Etching

Showing 2329–2352 of 2511 results

Ruined Temples, 1850-60

20,00 

Templi in rovina è un’incisione realizzata tra il 1850 e il 1860, che rappresenta un suggestivo tempio in rovina, tratto dalla famosa Vernon Gallery.
This work was created using the technique ofEtching and Burin e pubblicata nell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Ten Hoorn, Aernout van Overbeke, acquaforte 1678

30,00 

Ten Hoorn è un’acquaforte realizzata da Aernout van Overbeke nel 1678.
Questa opera è stampata su carta spessa vergellata senza filigrana e presenta un formato elegante.

  • Sheet size: cm. 30×18 circa
  • Engraving size: cm. 13×8 circa
  • Support: Carta spessa vergellata
  • Condition: Excellent state of preservation

Teniers, The Pula Cutter, 1830

70,00 

Il tagliatore di Pula è un’acquatinta colorata realizzata nel 1830 da Ralph Cockburn, un noto pittore ed incisore, nonché primo custode della Dulwich Picture Gallery.
Questa opera è una splendida esecuzione tratta da uno dei quadri presenti nella galleria, ed è caratterizzata da un’eccellente qualità artistica.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this work even more rare and decorative.

Teodoro Cotugno exlibris

20,00 

Teodoro Cotugno Exlibris It is a work created by the artist Teodoro Cotugno In the 1988.
This engraving, made with the technique ofetching, è stata commissionata dalla BNEL e rappresenta un exlibris di grande valore.

  • Sheet size: mm. 80×113
  • Support: Heavy paper
  • Condition: Excellent

Terni, Waterfalls, 1798

40,00 

Terni, Cascate It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta è caratterizzata da un’animazione vivace e un ottimo contrasto. Al retro della stampa è presente una spiegazione dettagliata.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Terni, The Waterfalls, 1834

30,00 

Terni, The Waterfalls è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata dall’autore W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Questa veduta animata offre uno scorcio suggestivo delle cascate di Terni, un’opera che riflette l’abilità artistica del XIX secolo.

Terni, The Waterfalls, 1834

30,00 

Terni, The Waterfalls è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata dall’autore W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Questa veduta animata offre uno scorcio suggestivo delle cascate di Terni, un’opera che riflette l’abilità artistica del XIX secolo.

Terracina, Ponte Maggiore, 1819

25,00 

Ponte Maggiore, Terracina it is an etching made by TO THE CASTELLAN in 1819.
This work is part of the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Terracina, Promontorio Circeo, 1860

35,00 

Terracina, Promontorio Circeo it is an engraving made in 1860, representing an Italian landscape.
This work is part of the album Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

The Annunciation. Annunciation.

25,00 

The Annunciation è un’incisione realizzata da W. Hamilton e incisa da H. Wallis, prodotta tra il 1830 e il 1850.
This work is part of the Scripture Gallery of Engraving ed è pubblicata da John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, retro bianco
  • Notes: Cornice editoriale con vignette

The good samaritan. The good samaritan.

25,00 

The Good Samaritan, also known as The Good Samaritan, is an engraving made by J. Rogers between 1830 and 1850.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

The engraving features an editorial frame decorated with vignettes, making it a fascinating piece for collectors and art enthusiasts.

The last supper. The Last Supper.

25,00 

The Last Supper. The Last Supper It is an engraving made between 1830 and 1850, which represents one of the most iconic themes of Christian tradition.
This work is taken from the Scripture Gallery of Engraving and it was engraved by J.Rogers under the supervision of the author from Ruben.
Published by John Tallis & Co. of London and New York, the engraving is characterised by an editorial frame with vignettes.

  • Engraving size: cm. 15 x 11 approx.
  • Sheet size: cm. 27 x 21 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

The prodigal son.

