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Etching
Aretusi Caesar, 1764
40,00 €Aretusi Caesar It is an etching made in 1764, part of the Series of portraits of famous painters, published in Florence by the Moückiana printing house.
The engraving is the work of the engraver Antonio Pazzi and depicts the Bolognese painter Cesare Aretusi, known for his collaboration with Giambattista Fiorini in the decoration of the dome of St. Peter's in Bologna.
- Sheet size: cm. 37×49 approx.
- Engraving size: cm. 16×21 approx.
- Support: Heavy paper
- Condition: Good condition, with some stains on the edges that do not affect the engraving
Ariccia, 1860
35,00 €Ariccia It is an engraving made in 1860, part of the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work is an etching that represents an important artistic testimony of the 19th century.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Armed, Salvino of the Armed, 1857
30,00 €Armed, Salvino of the Armed it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper with white back.
- Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
- History: Salvino degli Armati is known as one of the alleged inventors of glasses, although he is probably a character who never existed, the result of a 17th century forgery.
Arnolfo di Lapo, 1857
30,00 €Arnolfo di Lapo è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa opera rappresenta Arnolfo di Cambio, noto scultore e architetto italiano attivo a Roma e Firenze tra il Duecento e il Trecento.
- Sheet size: cm. 23×32 approx.
- Size of the joke: mm. 140×180 circa
- Support: Strong paper
- Condition: Ottima, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione
Arona, The Colossus of St. Charles Borromeo, 1860
35,00 €Arona, Il Colosso di S. Carlo Borromeo è un’incisione realizzata nel 1860, che rappresenta una delle opere più significative del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Medium thickness paper
Arquà, Petrarca's House, 1860
35,00 €Arquà, Casa di Petrarca è un’acquaforte realizzata nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo, con un’accurata rappresentazione della casa di Petrarca ad Arquà.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Asia, 1865
60,00 €Asia, 1865 è una carta geografica acquarellata realizzata da Naymiller e incisa da Allodi.
This map is taken from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, pubblicata a Milano nel 1865.
- Sheet size: cm. 49×38 approx.
- Paper size: cm. 40×32 approx.
- Support: Paper
- Condition: Ottima stato di conservazione
Assarotti Octavius, 1857
30,00 €Assarotti Octavius It is an original etching made in 1857, part of the Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
This work portrays Octavius John Baptist Assarotti, an important Italian religious man and theologian, known for being the founder of schools for the deaf and the inventor of the manual alphabet.
- Sheet size: cm. 23×32
- Size of the joke: mm. 140×180
- Support: Strong paper
- Condition: Good, with some light foxing on the edges, which does not affect the engraving
Siege of Jerusalem, etching ca. 1650
40,00 €Assedio di Gerusalemme è un’acquaforte realizzata intorno al 1650, che rappresenta l’assedio della città sotto Antioco Sidete.
Questa opera è stampata su carta spessa vergellata senza filigrana, con una dimensione alla battuta del rame di cm. 43×30 e un foglio di cm. 46×38.
- Sheet size: cm. 46×38
- Engraving size: cm. 43×30
- Support: Carta spessa vergellata
- Condition: Excellent condition
Athens, Acropolis, C.Frommel, 1829
25,00 €Athens, Acropolis It is an engraving made by Carl Frommel In the 1829.
This work is taken from the volume 50 Bilder zu Virgils Heneide…, which features engravings of great artistic value.
- Sheet size: cm. 21×26 approx.
- Engraving size: cm. 7×10 approx.
- Support: Medium paper
- Condition: Excellent state of preservation
Athens, Athen, 1850
25,00 €Athens, Athen It is an engraving made in 1850, which offers a beautiful view of the city.
This work is an etching on light paper, from a mid-nineteenth-century book.
- Sheet size: cm. 11×17 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Light paper
Athens, Franciscan Convent, Residence of Lord Byron, 1832
25,00 €Athens, Franciscan Convent, Lord Byron's Residence It is an engraving made in 1832.
This etching represents an important artistic testimony of the first half of the 19th century.
- Sheet size: cm. 16×22 approx.
- Engraving size: cm. 9×13 approx.
- Support: Medium thickness paper with white backing
- Condition: Excellent condition
Athens, The Temple of Jupiter Olympus, 1832
25,00 €Athens, The Temple of Olympian Zeus It is an engraving made in 1832, which captures the grandeur of one of the most famous temples of antiquity.
This work is an example of an etching from the first half of the 19th century, characterized by refined details and a harmonious composition.
- Sheet size: cm. 16×22 approx.
- Engraving size: cm. 9×13 approx.
