Burin

Showing 1345–1368 of 1539 results

St. John the Baptist, 1839

15,00 

Saint John the Baptist It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.
The full page containing the print is shipped, offering a piece of artistic history of great value.

  • Sheet size: cm. 8x9 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

St. Mark the Evangelist, 1797

20,00 

Saint Mark the Evangelist It is an engraving made in 1797, which represents the famous evangelist.
This work is made with the technique ofetching and burin, and was hand-watercolored to add a pop of color.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 12×8 approx.
  • Support: Laid paper
  • Condition: Good condition

Saint Nicholas of Bari, 1800

20,00 

Saint Nicholas of Bari it is an engraving made in 1800, which represents the famous saint.
This work is made with the combination of etching and burin, showing remarkable attention to detail.

  • Sheet size: cm. 9×14 approx.
  • Engraving size: cm. 7×11 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Good condition

Sanluri, Cagliari, 1835

20,00 

Sanluri, Cagliari, 1835 è un’incisione in rame realizzata da E. Rouargue.
Questa opera rappresenta tipici contadini nei costumi locali, con la cittadina di Sanluri visibile in alto, rendendola molto decorativa.

  • Sheet size: cm. 11×8.5 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Saint Cecilia, 1850

15,00 

Saint Cecilia It is an engraving made in 1850, using the techniques of theetching and of the burin.
This work measures cm. 8,5×12 and is printed on medium-thickness paper, without watermark and with a white back.

  • Condition: Excellent condition
  • Price: €15,00

Saint Cecilia, 1850

15,00 

Saint Cecilia It is an engraving made in 1850, which represents the figure of Saint Cecilia, patron saint of music.
This work is made in burin etching and measure cm. 7×11.

  • Support: Medium thickness paper without watermark
  • Back: White
  • Condition: Excellent condition

Santa Croce, Canivet Bouasse-Lebel, 1870

15,00 

Holy Cross è un’incisione realizzata da Bouasse-Lebel nel 1870, rappresentante un soggetto sacro di grande significato.
Questa opera è stampata in Francia, a Parigi, e presenta una preghiera, rendendola un pezzo unico per i collezionisti e gli appassionati di arte religiosa.

  • Sheet size: cm. 7×10 approx.
  • Technique: Burin
  • Condition: Buone (presenta una macchia al bordo destro)
  • Support: Paper

Santa Croce, Canivet, 1870-80

15,00 

Santa Croce, Canivet è un’opera realizzata tra il 1870 e il 1880, rappresentante un soggetto sacro di grande significato.
Pubblicato dalla casa editrice Bestault a Parigi, Francia, questo canivet è caratterizzato da una tecnica tipografica di alta qualità, con un bordo traforato al punzone che ne esalta l’estetica.

  • Dimensions: cm. 6,5×9,5
  • Condition: Perfect
  • Support: Paper
  • Prayer: Yes
  • Serial number: PL.184

Saint Macrina, 1711

20,00 

Saint Macrina It is an engraving made in 1711 by Mariette, a well-known engraver of the time.
This work is performed with the technique ofetching and burin, presenting a measure of the engraving of cm. 6×11 on a sheet of paper cm. 10×16.

  • Support: Laid paper with partial watermark
  • Condition: Good condition

Santa Maria Czestochowskiey, 1830-50

10,00 

Santa Maria Czestochowskiey è un’incisione realizzata tra il 1830 e il 1850, raffigurante la Madonna.
Questa opera, di origine austriaca, è caratterizzata da una tecnica di siderografia su pizzo traforato, che conferisce un aspetto unico e delicato all’immagine sacra.

  • Sheet size: cm. 7,5×11,5 circa
  • Condition: Excellent condition
  • Support: Paper

Saint Veronica, Turgis, 1830-50

20,00 

Saint Veronica it is an engraving made by L. Turgis jeune between 1830 and 1850.
This work, which represents the subject of Saint Veronica, is an example of high quality monochrome etching.

  • Sheet size: cm. 6×10 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Country of origin: France, Paris
  • Serial number: 516
  • Prayer: Yes

Santino antico, Gesù, XIX sec.

20,00 

Santino antico di Gesù dating back to 19th century.
Questo santino è realizzato con un offset su cartoncino merlettato a punzone meccanico, presentando un’immagine sacra di grande impatto visivo.

