Etching

Showing 1993–2016 of 2499 results

S.Miniato al Monte presso Firenze, 1826

20,00 

S.Miniato al Monte presso Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

St. Rose of Lima, 1750

40,00 

St. Rose of Lima It is an engraving made in 1750, which represents an important religious figure.
This work is made in etching and burin on heavy laid paper, back-glued onto another piece of laid cardboard.

  • Engraving size: mm. 225×156 without margins
  • Condition: Excellent condition
  • Attribution: Probable attribution to Joseph Wagner (1706-1780)

St. Sebastian, 1800

30,00 

St. Sebastian It is an engraving made in 1800, depicting the martyrdom of Saint Sebastian.
This work is made with the technique ofetching and burin, with a strike size of 9x14 cm.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The reverse is blank and features smaller margins, making this engraving a valuable addition to any collection.

S.Sophia, S.Sophia, Istanbul, 1850

25,00 

S.Sofia, S.Sophia, Istanbul è un’incisione realizzata nel 1850, che offre una splendida veduta della famosa basilica.
This work is an etching on light paper, from a mid-nineteenth-century book.

  • Image size: cm. 11×18 circa
  • Technique: Etching
  • Condition: Excellent
  • Support: Light paper

Holy Family, 1850

35,00 

Holy Family è un’opera realizzata da Saverio Pistolesi nel 1850.
Questa acquaforte, firmata in calce dall’artista, è tratta dall’album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 22×18 approx.
  • Support: Tissue paper glued onto cardboard
  • Condition: Excellent state of preservation

Holy Family, 1850

35,00 

Holy Family è un’opera realizzata da Saverio Pistolesi nel 1850.
Questa acquaforte, firmata in calce dall’artista, è tratta dall’album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 22×18 approx.
  • Support: Tissue paper glued onto cardboard
  • Condition: Excellent state of preservation

Sacrifice of Melchizedek, 1830

5,00 

The Sacrifice of Melchizedek It is an engraving made in 1830, which represents a significant moment in biblical tradition.
This work has been published by Mother and Son in Tours, France.

  • Sheet size: cm. 8×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Sacrifice of Melchizedek, 1830

5,00 

The Sacrifice of Melchizedek It is an engraving made in 1830, which represents a significant moment in biblical tradition.
This work has been published by Mother and Son in Tours, France.

  • Sheet size: cm. 8×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Sacro Cuore di Gesù, 1850

25,00 

Sacro Cuore di Gesù è un’incisione realizzata nel periodo 1830-1850, che rappresenta un soggetto di grande devozione cristiana.
Questa opera è stata pubblicata dalla casa editrice Ch.Letaille e Boumard a Parigi, Francia.

  • Sheet size: cm. 8×12 approx.
  • Technique: Acquaforte con bordi trinati acquarellato a mano
  • Condition: Excellent state of preservation
  • Prayer: Yes

Sadeler, Ammon, 1850

40,00 

Sadeler, Ammon It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, a collection representing the life of hermits, dating back to the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Size of the joke: cm. 17×21 approx.
  • Technique: Etching
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Ciomus, 1850

40,00 

Ciomus It is an engraving made by Joannis and Raphael Sadeler in 1850, taken from the work Solitudo sive vitae patrum Eremicolarum.
Questa opera rappresenta la vita degli eremiti ed è una probabile edizione del XIX secolo.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Helias, 1850

40,00 

Sadeler, Helias It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, a collection representing the life of hermits, dating back to the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Size of the joke: cm. 17×21 approx.
  • Technique: Etching
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Hieronymus, 1850

40,00 

Sadeler, Hieronymus It is an etching made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, a collection representing the life of hermits, dating back to the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Size of the joke: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Macharius, 1850

40,00 

Sadeler, Macharius It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is an etching taken from Solitudo sive vitae patrum Eremicolarum, an important collection representing the life of hermits.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Onofrius, 1850

40,00 

Sadeler, Onofrius It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, una raccolta che rappresenta la vita degli eremiti, risalente ai secoli XVI-XVII.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Syriac Gold, 1850

