Etching

Showing 1561–1584 of 2301 results

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Pieter van der Werff (1665 – 1722) was a Dutch Golden Age painter, known for his collaboration with his brother Adriaen van der Werff.

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del duca.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff (1665 – 1722) è noto come un pittore dell’età d’oro olandese, che ha collaborato con suo fratello Adriaen van der Werff.

Pieter van Laer called Bamboccio, The Servants, 1786

50,00 

Pieter van Laer called the Bamboccio, The Servants It is an engraving made in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Taken from: Galerie Du Palais Royal, with works from different schools
  • Description: Includes an abbé of the painters' lives and a historical description of each painting, by Mr l'abbé de Fontenai
  • Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
  • Published by: J. Couche, Paris, 1786
  • Condition: Excellent condition, nice proof with good contrast

Pietramarina, (Firenze), 1819

25,00 

Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.

Pietro Da Cortona (Pietro Berrettini), Jacob's Flight, 1786

70,00 

Jacob's Escape It is an engraving made by Peter From Cortona (Pietro Berrettini) in the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

Peter and John heal the lame man.

25,00 

Peter and John heal the lame man It is an engraving made by J. Rogers, inspired by the famous healing of the paralytic.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York, between 1830 and 1850.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame with vignettes

Peter and John, Raphael Sanzio, 1846

30,00 

Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Peter and John, Raphael Sanzio, 1846

30,00 

Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Pietro Scoppetta, Two Oriental Women, 19th-20th century

420,00 

Two oriental women It is a monochrome watercolor made by Peter Scoppetta in the 19th-20th century.
This work, signed lower left, is of fine workmanship and measures approximately cm. 15×28.

  • Artist: Pietro Scoppetta (Amalfi, 15 February 1863 – Naples, 10 February 1920)
  • Technique: Watercolor
  • Condition: Excellent
  • Support: Paper

Pietro Vedovato (1774–1847) Marian

40,00 

Marian It is an engraving made by Pietro Vedovato (1774–1847), noto incisore italiano.
Questa opera è un’acquaforte su carta di medio spessore, con una dimensione di cm. 24×17 al margine dell’immagine e presenta una didascalia in inglese.

  • Sheet size: cm. 24×17 approx.
  • Technique: Etching
  • Condition: Fair condition
  • Support: Medium thickness paper

Petersburg, Alexander Column, 1850

25,00 

Petersburg, Alexander Column It is an engraving made in 1850, representing the architectural beauty of St. Petersburg.
This etching It measures 10 x 7 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pipers, Bagpipers, 1840

70,00 

Pifferai, Zampognari è un’acquaforte acquarellata realizzata nel 1840, tratta dall’opera Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Pifferari, Zampognari, acquarello

40,00 

Pifferari, Zampognari it's a beautiful watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
This little masterpiece, measuring approximately 7x10 cm, is made on cardboard con retro bianco, su cui sono presenti scritte a penna.

  • Condition: Excellent state of preservation
  • Colors: Alive and bright

Pindus, Greece, C.Frommel, 1829

25,00 

Pindus, Greece It is an engraving made by Carl Frommel in 1829.
This work is part of the volume 50 Bilder zu Virgils Heneide…, featuring high-quality engraving.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Pinelli Bartolomeo (attr.), Studio per la tavola dei Costumi di Filettino, acquarello

250,00 

Autore: attribuito a Bartholomew Pinelli (Roma 1781 – 1835)
Titolo: Studio per la tavola dei Costumi di Filettino
Epoca: prima metà XIX secolo
Tecnica: penna, inchiostro bruno e lavis su carta
Supporto: carta antica
Dimensioni: circa 15 × 24 cm

Descrizione

Raro e interessante disegno attribuito al celebre artista romano Bartolomeo Pinelli, noto per le sue incisioni dedicate alla vita popolare, ai costumi regionali e alle tradizioni dell’Italia centrale.

Il foglio raffigura una scena familiare con tre figure: una giovane donna in piedi con costume tradizionale, un uomo con cappello appoggiato al bastone e una madre seduta che tiene tra le braccia il proprio bambino. A sinistra compare una cesta appoggiata su un basamento in pietra.

