Burin

Showing 361–365 of 365 results

St. Mark the Evangelist, 1797

20,00 

Saint Mark the Evangelist It is an engraving made in 1797, which represents the famous evangelist.
This work is made with the technique ofetching and burin, and was hand-watercolored to add a pop of color.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 12×8 approx.
  • Support: Laid paper
  • Condition: Good condition

SS. Forty Martyrs, 1797

25,00 

SS. Forty Martyrs It is a copper engraving made in 1797.
This work is taken from the volume Lives of the Saints for each day of the Year with copper portraits, published in Florence in the same year.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Stefano Della Bella, Various Figures and Countries, 18th century.

40,00 

Various figures and countries it is an etching made by Stephen Of The Beautiful in the 18th century, part of a series exploring different figures and landscapes.
This work is a reverse copy, printed on laid paper without watermark, trimmed to the copperplate with very small margins. It has a slight peeling on the back and the dimensions of the engraving are mm. 80×136.
The engraving was made by Jacques Chereau, a well-known French engraver and publisher.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Laid paper

Susa, Arco di Augusto, 1737-1766

30,00 

Susa, Arco di Augusto è un’incisione in rame realizzata tra il 1737 e il 1766, che rappresenta l’imponente arco di marmo eretto in onore di Augusto nella città di Susa, in Piemonte.
This work is taken from the volume Lo stato Presente di tutti i Paesi e Popoli del Mondo Naturale…, pubblicato a Venezia da Giambattista Albrizzi.

  • Sheet size: mm. 102×159
  • Margins: almost absent
  • Support: Light paper
  • Condition: Perfect state of preservation

Tristezza, allegoria di Gottfried Bernhard Göz, 1750

30,00 

Tristezza, allegoria It is an engraving made by Gottfried Bernhard Göz In the 1750.
This work, performed with the technique of burin, has a size of cm. 13×19 and it is printed on thick paper con un retro scuro.
In calce all’incisione è riportata la frase latina Sedebam Tristis usque ad sacrificium vespertinum, che aggiunge un ulteriore strato di significato all’opera.

  • Sheet size: cm. 13×19 approx.
  • Condition: Good condition
  • Support: Thick paper

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