40,00 

Sadeler, Syriac Gold It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, an important collection representing the life of hermits.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Technique: Etching
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Saint Non, L’Abbeveratoio, acquatinta, 1776

40,00 

Saint Non, L’Abbeveratoio è un’incisione realizzata nel 1776 da Jean-Claude Richard de Saint-Non, noto anche come Abate di Saint-Non.
This aquatint su carta vergellata presenta una parziale filigrana e misura cm. 18×14 alla battuta del rame, con margini più piccoli. L’opera è firmata in lastra con ‘Roberti del.’ e ‘Saint Non sc. 1766’.

  • Sheet size: cm. 18×14 approx.
  • Support: Laid paper
  • Condition: Excellent

L’incisione è considerata bella e rara, raffigurante personaggi in un contesto vivace, tipico dello stile di Saint-Non, che era anche un noto umanista e archeologo.

Sala dei baroni a Natale, 1850

20,00 

Sala dei Baroni a Natale è un’incisione realizzata nel 1850, che rappresenta un’atmosfera festiva e suggestiva.
Questa opera è stata disegnata da Melville e incisa da E. Smith, utilizzando la tecnica dell’Etching and Burin.

  • Sheet size: cm. 13×18 approx.
  • Condition: Excellent condition
  • Support: Medium thickness paper

Salerno, Antica Chiesa, 1781-1786

60,00 

Salerno, Antica Chiesa It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This etching offre una vista affascinante di una storica chiesa di Salerno, parte del volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily.

  • Sheet size: mm. 230×165 approx.
  • Condition: Perfect state of preservation
  • Support: Paper

Salerno, Paestum, 1781-1786

50,00 

Salerno, Paestum, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This work is a vista presa d’apres nature sul cammino da Napoli a Paestum, situata a breve distanza da Salerno.

  • Sheet size: mm. 230×165 approximately, with irregular margins
  • Technique: Etching
  • Condition: Perfect state of preservation
  • Support: Paper

L’incisione fa parte dell’opera Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, pubblicata tra il 1781 e il 1786. Questa bella veduta è animata e offre un affascinante sguardo sulla bellezza del paesaggio italiano.

Salzburg, Austria, AHPayne, 1840-50

20,00 

Salzburg, Austria It is an engraving made by A.H. Payne between 1840 and 1850.
This work, entitled Das Nonnbergthor u Hohen Salzburg, is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Sheet size: cm. 21×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Salomon Gessner, Paesaggio, 1764

60,00 

Paesaggio con Pescatore e Bambini it is an etching made by Solomon Gessner nel 1764.
Questa opera rappresenta un idilliaco paesaggio con un pescatore e bambini accanto a un cottage dal tetto di paglia.

  • Sheet size: cm. 20×17 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Technique: Etching
  • Era: XVIII
  • Dimensions: Small

Salomon Gessner, poeta e pittore svizzero, è noto per i suoi paesaggi delicati e immaginari, influenzati da maestri come Poussin e Claude Lorrain.
La sua opera riflette un profondo legame con la natura, esprimendo un’estetica rococò che caratterizza il suo tempo.

Salomon Gessner, Satyr and nymphs, 18th century

90,00 

Satyr and Nymphs It is an engraving made by Solomon Gessner in the 18th century, which represents a moment of play between a satyr and some nymphs in the forest.
This work is an example of his mastery in engraving and is part of a series of classical landscapes.

  • Sheet size: cm. 32×22
  • Engraving size: mm. 210×190
  • Technique: Etching
  • Support: Heavy laid paper with watermark
  • Condition: Excellent
  • Impression: Excellent with great inking
  • Signed: S.Gessner inv. et f.
  • Table: n.8 of a series of classical landscapes

Salomon van Ruysdael, Bashan, 1771

30,00 

Solomon van Ruysdael It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This collection of prints It is dedicated to the works of the famous Dutch painter, known for his landscapes.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

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