Etching

Showing 985–1008 of 2511 results

I figli di Carlo I, A. van Dick, 1840-50

20,00 

I figli di Carlo I è un’incisione realizzata da A. van Dick tra il 1840 e il 1850.
Questa opera, che rappresenta i figli del re Carlo I d’Inghilterra, è un’acquaforte su carta forte, pubblicata nella Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

The Players, Caravaggio, 1840-50

25,00 

I Giocatori è un’incisione realizzata da Caravaggio, pubblicata tra il 1840 e il 1850.
This work, also known as The Gamesters, is an etching on strong paper, with a white back.

  • Sheet size: cm. 21×27
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

L’incisione è stata pubblicata nella Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.
Albert Henry Payne, incisore e editore inglese, ha fondato nel 1838 una casa editrice a Lipsia, contribuendo significativamente all’arte incisoria.

I Girondini vanno a morire, 1850

30,00 

I Girondini vanno a morire è un’incisione realizzata nel 1850, che rappresenta un momento significativo della storia.
This work is an example of etching, con dimensioni di cm. 9×13, stampata su carta doppia.

  • Era: 19th century
  • Dimensions: Small
  • Support: Cardboard
  • Condition: Excellent

I Girondini vanno a morire, 1850

30,00 

I Girondini vanno a morire è un’incisione realizzata nel 1850, che rappresenta un momento significativo della storia.
This work is an example of etching, con dimensioni di cm. 9×13, stampata su carta doppia.

  • Era: 19th century
  • Dimensions: Small
  • Support: Cardboard
  • Condition: Excellent

I Trovatelli, W.Hogarth, 1850-60

20,00 

I Trovatelli è un’incisione realizzata da W. Hogarth tra il 1850 e il 1860.
This work, also known as The Foundlings, è un’incisione all’acquaforte su acciaio, acquarellata a mano.

  • Sheet size: cm. 27×21 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

Unknown called Leonardo's Goldsmith, GBGatti, 1840

40,00 

Unknown called Leonardo's Goldsmith it is an etching made by GB Cats In the 1840.
This work is based on a painting by Leonardo and represents a significant example of mid-19th century art.

  • Sheet size: cm. 30×42 approx.
  • Size of the joke: cm. 17×25 approx.
  • Support: Thick engraving paper
  • Condition: Excellent state of preservation

Unknown called Leonardo's Goldsmith, GBGatti, 1840

40,00 

Unknown called Leonardo's Goldsmith it is an etching made by GB Cats In the 1840.
This work is based on a painting by Leonardo and represents a significant example of mid-19th century art.

  • Sheet size: cm. 30×42 approx.
  • Size of the joke: cm. 17×25 approx.
  • Support: Thick engraving paper
  • Condition: Excellent state of preservation

Il cacciatore, 1850

30,00 

Il Cacciatore è un’incisione realizzata nel 1850, che cattura l’essenza della figura del cacciatore in un contesto evocativo.
This work is made in aquatint su carta di medio spessore, con una misura della stampa di cm. 16×24 senza margini e retro bianco.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Il Calcolo, A.H.Payne, 1840-50

20,00 

Il Calcolo it is an etching made by A.H. Payne between 1840 and 1850.
This work, entitled Die Rechnerin, is printed on medium-thickness paper and has a white back.
In basso a destra è presente la firma dell’artista: A.H. Payne sc.
The press was published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Paper

Il Calligrafo, A.H.Paynes, 1850

25,00 

Il Calligrafo è un’incisione realizzata da A.H. Payne nel 1850, conosciuta anche come The Man of Letters.
Questa opera è un’acquaforte su carta spessa, caratterizzata da un’accurata rappresentazione del soggetto.

  • Sheet size: cm. 12×17 approx.
  • Condition: Excellent condition
  • Support: Thick paper

The Shepherd's Dog, 1850

20,00 

The Shepherd's dog It is an engraving made in 1850, which represents a fascinating subject linked to the pastoral world.
This work is made in etching and measure cm. 9×12, printed on double card.

  • Era: 19th century
  • Condition: Excellent
  • Support: Paper
  • Back: White

The Shepherd's Dog, 1850

20,00 

The Shepherd's dog It is an engraving made in 1850, which represents a fascinating subject linked to the pastoral world.
This work is made in etching and measure cm. 9×12, printed on double card.

