Etching

Showing 865–888 of 1134 results

Saint Non, L’Abbeveratoio, acquatinta, 1776

40,00 

Saint Non, L’Abbeveratoio è un’incisione realizzata nel 1776 da Jean-Claude Richard de Saint-Non, noto anche come Abate di Saint-Non.
This aquatint su carta vergellata presenta una parziale filigrana e misura cm. 18×14 alla battuta del rame, con margini più piccoli. L’opera è firmata in lastra con ‘Roberti del.’ e ‘Saint Non sc. 1766’.

  • Sheet size: cm. 18×14 approx.
  • Support: Laid paper
  • Condition: Excellent

L’incisione è considerata bella e rara, raffigurante personaggi in un contesto vivace, tipico dello stile di Saint-Non, che era anche un noto umanista e archeologo.

Sala dei baroni a Natale, 1850

20,00 

Sala dei Baroni a Natale è un’incisione realizzata nel 1850, che rappresenta un’atmosfera festiva e suggestiva.
Questa opera è stata disegnata da Melville e incisa da E. Smith, utilizzando la tecnica dell’Etching and Burin.

  • Sheet size: cm. 13×18 approx.
  • Condition: Excellent condition
  • Support: Medium thickness paper

Salerno, Paestum, 1781-1786

50,00 

Salerno, Paestum, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This work is a vista presa d’apres nature sul cammino da Napoli a Paestum, situata a breve distanza da Salerno.

  • Sheet size: mm. 230×165 approximately, with irregular margins
  • Technique: Etching
  • Condition: Perfect state of preservation
  • Support: Paper

L’incisione fa parte dell’opera Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, pubblicata tra il 1781 e il 1786. Questa bella veduta è animata e offre un affascinante sguardo sulla bellezza del paesaggio italiano.

Salomon Gessner, Paesaggio, 1764

60,00 

Paesaggio con Pescatore e Bambini it is an etching made by Solomon Gessner nel 1764.
Questa opera rappresenta un idilliaco paesaggio con un pescatore e bambini accanto a un cottage dal tetto di paglia.

  • Sheet size: cm. 20×17 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Technique: Etching
  • Era: XVIII
  • Dimensions: Small

Salomon Gessner, poeta e pittore svizzero, è noto per i suoi paesaggi delicati e immaginari, influenzati da maestri come Poussin e Claude Lorrain.
La sua opera riflette un profondo legame con la natura, esprimendo un’estetica rococò che caratterizza il suo tempo.

Salvator Rosa, Soldier with spear pointing

75,00 

Soldato con lancia che indica It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, con le lettere intrecciate RS e il numero 22.

  • Sheet size: mm. 142×93
  • Support: Unlaid paper
  • Technique: Etching and drypoint
  • Condition: Ottima, con residui di colla ai margini visibili in parte a fronte

La prova è nitida e si presume sia una tiratura fine del ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Soldier with shield

75,00 

Soldato con scudo It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines e presenta un monogramma RS con lettere intrecciate all’interno dello scudo.

  • Sheet size: mm. 142×93
  • Support: Unlaid paper
  • Technique: Etching and drypoint
  • Condition: Ottima, con residui di colla ai margini visibili al recto
  • Notes: Bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Armored Soldier with Spear

75,00 

Soldato corazzato con lancia it is an engraving of Salvator Rosa dating back to 18th century.
This work is made in etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine. Presenta residui di colla ai margini al recto, visibili in parte a fronte.

  • Monogram: RS con lettere intrecciate in basso a sinistra
  • Numero: 6 in basso a destra
  • Serie: Diverse figure o Figurine
  • Condition: Excellent
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Three Soldiers, Figurine, 18th century

75,00 

Tre Soldati It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, rappresentato dalle lettere intrecciate RS, e dal numero 20.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Support: Unlaid paper
  • Condition: Excellent

La prova è nitida e si tratta di una probabile tiratura della fine del ‘700 (Cfr. Bartsch 37).

Samuel Prout (1783–1852), Venice, watercolor

350,00 

Venice it is a watercolor made by Samuel Prout (1783–1852), one of the masters of architectural watercolor painting.
This splendid work, signed lower left, is dated 19th century and measure cm. 26×19.

  • Sheet size: Small
  • Support: Medium thickness paper
  • Condition: Excellent

The work has traces of glue on the back at the corners, but its execution is of high quality and very decorative.

San Alessandro, 1819

25,00 

San Alessandro è un’incisione realizzata nel 1819 da A.L. Castellan, un noto pittore e incisore francese.
Questa opera è un’acquaforte che misura mm. 105×140 e presenta piccoli margini irregolari, con il retro bianco.
It is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

San Bernardo Abate, la Vergine ed il Bambino, XVIII secolo

30,00 

San Bernardo Abate, la Vergine ed il Bambino è un’incisione anonima del 18th century che rappresenta una scena sacra con la Madonna e il Bambino Gesù, assunti in cielo, accompagnati da San Bernardo Abate su una nuvola e angioletti.
This work is made in etching su carta vergellata con parziale filigrana, e presenta una bella rappresentazione artistica.

