Etching

Showing 937–960 of 1256 results

Roma, Torre di Nerone, 1834-1837

25,00 

Roma, Torre di Nerone è un’incisione realizzata tra il 1834 e il 1837, che offre una vista affascinante della storica torre.
This work is taken from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Questa veduta è caratterizzata da un’animazione decorativa che la rende un pezzo unico per collezionisti e appassionati di arte.

Roma, Veduta dei dintorni di Roma, 1850

25,00 

Roma, Veduta dei dintorni di Roma è un’incisione realizzata nel 1850, che offre una splendida rappresentazione dei paesaggi circostanti la capitale italiana.
This copper etching è un’opera decorativa di grande fascino, proveniente da un libro francese della metà dell’Ottocento.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Medium paper with white back
  • Condition: Excellent condition

Roma, Villa Borghese, 1724

40,00 

Roma, Villa Borghese It is an engraving made in 1724, which offers a beautiful animated view del celebre parco romano.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.

  • Size of the joke: cm. 16×12 approx.
  • Margins: Irregular
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Roma, Villa Borghese, Tempio di Esculapio, 1819

25,00 

Roma, Villa Borghese, Tempio di Esculapio It is an engraving made by Antoine Laurent Castellan in 1819.
Questa opera è un’acquaforte che rappresenta il famoso Tempio di Esculapio situato all’interno di Villa Borghese, uno dei parchi più celebri di Roma.

  • Sheet size: mm. 105×140 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And Letters from Italy.

Rose D'Albret, 1840

20,00 

Rose D'Albret è un’incisione realizzata nel 1840, che rappresenta un esempio pregevole dell’arte del XIX secolo.
This work is made in etching e presenta dimensioni di cm. 10×13.

  • Era: 19th century
  • Dimensions: Small
  • Support: Cardboard
  • Condition: Excellent

Rouen, Monumento a Giovanna D’Arco, 1850

25,00 

Rouen, Monumento a Giovanna D’Arco è un’incisione realizzata nel 1850, che rappresenta una bella veduta del monumento dedicato a una delle figure più emblematiche della storia francese.
This work is an etching on light paper, from a book from the mid-19th century.

  • Sheet size: cm. 20×15 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Rovegno Paolo (Cremona, 1942)

20,00 

Rovegno Paolo It is a work created by the artist Paolo Rovegno nel 1942, noto per il suo stile ispirato a Caravaggio.
This engraving is made in aquatint e presenta un soggetto che riflette l’arte caravaggesca.

  • Sheet size: mm. 171×125
  • Support: Heavy paper
  • Client: Aldo e Giusi Puerari
  • Condition: Excellent

Rovegno Paolo (Cremona, 1942)

15,00 

Rovegno Paolo è un’incisione realizzata nel 1942 dall’artista cremonese Paolo Rovegno.
Questa opera, firmata e numerata, presenta un delicato soggetto che ritrae fiori e farfalle, esprimendo la bellezza della natura.

  • Sheet size: mm. 111×150
  • Engraving size: mm. 111×150
  • Support: Heavy paper
  • Condition: Excellent
  • Client: Erika and Andreas Selle

Rubens, 1850, La deposizione.

25,00 

La Deposizione è un’incisione realizzata nel 1850, ispirata a un celebre quadro di Paul Rubens.
Questa opera è un’acquaforte su carta spessa, che cattura l’essenza drammatica della scena.

  • Sheet size: cm. 14×20 approx.
  • Engraving size: cm. 11×16 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Russia, Arc de Triomphe at the barriers de Peterhof, 1850

25,00 

Russia, Arc de Triomphe at the Peterhof barrier It is an engraving made in 1850, representative of Russian architectural beauty.
This small etching shows particular attention to detail and composition.

  • Sheet size: cm. 10×7 approx.
  • Engraving size: cm. 10×7 plus margins
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

St. Juliana Falconieri, 1800

25,00 

St. Juliana Falconieri It is an engraving made in 1800, which represents a significant work in the artistic panorama of the time.
This engraving was made using the technique ofEtching and of the Burin, and was designed by Gius. Marino and engraved by Gius. Marcucci.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 13×16 approx.
  • Support: Light paper
  • Condition: Good condition

S. Maria della Spina, Pisa, 1850

35,00 

S. Maria della Spina, Pisa it is an etching made by Saverio Pistolesi in 1850.
This work is part of the album entitled Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in the same year.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 19×12 approx.
  • Support: Tissue paper glued onto cardboard
  • Condition: Excellent state of preservation

