Etching

Showing 1681–1704 of 2511 results

Pier Francesco Mola, Death of Archimedes, 1786

50,00 

Death of Archimedes it is an engraving made by Pier Francesco Mola in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Engraving size: cm. 24×37
  • Support: Laid paper
  • Condition: Good, with a slightly dirty and worn sheet

The engraving is taken from Gallery of the Palais Royal, with a dedication to HSH Monseigneur le Duc d'Orléans, and presents a good contrast.

Pier Luigi Gerosa bookplate

20,00 

Pier Luigi Gerosa Exlibris è un’incisione realizzata nel 1988 dall’artista Pier Luigi Gerosa.
Questo exlibris, commissionato dalla BNEL, è un esempio di raffinata tecnica di etching e rappresenta un’opera di grande valore artistico.

  • Sheet size: mm. 140×190
  • Support: Medium thickness paper
  • Condition: Excellent

Pierre Corneille, 1873

30,00 

Pierre Corneille It is a watercolour etching made in 1873, depicting the famous French playwright.
This engraving is part of the volume Oeuvres de P. Corneille, theater complet, published in Paris in 1873.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 9×17 approx.
  • Support: White backed paper
  • Condition: Excellent state of preservation

Pierre Mariette, 8 views of Rome, 18th century

120,00 

8 Vedute di Roma è un insieme di incisioni realizzate da Pierre Mariette nel XVIII secolo, che rappresentano monumenti e rovine iconiche della città eterna.
Le vedute includono il Colosseo, il ponte delle Sabine, la piramide di Cestius, i bagni di Antonino Pio, le rovine del tempio della Pace e le terme di Antonino Pio.

  • Sheet size: cm. 18×24 approx.
  • Engraving dimensions: cm. 14×20 approx.
  • Technique: Etching and burin
  • Support: Laid paper
  • Condition: Excellent

Cinque delle stampe presentano il titolo in inglese, mentre le altre tre sono in latino, con la dicitura in basso Chez P. Mariette avec Privilege du Roy.

Pierre Moreau, Esequie in Italia, 1760 ca.

60,00 

Esequie in Italia è un’incisione realizzata da Pierre Moreau, un artista francese attivo nel XVIII secolo.
Questa opera, datata circa 1760, è un esempio significativo della sua abilità nell’arte dell’acquaforte.

  • Sheet size: cm. 13×19 approx.
  • Technique: Etching
  • Support: Carta vergellata, incollato ai margini ad altro supporto cartaceo
  • Condition: Buone, con mancanze ai margini superiori

Pierre Moreau, Ships in the Port, ca. 1760

60,00 

Ships in the port It is an engraving made by Pierre Moreau around 1760.
This work, which represents a suggestive scene of moored ships, is executed in etching on laid paper.

  • Sheet size: cm. 13×19 approx.
  • Support: Glued at the edges to another paper support
  • Condition: Excellent condition

Pierre Vander AA, Plan of the city of Nola, 1729

90,00 

Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the volume Thesaurus antiquitatum et historiarum Italiae.
This map, from Leiden, offers a detailed representation of the city of Nola, located in the province of Naples.
The map includes a legend explaining the various locations, making it not only a work of art, but also an important historical resource.

  • Sheet size: cm. 33×25 approx.
  • Engraving size: cm. 47×40 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent
  • Rarity: Extremely rare

Pierre Vander AA, Plan of the city of Nola, 1729

40,00 

Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the Thesaurus antiquitatum et historiarum Italiae.
This detailed map represents the city of Nola, located in the province of Naples, and was created using the etching technique on laid paper.

  • Sheet size: cm. 40×24 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Laid paper
  • Condition: Excellent

Pieter Neefs (1578-1661), Bashan, 1771

30,00 

Pieter Neefs (1578-1661), Bashan, 1771 It is an engraving made by Pieter Neefs, a Flemish painter known for his architectural church interiors.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the Duc de Choiseul, published in 1771 by Pierre-François Basan.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×21 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Peter Paul Rubens, St. Catherine, 1620, 19th century

60,00 

St. Catherine It is an engraving made by Peter Paul Rubens in 1620, reproduced by Amand Durand in the 19th century.
This work is a significant example of Flemish art, reflecting Rubens' mastery in portraying sacred figures.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 23×15 approx.
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Pieter van der Werff (1665 – 1722) was a Dutch Golden Age painter, known for his collaboration with his brother Adriaen van der Werff.

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del duca.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff (1665 – 1722) è noto come un pittore dell’età d’oro olandese, che ha collaborato con suo fratello Adriaen van der Werff.

Pieter van Laer called Bamboccio, The Servants, 1786

50,00 

Pieter van Laer called the Bamboccio, The Servants It is an engraving made in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Taken from: Galerie Du Palais Royal, with works from different schools
  • Description: Includes an abbé of the painters' lives and a historical description of each painting, by Mr l'abbé de Fontenai
  • Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
  • Published by: J. Couche, Paris, 1786
  • Condition: Excellent condition, nice proof with good contrast

Pietramarina, (Firenze), 1819

25,00 

Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.

Pietro Da Cortona (Pietro Berrettini), Jacob's Flight, 1786

70,00 

Jacob's Escape It is an engraving made by Peter From Cortona (Pietro Berrettini) in the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

Peter and John heal the lame man.

25,00 

Peter and John heal the lame man It is an engraving made by J. Rogers, inspired by the famous healing of the paralytic.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York, between 1830 and 1850.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame with vignettes

Peter and John, Raphael Sanzio, 1846

30,00 

Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Peter and John, Raphael Sanzio, 1846

30,00 

Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Pietro Scoppetta, Two Oriental Women, 19th-20th century

420,00 

Two oriental women It is a monochrome watercolor made by Peter Scoppetta in the 19th-20th century.
This work, signed lower left, is of fine workmanship and measures approximately cm. 15×28.

  • Artist: Pietro Scoppetta (Amalfi, 15 February 1863 – Naples, 10 February 1920)
  • Technique: Watercolor
  • Condition: Excellent
  • Support: Paper

Pietro Vedovato (1774–1847) Marian

40,00 

Marian It is an engraving made by Pietro Vedovato (1774–1847), noto incisore italiano.
Questa opera è un’acquaforte su carta di medio spessore, con una dimensione di cm. 24×17 al margine dell’immagine e presenta una didascalia in inglese.

  • Sheet size: cm. 24×17 approx.
  • Technique: Etching
  • Condition: Fair condition
  • Support: Medium thickness paper

Petersburg, Alexander Column, 1850

25,00 

Petersburg, Alexander Column It is an engraving made in 1850, representing the architectural beauty of St. Petersburg.
This etching It measures 10 x 7 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pipers, Bagpipers, 1840

70,00 

Pifferai, Zampognari è un’acquaforte acquarellata realizzata nel 1840, tratta dall’opera Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Pifferari, Zampognari, acquarello

40,00 

Pifferari, Zampognari it's a beautiful watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
This little masterpiece, measuring approximately 7x10 cm, is made on cardboard con retro bianco, su cui sono presenti scritte a penna.

  • Condition: Excellent state of preservation
  • Colors: Alive and bright

Pindus, Greece, C.Frommel, 1829

25,00 

Pindus, Greece It is an engraving made by Carl Frommel in 1829.
This work is part of the volume 50 Bilder zu Virgils Heneide…, featuring high-quality engraving.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

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