  • Sheet size: cm. 16×11,5 circa
  • Condition: Excellent state of preservation
  • Support: Laid paper

San Bernardo, 1809

20,00 

San Bernardo è un’incisione realizzata nel 1809, che offre una splendida veduta del Der grosse St.Bernhardesberg.
Questa opera è un’acquaforte di dimensioni contenute, perfetta per gli amanti della grafica antica.

  • Sheet size: mm. 130×80 circa
  • Support: Paper
  • Condition: Perfect condition

St. Daniel, 1650

30,00 

Saint Daniel It is an engraving made in 1650, using the technique ofetching and of the colored burin.
This work, dating back to the mid-seventeenth century, is printed on laid paper without watermark and features a prayer in Latin on the back.

  • Sheet size: cm. 6×11 approx.
  • Engraving size: cm. 5×6,5 approx.
  • Support: Light paper
  • Condition: Excellent condition

St. James of Nisibis, 1711

20,00 

Saint James of Nisibis It is an engraving made in 1711, executed with the technique ofetching and burin.
This work, signed by Mariette, is printed on laid paper with partial watermark.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper
  • Condition: Good condition

Saint John the Baptist, canivet, 1830-50

15,00 

Saint John the Baptist It is a canivet made between 1830 and 1850, representing the famous saint.
This work is published by the publishing house Ch.Letaille ed. Pontifical and comes from Paris, France.

  • Dimensions: cm. 6×10
  • Technique: Etching with lace-cut edges
  • Condition: Perfect
  • Prayer: Yes

Saint Joseph, Canivet, 1830-50

20,00 

Saint Joseph è un canivet realizzato tra il 1830 e il 1850, che rappresenta il celebre santo.
This work is published by the publishing house Ch.Letaille Ed.Pontifical from Paris, France.

  • Sheet size: cm. 8×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Prayer: Yes
  • Serial number: PL.100

Saint Joseph, Canivet, 1830-50

25,00 

Saint Joseph it's a dog made between 1830 and 1850, representing the famous saint.
This work is published by Ch.Letaille ed. Pontifical and comes from Paris, France.

  • Dimensions: cm. 8×12
  • Technique: Hand-painted watercolor etching with lace-cut edges
  • Condition: Perfect
  • Format: Double page
  • Prayer: Yes

Saint Margaret Virgin, 1800

30,00 

Saint Margaret Virgin It is an engraving made in 1800, which represents the figure of Saint Margaret, one of the most venerated saints.
This work is made with the technique ofEtching and of the Burin, showing remarkable attention to detail and artistic finesse.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 8×11 approx.
  • Support: Light paper
  • Condition: Good condition, has some creases

Saint Peter the Anchorite, 1711

20,00 

Saint Peter the Anchorite It is an engraving made in 1711 by Mariette, performed with the technique ofetching and burin.
This work features an engraving size of cm. 6×11 on a sheet of paper cm. 10×16, printed on laid paper with partial watermark.

  • Condition: Good condition
  • Price: €20,00

Saint Raymond, 1842

20,00 

Saint Raymond It is an engraving made in 1842 by Ant. Banzo, using the technique ofEtching and Burin.
This work has an engraving size of cm. 7x9 on a sheet of cm. 11x16, printed on paper with white back.

  • Sheet size: cm. 11×16
  • Engraving size: cm. 7×9
  • Support: Paper
  • Condition: Good condition

Saint Theodotus Innkeeper 17th century

40,00 

Saint Theodotus the Host It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, with a size of cm. 14×21 at the edge of the image and has a caption in Latin.

  • Sheet size: cm. 14×21 approx.
  • Technique: Etching
  • Condition: Fair condition (not visible crease on the back)
  • Support: Laid paper

St. Thomas of Villanova 17th century

40,00 

St. Thomas of Villanova It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, featuring a caption in Latin.

  • Sheet size: cm. 14×21 approx.
  • Technique: Etching
  • Condition: Fair condition
  • Support: Laid paper

St. Augustine, Canivet

20,00 

St. Augustine, Canivet è un’opera del XIX secolo che rappresenta il celebre santo, realizzata con una tecnica di acquaforte caratterizzata da bordi riccamente trinati e colorata.
Questo pezzo è un esempio affascinante di arte religiosa, perfetto per collezionisti e appassionati.

  • Sheet size: cm. 8×12 approx.
  • Condition: Buone, con diverse piccole mancanze ai bordi
  • Support: Paper

Saint Asclapius, 1711

20,00 

Saint Asclapius It is an engraving made in 1711, which represents the famous god of medicine.
This work was created using the technique ofetching and burin, and is an example of engraving art of the period.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition

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