La composizione corrisponde alla celebre tavola dei Costumi di Filettino incisa da Pinelli. Tuttavia il disegno presenta una resa più sintetica, concentrata sulle figure e priva dello sfondo paesaggistico e dei complessi tratteggi calcografici presenti nella stampa finale.

L’opera è realizzata con tratto rapido e sicuro a penna e inchiostro bruno, con eleganti passaggi di lavis che modellano i volumi delle figure e conferiscono profondità alla scena.

Considerazioni storico-artistiche

Per impostazione grafica e tecnica esecutiva, il foglio può essere interpretato come:

studio preparatorio o modello di lavoro per l’incisione, oppure

disegno di ambito pinelliano realizzato in relazione alla serie dei costumi popolari.

Il tratto spontaneo e la struttura della composizione suggeriscono una fase di elaborazione grafica precedente alla traduzione calcografica.

Condizioni

Buono stato di conservazione.
Carta con naturale patina del tempo e lievi segni d’uso compatibili con l’epoca.

Pinelli Bartolomeo, Meo Patacca, 1823

1.300,00 

Meo Patacca It is a work created by Bartholomew Pinelli nel 1823, che rappresenta un’importante illustrazione del poema.
Questa seconda edizione, la prima illustrata, è caratterizzata da 52 belle tavole incise all’acquaforte, firmate e datate in lastra, che costituiscono il capolavoro di Pinelli.

  • Sheet size: cm. 27×40
  • Dimensions of the work: Folio oblungo
  • Support: Paper
  • Condition: Good condition

Le tavole sono corredate da didascalie e rappresentano un’importante testimonianza dell’arte di Pinelli. Nonostante alcune piccole mancanze alle pagine di avvertimenti e approvazioni, l’interno è fresco e senza macchie. La legatura in mezza pelle, con piatti marmorizzati e titoli in oro, presenta qualche spellatura al dorso, ma nel complesso l’opera è in più che buone condizioni.

Pinelli Bartolomeo, New collection of fifty picturesque costumes, 1817

950,00 

New Collection of Fifty Picturesque Costumes It is a work created by Bartholomew Pinelli in 1817.
This collection, dedicated to His Excellency Alexander Narischkin, Grand Chamberlain of His Majesty the Emperor of all the Russias, is composed of 50 etching plates, numbered from 1 to 50.

  • Volume dimensions: mm 168×227
  • Support: Rustic cardboard
  • Condition: Good copy with slight marginal foxing

The work is published in Rome by Giovanni Scudellari in Via Condotti N. 19 and 20.

Pinelli Bartolomeo, Collection of the costumes of Rome, 1819

1.800,00 

Collection of Roman costumes It is a work created by Bartholomew Pinelli In the 1819.
This collection, published in Rome by Scudellari, includes 50 etchings, all watercolours and signed by the author. The engravings represent professions, costumes and scenes of life of the inhabitants of Rome and its surroundings, offering a fascinating look at the culture of the time.

  • Sheet size: cm. 27×42 approx.
  • Support: Paper
  • Condition: Good
  • Binding: Hardback with leather spine (minor defects)

Pinelli, Ballo di Sposi Ciociari, 1820

40,00 

Ballo di Sposi Ciociari it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent, with slight spots of color on the back

Pinelli, Capraro di Tivoli, 1820

40,00 

Capraro di Tivoli it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Ottime (lievi macchie di colore al verso)

Pinelli, Ciociara Praying, 1815

50,00 

Ciociara che prega It is an engraving made by Bartholomew Pinelli nel 1815, che rappresenta una donna ciociara in preghiera davanti alla croce dove è stato ucciso il marito.
This work is taken from the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Pinelli, Ciociara ed un Pastore, 1820

40,00 

Ciociara ed un Pastore it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Ottimo stato di conservazione, con lievi macchie di colore al verso

Pinelli, Ciociare vicino Subiaco, 1820

40,00 

Ciociare vicino Subiaco it is an engraving made by Bartolomeo Pinelli in 1820.
This work is part of the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Pinelli, Ciociari in riposo, 1820

40,00 

Ciociari in riposo è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta un gruppo di ciociari all’interno di una grotta.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent, with slight spots of color on the back

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