- Support: Medium thickness paper with white backing
- Condition: Excellent state of preservation
Crossing the ford, 1850
20,00 €Attraversando il guado è un’incisione realizzata nel 1850, che rappresenta un momento suggestivo tratto dalla collezione reale.
This work was created using the technique ofEtching and Burin e proviene dall’Art Journal Engraving.
- Sheet size: cm. 32×24 approx.
- Condition: Excellent general condition
- Support: Strong engraving paper
Aurelio Craffonara, Cavalry, watercolor
450,00 €Cavalry It is a watercolor made by Aurelio Craffonara, representing heavy cavalry in reconnaissance.
This valuable work is signed lower left in pencil and measures 23x16 cm.
- Artist: Aurelio Craffonara (Gallarate, 1875 – Genoa, 1945)
- Era: 20th century
- Support: Heavy paper
- Condition: Excellent
Craffonara was an Italian painter and illustrator known for his watercolour works.
From 1915, he was a professor of merit at the Ligurian Academy of Fine Arts in Genoa and participated in numerous national and international exhibitions.
Auto da Fé, Inquisition, 1850
30,00 €Auto da Fé, Inquisition It is an engraving made in 1850 that represents a significant moment in the history of the Spanish Inquisition.
This work, entitled Car from Fe der Inquisition (In Cordoba), is an etching that measures cm. 15,5×10,5 with small irregular margins.
- Sheet size: Small
- Support: Medium thickness paper with white backing
- Condition: Excellent condition
The auto-da-fé was a public ceremony in which the penance or sentence decreed by the Inquisition was carried out, an act of faith that profoundly marked history.
AVELINE Pierre, Autumn, 18th century
80,00 €Autunno It is an engraving made by Pierre Aveline in the 18th century.
This work is an example of etching su carta vergellata, con una parziale filigrana non riconosciuta.
- Sheet size: cm. 32×23 senza margini, rifilata alla linea marginale
- Signed: sotto la linea quadrata, a sinistra ‘Pierre Aveline del. Sculp.’ e a destra ‘Bouché pinx.’
- Publication: ‘a Paris chez Charpentier rue St Jacques au Coq’
B. Pinelli, Destitute Family, 1815
40,00 €Destitute Family It is an engraving made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Technique: Etching
- Support: Paper
- Condition: Excellent state of preservation
Bartolomeo Pinelli, born in Rome in 1781, was an engraver and painter known for his vast artistic production, which includes approximately four thousand engravings.
His works illustrate Italian customs and the great masterpieces of literature, with a particular focus on Rome and its history.
B. Pinelli, Picturesque Group, 1815
60,00 €Picturesque Group It is an engraving made by Bartholomew Pinelli in 1815, a work that captures a picturesque family scene where members help each other clean themselves of lice.
This engraving is part of the New Collection of Fifty Picturesque Costumes, a project that celebrates Italian customs and traditions.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Paper
B. Pinelli, The Sermon in the Square, 1815
60,00 €The Sermon in the Square it is an engraving made by Bartolomeo Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, a series of engravings illustrating the customs and daily life of the time.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Paper
B. Pinelli, The Litany of Tivoli, 1815
60,00 €The Litanies of Tivoli It is an engraving made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, an important collection of engravings celebrating Italian customs and culture.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Paper
B. Pinelli, Micheletti, Kingdom of Naples, 1815
60,00 €B. Pinelli, Micheletti – Costumes of the Kingdom of Naples it is an engraving made by Bartolomeo Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Support: Paper
- Condition: Excellent state of preservation
The engraving is dated and signed on the plate “Pinelli decisit 1815 Roma”.
Bartolomeo Pinelli, known for his vast artistic production, illustrated the costumes of the Italian peoples and played a significant role in the ethnographic documentation of Rome and Italy.
B.Pinelli, Sheep Family, 1815
60,00 €Sheep Family It is an engraving made by Bartolomeo Pinelli in 1815, which represents a lively scene inside a cave.
This work is part of the New Collection of Fifty Picturesque Costumes, etched and published in Rome in 1816.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Support: Paper
- Condition: Excellent state of preservation
The work is dated and signed on the plate with the words 'Pinelli codicit 1815 Roma'.
Bartolomeo Pinelli is known for his vast artistic production, which includes approximately four thousand engravings and ten thousand drawings, many of which illustrate the customs and daily life of Italians.
B.Pinelli, The Gypsy Who Fortune Tells, 1815
60,00 €The Gypsy Who Guesses It is an engraving made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Paper
This engraving is dated and signed on the plate with the inscription Pinelli made 1815 Rome, and stands out for its lively representation of the customs of the period.
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