  • Era: 19th century
  • Condition: Excellent
  • Support: Paper
  • Back: White

Il carro con buoi, A.H.Payne, 1840-50

20,00 

Il Carro con Buoi It is an engraving made by AH Payne between 1840 and 1850.
This work, entitled Ein Gartnerkarren, is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, incisore, disegnatore ed editore inglese, nacque a Londra nel 1812 e morì nel 1902 a Lipsia, dove operò dal 1838 fondando una casa editrice, l’Istituto d’Arte Inglese.

Il Comandante dell’Assalto, W.French, 1840-50

20,00 

Il Comandante dell’Assalto It is an etching made by W. French between 1840 and 1850.
This work, entitled Der Fuhrer des Uberfalls, is printed on medium-thickness paper and has a white back.

  • Sheet size: cm. 21×27
  • Condition: Excellent condition
  • Publication: Payne’s Universum und Buch der Kunst, Leipzig und Dresden
  • Artist: William French, collaboratore della casa editrice di Albert Henry Payne

Il Consiglio di guerra di Courtrai, 1850-60

20,00 

Il Consiglio di guerra di Courtrai è un’incisione realizzata tra il 1850 e il 1860, che rappresenta un’importante scena storica.
This work is taken from the Art Journal Engraving e presenta una dettagliata rappresentazione del consiglio di guerra, ispirata a un dipinto della Vernon Gallery.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent state of preservation

The Convent, 1806

30,00 

The Convent it is an engraving made in 1806, representing a hermitage.
This work is a etching and colored aquatint with watercolor, printed on thick white paper on the verso.

  • Sheet size: cm. 27×35
  • Support: Paper
  • Condition: Excellent condition

Il corteggiamento, 1850

20,00 

Il Corteggiamento è un’incisione realizzata nel 1850, che cattura un momento di interazione romantica.
This work is made with the technique ofetching and burin on medium thickness paper.

  • Print Size: cm. 16×11 senza margini
  • Back: White
  • Condition: Excellent condition

The Flood, J.Martin, 1846

30,00 

The Flood it is an etching made by J. Martin in 1846.
This extraordinary work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Il Giovane Falconiere, 1850-60

20,00 

Il Giovane Falconiere It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata prodotta utilizzando la tecnica dell’Etching and Burin e fa parte della pubblicazione Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

The Thief Discovered, AHPayne, 1840-50

20,00 

The Thief Discovered It is an engraving made by AH Payne between 1840 and 1850.
This work, entitled The uncovered ravine, is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver and draughtsman, was born in London in 1812 and worked in Leipzig from 1838, where he founded the English Art Institute.

Il lavaggio dei piedi, 1850

20,00 

Il Lavaggio dei Piedi è un’incisione realizzata nel 1850, che rappresenta una scena delicata e significativa, tratta dalla collezione reale.
Questa opera è stata prodotta con la tecnica dell’Etching and Burin e fa parte dell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il matrimonio Covenante, 1830

30,00 

Il matrimonio Covenante è un’incisione realizzata nel 1830, che rappresenta un momento significativo della storia dei Covenanters.
Questa opera è stata dipinta da Alex Johnston e incisa da Lightfoot.

  • Sheet size: cm. 33×25 approx.
  • Engraving size: cm. 22×16 approx.
  • Support: Thick paper with white backing
  • Condition: Perfect state of preservation

Il Medico, 1850

40,00 

The Doctor è un’incisione realizzata nel 1850 da Robert Fleury, un’opera che rappresenta un’importante testimonianza dell’arte del XIX secolo.
Questa acquaforte, con dimensioni di cm. 21,5×15, è priva di margini e presenta un retro bianco.

  • Sheet size: Small
  • Engraving size: cm. 21,5×15
  • Technique: Etching
  • Condition: Buone, con un piccolo strappo di meno di 1 cm in alto a sinistra
  • Era: 19th century
  • Support: Paper

Il Monastero, 1850-60

20,00 

Il Monastero It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
This engraving, made with the technique ofetching and burin, è stata pubblicata nel Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

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