Etching

Showing 1177–1200 of 2499 results

The Spinner, A.H.Payne, 1840-50

20,00 

The Spinner It is an engraving made by AH Payne between 1840 and 1850.
This work, entitled The Spinner, is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

At the bottom right is the artist's signature: AH Payne sc.

La Filatrice, Gasp. Netscher, 1840-50

20,00 

The Spinner è un’incisione realizzata da Gasp. Netscher tra il 1840 e il 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

La Fonte nel deserto, 1850-60

20,00 

La Fonte nel deserto It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata prodotta utilizzando la tecnica dell’etching and burin ed è stata pubblicata nell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

La fuga in Egitto, F.Bol, 1840-50

20,00 

La fuga in Egitto it is an engraving made by F. Bol between 1840 and 1850.
This work is a etching su carta forte, pubblicata nella prestigiosa Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

F. Bol, noto per le sue opere di grande impatto visivo, ha saputo catturare l’essenza del tema biblico della fuga in Egitto, rendendo questa stampa un pezzo significativo per collezionisti e appassionati d’arte.

The letter of Uriah, F.Bol, 1840-50

20,00 

The Letter of Uriah it is an engraving made by F. Bol between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Back: White
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

La lettera, J.C.Merz, 1845

20,00 

The Letter è un’incisione realizzata da J.C. Merz nel 1845.
This work is an etching on medium-thickness paper, published in the volume Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Engraving size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

La Lettrice, acquarello di P.Bedini, 1886

30,00 

La Lettrice è un acquarello realizzato da P. Bedini nel 1886, tratto dalla prestigiosa pubblicazione The Italian Illustration, published in Milan by the Treves Brothers.
Questo affascinante pezzo d’arte presenta un’immagine di cm. 21×31, arricchita da scritte decorative intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

The Death of Ananias. Etching1830-1850

25,00 

The Death of Ananias It is an engraving made by J. Rogers between 1830 and 1850, inspired by the biblical subject of the death of Ananias.
This work is part of the Scripture Gallery of Engraving, published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back with editorial frame and vignettes

La nascita di Belfoebe e Amoretto, 1850-60

20,00 

La nascita di Belfoebe e Amoretto è un’incisione realizzata tra il 1850 e il 1860, ispirata all’opera presente nella Royal Collection.
Questa opera è una combinazione di etching and burin, published in Art Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

La Pena, Sintra, Convent, Palacio de Pena, Portugal, 1832

25,00 

La Pena, Sintra, Convento, Palacio de Pena, Portogallo It is an engraving made in 1832.
This etching rappresenta un’importante opera della prima metà del XIX secolo, catturando la bellezza del famoso palazzo di Sintra.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

The Presentation in the Temple, Louis Boullogne, 1846

30,00 

La Presentazione nel Tempio è un’incisione realizzata da Louis Boullogne nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Presentation in the Temple, Louis Boullogne, 1846

30,00 

La Presentazione nel Tempio è un’incisione realizzata da Louis Boullogne nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

La Proposta rifiutata, N.Verkolje, 1840-50

20,00 

La Proposta Rifiutata è un’incisione realizzata da N. Verkolje tra il 1840 e il 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Back: White
  • Condition: Excellent

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

The Forbidden Harvest, AHPayne, 1840-50

20,00 

La raccolta proibita It is an engraving made by A.H. Payne between 1840 and 1850.
This work, entitled Die verboten Ernte, is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst in Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

La Ragazza del cioccolato, J.E.Liotard, 1840-50

25,00 

La Ragazza del cioccolato è un’incisione realizzata da J.E. Liotard tra il 1840 e il 1850.
This work, also known as The Chocolate Girl, is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

The Raising of Lazarus 1830-1850

25,00 

The Resurrection of Lazarus It is an engraving made by J. Rogers, inspired by the famous biblical theme of the resurrection.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent state of preservation, with editorial frame and vignettes

The Resurrection of Lazarus, W.Hilton, 1846

30,00 

La Risurrezione di Lazzaro è un’incisione realizzata da W. Hilton nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Resurrection of Lazarus, W.Hilton, 1846

30,00 

La Risurrezione di Lazzaro è un’incisione realizzata da W. Hilton nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

La Santa Vergine, Raffaello Sanzio, 1850

20,00 

La Santa Vergine è un’incisione realizzata da Raffaello Sanzio nel 1850, riprodotta con la tecnica dell’Etching.
This work, which measures cm. 10×15, presenta un’incisione di mm. 77×113, ed è stata incisa da W. Hessloehl.

  • Condition: Excellent condition
  • Support: Strong paper

The Discovery of Moses, Kohler, 1846

30,00 

The Discovery of Moses It is an engraving made by Kohler in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Burial, Daniel Crespi, 1846

30,00 

La Sepoltura è un’incisione realizzata da Daniel Crespi nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Burial, Daniel Crespi, 1846

30,00 

La Sepoltura è un’incisione realizzata da Daniel Crespi nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Evening at the Lake, AHPayne, 1840-50

20,00 

Evening at the lake It is an etching made by AH Payne between 1840 and 1850.
This work depicts an enchanting evening scene by a lake, capturing the tranquil and evocative atmosphere of the landscape.
Published in Payne's Universum und Buch der Kunst, Leipzig and Dresden, the engraving is signed lower right by AH Payne.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: not specified
  • Support: Medium thickness paper
  • Condition: Excellent condition

The Massacre of the Innocents, Guido Reni, 1846

30,00 

The Massacre of the Innocents It is an engraving made by Guido Reni In the 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son, Queen Street, Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent condition

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