S.Della Bella, Diversi Imbarcamenti

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
Questa opera è una copia in controparte della serie Various Boardings (DeVesme/Massar, 802-809), firmata in basso a sinistra S.D.Bella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

S.Della Bella, Diversi Imbarcamenti

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
Questa opera è una copia in controparte della serie Various Boardings (DeVesme/Massar, 802-809), firmata in basso a sinistra S.D.Bella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

St. Ignatius, St. Apollonia, 19th century

25,00 

St. Ignatius and St. Apollonia it is an ancient holy card dating back to 19th century.
This work is made in etching and measures approximately cm. 13×9.
Published at Paris from the publisher L. Turgis, is presented in good condition.

  • Sheet size: cm. 13×9 approx.
  • Technique: Etching
  • Condition: Good
  • Support: Paper

S.Miniato al Monte presso Firenze, 1826

20,00 

S.Miniato al Monte presso Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

St. Sebastian, 1800

30,00 

St. Sebastian It is an engraving made in 1800, depicting the martyrdom of Saint Sebastian.
This work is made with the technique ofetching and burin, with a strike size of 9x14 cm.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The reverse is blank and features smaller margins, making this engraving a valuable addition to any collection.

S.Sophia, S.Sophia, Istanbul, 1850

25,00 

S.Sofia, S.Sophia, Istanbul è un’incisione realizzata nel 1850, che offre una splendida veduta della famosa basilica.
This work is an etching on light paper, from a mid-nineteenth-century book.

  • Image size: cm. 11×18 circa
  • Technique: Etching
  • Condition: Excellent
  • Support: Light paper

Sacrifice of Melchizedek, 1830

5,00 

The Sacrifice of Melchizedek It is an engraving made in 1830, which represents a significant moment in biblical tradition.
This work has been published by Mother and Son in Tours, France.

  • Sheet size: cm. 8×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Sacrifice of Melchizedek, 1830

5,00 

The Sacrifice of Melchizedek It is an engraving made in 1830, which represents a significant moment in biblical tradition.
This work has been published by Mother and Son in Tours, France.

  • Sheet size: cm. 8×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Sacro Cuore di Gesù, 1850

25,00 

Sacro Cuore di Gesù è un’incisione realizzata nel periodo 1830-1850, che rappresenta un soggetto di grande devozione cristiana.
Questa opera è stata pubblicata dalla casa editrice Ch.Letaille e Boumard a Parigi, Francia.

  • Sheet size: cm. 8×12 approx.
  • Technique: Acquaforte con bordi trinati acquarellato a mano
  • Condition: Excellent state of preservation
  • Prayer: Yes

Saint Non, L’Abbeveratoio, acquatinta, 1776

40,00 

Saint Non, L’Abbeveratoio è un’incisione realizzata nel 1776 da Jean-Claude Richard de Saint-Non, noto anche come Abate di Saint-Non.
This aquatint su carta vergellata presenta una parziale filigrana e misura cm. 18×14 alla battuta del rame, con margini più piccoli. L’opera è firmata in lastra con ‘Roberti del.’ e ‘Saint Non sc. 1766’.

  • Sheet size: cm. 18×14 approx.
  • Support: Laid paper
  • Condition: Excellent

L’incisione è considerata bella e rara, raffigurante personaggi in un contesto vivace, tipico dello stile di Saint-Non, che era anche un noto umanista e archeologo.

Sala dei baroni a Natale, 1850

20,00 

Sala dei Baroni a Natale è un’incisione realizzata nel 1850, che rappresenta un’atmosfera festiva e suggestiva.
Questa opera è stata disegnata da Melville e incisa da E. Smith, utilizzando la tecnica dell’Etching and Burin.

  • Sheet size: cm. 13×18 approx.
  • Condition: Excellent condition
  • Support: Medium thickness paper

Salerno, Paestum, 1781-1786

50,00 

Salerno, Paestum, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This work is a vista presa d’apres nature sul cammino da Napoli a Paestum, situata a breve distanza da Salerno.

  • Sheet size: mm. 230×165 approximately, with irregular margins
  • Technique: Etching
  • Condition: Perfect state of preservation
  • Support: Paper

L’incisione fa parte dell’opera Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, pubblicata tra il 1781 e il 1786. Questa bella veduta è animata e offre un affascinante sguardo sulla bellezza del paesaggio italiano.

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