.
- Sheet size: cm. 14×22 approx.
- Condition: Sciupato con qualche piega
- Support: Laid paper
Anonymous, God who admonishes, 18th century
30,00 €God who warns It is an anonymous engraving from the 18th century, made in etching on laid paper.
The work represents God sitting on a cloud, supported by little angels, while pointing to a dove in the sky.
- Sheet size: mm. 125×84 at the marginal line
- Condition: Good condition
Anonymous, Jesus and St. Peter, 18th century
30,00 €Jesus and St. Peter It is an anonymous engraving from the 18th century which represents the moment in which Jesus hands over the keys to Saint Peter.
This work is made in etching on heavy paper, with dimensions of mm. 95×95 at the marginal line.
On the back there is a dry stamp from a previous collector, which certifies its provenance.
- Condition: Good condition
- Support: Heavy paper
Anonymous, Studies of hands, 18th century.
30,00 €Hand studies It is an engraving made by a anonymous engraver in the 18th century.
This work features detailed studies of hands and arms, highlighting the artist's technical skill.
- Sheet size: cm. 16×12 approx.
- Technique: Etching
- Condition: Good condition
- Support: Laid paper without watermark
Antonio Tempesta Bulls, 1620
60,00 €Tori It is an engraving made by Anthony Tempest nel 1620, proveniente dalla Nuova raccolta de li animali più curiosi del mondo.
This work is a fine example of etching, stampata su carta vergellata.
- Sheet size: cm. 15×21 approx.
- Engraving size: mm. 96×140 circa
- Support: Laid paper
- Condition: Good general condition
Anthony van Dyck, 1830
30,00 €Anthony van Dyck, 1830 It is an etching made on paper, which portrays the illustrious Flemish painter known for his portraits.
Van Dyck, who became the leading court painter in England, had an important influence on European portraiture after his stay in Italy.
- Sheet size: cm. 23×15
- Engraving size: cm. 10×8
- Support: Paper
- Condition: Excellent
Anthony van Dyck, 1830
30,00 €Anthony van Dyck, 1830 it is an etching made on laid paper, which represents a significant work by one of the most famous Flemish portraitists.
Van Dyck, known for his elegant style and his ability to portray the nobility, became the first court painter in England after a long stay in Italy.
- Sheet size: cm. 26×21 approx.
- Engraving size: cm. 9×7 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Aosta, 1833-35
30,00 €Aosta, 1833-35 It is an engraving made by James Duffield Harding, a well-known English landscape painter.
This etching on steel è tratta da The Landscape Annual di Londra, pubblicato tra il 1833 e il 1835.
- Sheet size: cm. 12×19 approx.
- Engraving size: cm. 10×14 approx.
- Support: Medium thickness paper with white backing
- Condition: Excellent
Questa suggestiva veduta di Aosta è caratterizzata da un nitido contrasto e da un’animazione che cattura l’attenzione dello spettatore.
Aosta, San Bernardo, Das Hospiz, 1850
25,00 €Aosta, San Bernardo, Das Hospiz è un’incisione realizzata nel 1850, rappresentativa della bellezza paesaggistica della regione.
This etching misura cm. 15×11, esclusi i margini, ed è stampata su carta di medio spessore con retro bianco.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
Arabs dividing the spoils, 1830
20,00 €Arabi che dividono il bottino è un’incisione realizzata nel 1830, che rappresenta un momento di condivisione tra arabi.
Questa opera è stata creata con la tecnica dell’Etching and of the Burin, mostrando una notevole maestria artistica.
- Sheet size: cm. 21×30 approx.
- Engraving size: cm. 18×24 approx.
- Support: Thick paper
- Condition: Excellent state of preservation
Archimede, 1857
30,00 €Archimede è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper.
- Sheet size: cm. 23×32
- Engraving size: mm. 140×180
- Support: Strong paper
- Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
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