25,00 

The Prodigal Son it is an engraving made by H. Wallis between 1830 and 1850, inspired by the famous biblical theme of the prodigal son.
This work is part of the Scripture Gallery of Engraving, published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Thiergarten, Beuron, Germania, A.H.Payne, 1840-50

20,00 

Thiergarten, Beuron, Germania It is an engraving made by A.H. Payne between 1840 and 1850.
Questa opera, che rappresenta il Monumento di Federico Guglielmo III, is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition
  • Back: White

Thomas Goff Lupton, Soggetto Olandese, 1830

30,00 

Thomas Goff Lupton, Soggetto Olandese è un’incisione realizzata nel 1830, che presenta un soggetto di ispirazione olandese.
Questa opera è un’acquatinta su carta leggera, incollata su un altro supporto cartaceo e rifilata alla battuta del rame.

  • Engraving size: cm. 18×15 circa con piccoli margini
  • In basso a sinistra: painted by Teniers
  • In basso a destra: Engraved on Stell by Thomas Lupton
  • Condition: Good condition

Thomas Goff Lupton (1791-1873) è stato un incisore e artista di mezzotinto inglese, noto per le sue incisioni su opere di Turner e altri pittori britannici del XIX secolo.
Ha anche contribuito all’evoluzione tecnica dell’incisione introducendo piastre di acciaio morbido.

Thomas MORELL, W.Hogarth, 1840

20,00 

Thomas Morell and W. Hogarth It is an engraving made in 1840, which celebrates the work of the librettist Thomas Morell, known for his collaboration with the musician Handel.
This engraving was made with etching on steel and then watercolourised, making it a work of art of considerable value.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 27×21 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent state of preservation

Thun, Canton Berna, 1850

25,00 

Thun, Canton Berna è un’incisione realizzata nel 1850, che offre una splendida veduta del Canton Berna.
This work is an etching on light paper, from a book from the mid-19th century.

  • Sheet size: cm. 10×15 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Thun, Svizzera, 1832

25,00 

Thun, Svizzera è un’incisione realizzata in acquaforte nel 1832.
Questa opera, che rappresenta un’importante testimonianza della prima metà del XIX secolo, presenta un’immagine di dimensioni cm. 9×13 su un foglio di cm. 16×22.

  • Sheet size: cm. 16×22
  • Engraving size: cm. 9×13
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Tintoretto or Giacomo Robusti, Jupiter and Leda, 1786

70,00 

Giove e Leda è un’incisione realizzata da Tintoretto, noto anche come Giacomo Robusti, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta una delle opere più celebri del maestro.

  • Sheet size: cm. 24×37 approx.
  • Condition: Buone, con uno strappo di 8-10 cm riparato al recto con carta
  • Support: Laid paper
  • Published by: J. Couche, Paris, 1786

La prova è di bella qualità, con un buon contrasto, rendendo questa incisione un pezzo interessante per collezionisti e appassionati.

Tirolo, VesteKlumm im Innthale in Tyrol, A.H.Payne, 1840-50

25,00 

Incisione realizzata all’acquaforte da A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Image size: cm. 11×15 circa con ampi margini
  • Support: Medium thickness paper
  • Condition: Excellent condition

Titus Livius, copper etching, 1712

25,00 

Tito Livio è un’incisione realizzata da P. Mortier nel 1712,
un’opera che celebra il celebre storico romano, autore della monumentale storia di Roma.
Questa acquaforte su rame, tratta da The delights of Italy, edizione tedesca di De Rogissart, è un esempio pregiato di arte incisoria.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Tivoli, C. Frommel, 1829

25,00 

Tivoli It is an engraving made by C. Frommel In the 1829, which represents the Villa Micenea a Tibur.
This work is part of the series 50 Bilder zu Virgils Heneide…, featuring high-quality engravings.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Tivoli, C. Frommel, 1829

25,00 

Tivoli It is an engraving made by C. Frommel In the 1829.
Questa suggestiva veduta di Tibur è realizzata con la tecnica dell’etching and burin, presentando un’animazione vivace.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Medium paper with white back
  • Condition: Excellent condition

This work is taken from Horazen's Works di Dr. Sickler, arricchita da incisioni di Carl Frommel.

Tivoli, C.Frommel, 1829

25,00 

Tivoli It is an engraving made by Carl Frommel In the 1829.
Questa opera è un’acquaforte su carta media, proveniente dal volume 50 Bilder zu Virgils Heneide…, which features high-quality engravings.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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