  • Dimensions: cm. 11×8 approx.
  • Condition: Excellent condition

Ancient holy card, The Cross, on a wafer, 19th century.

30,00 

Ancient holy card, The Cross It is a fascinating work dating back to the 19th century.
This dog measures approximately cm. 11×8 and features applications of small fake flowers on wafers.
The edges are richly punched, making this artifact rare and highly valuable.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Ancient holy card, Floral motifs, 19th century

15,00 

Santino antico con motivi floreali dating back to 19th century.
Questo santino merlettato, che ricorda un arazzo, presenta un’elegante decorazione floreale.

  • Sheet size: cm. 11×6 approx.
  • Condition: Excellent condition
  • Support: Paper

Ancient holy card, St. Teresa of Jesus, 19th century.

30,00 

Ancient holy card of St. Teresa of Jesus dating back to 19th century.
This work is made with the technique of Colored burin and has dimensions of approximately cm. 11×7.
Lamarche Edition in Paris.

  • Condition: Excellent condition
  • Back: Prayer in Spanish

Santuri, Sassari, 1839

20,00 

Santuri, Sassari, 1839 è un’incisione in rame realizzata da Segoni, tratta dall’opera Picturesque Omnibus, una enciclopedia artistica e letteraria pubblicata a Napoli nel 1839.
Questa bella veduta decorativa misura cm. 12×8, con margini più piccoli, ed è stata ritagliata dal libro, presentando scritte al retro. La stampa viene fornita completa di passepartout, rendendola ideale per l’esposizione.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Sardinia, Southern Costumes, 1835

20,00 

Sardinia, Southern Costumes it is an engraving made in 1835 by Chasselat, with the collaboration of Audot and Rouargue.
This work depicts typical Sardinian farmers in their traditional costumes, offering a fascinating glimpse into the culture and traditions of Southern Italy.

  • Sheet size: cm. 11×8,5 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Sarzana, 1833, La Magra

25,00 

Sarzana, 1833 – La Magra It is a steel engraving made by J.D. Harding, taken from The Landscape Annual, published in London in 1833.
Questa suggestiva veduta offre una rappresentazione nitida e ben contrastata del paesaggio, animata da dettagli vivaci.

  • Sheet size: mm. 140×95 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Sarzana, The Thin, 1833

30,00 

Sarzana, The Thin It is a steel engraving made by J.D. Harding in 1833, taken from The Landscape Annual, published in London.
This evocative view presents a clear and well-contrasted image, animated by landscape elements typical of the period.

  • Sheet size: cm. 12×19 approx.
  • Size of the joke: mm. 140×95 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Sassari, 1835

20,00 

Sassari, 1835 It is a copper engraving made by Chasselat and printed by Audot and Rouargue.
This work offers a small representation of the city of Sassari, characterized by a lively and decorative appearance.

  • Sheet size: cm. 11×8.5 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Savona, 1833

30,00 

Savona, 1833 It is a steel engraving made by J.D. Harding, taken from The Landscape Annual, published in London in 1833.
Questa suggestiva veduta della costa di Savona, nei pressi di Genova, si distingue per la sua nitidezza e il contrasto ben definito, rendendola un’opera animata e affascinante.

  • Size of the joke: mm. 140×95
  • Margins: Più piccoli
  • Support: Light paper
  • Condition: Excellent

Savona, 1835

20,00 

Savona, 1835 it is a copper engraving made by Grandmann, with the collaboration of Audot and Lhuillier.
This work offers a beautiful and clear representation of the city of Savona, making it a piece animated and decorative.

  • Sheet size: cm. 11×7 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

Savona, Noli, 1834-1837

35,00 

Savona, Noli It is a double steel engraving made between 1834 and 1837.
This work, taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… di Audot Père, presenta vedute animate e decorative che catturano l’essenza dei luoghi rappresentati.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Scandal, Smirke,1850

20,00 

Scandal It is an engraving made by J. Mitchell in 1850, inspired by a painting by Robert Smirke, a well-known English painter.
This work, performed with the technique of burin, depicts a lively and funny scene with two women gossiping, capturing attention for its expressiveness and humor.

  • Size of the joke: mm 86×109
  • Condition: Excellent state of preservation
  • Support: Medium engraving paper

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