Woodcut

Showing 481–504 of 1870 results

Dolceacqua, Imperia, 1875

20,00 

Sweet water, Imperia It is an engraving made in 1875, using the technique of Woodcut.
This work measures cm. 8×16 and has smaller margins.
It is taken from the volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Condition: Excellent condition
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Dolceacqua, Imperia, 1875

20,00 

Sweet water, Imperia it is a woodcut made in 1875, which represents a fascinating glimpse of this enchanting Ligurian town.
This engraving, measuring 8x16 cm, was extracted from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 8×16 approx.
  • Condition: Excellent condition
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Domenichino, Saint Cecilia, 1847

20,00 

Domenichino, Saint Cecilia It is a woodcut made in 1847, coming from a French book of the mid-nineteenth century.
This work presents a measurement of the printed part of cm. 12×16 on a sheet of paper cm. 29×19, with almost no margins.
The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

  • Sheet size: cm. 29×19 approx.
  • Print Size: cm. 12×16 approx.
  • Support: Paper
  • Condition: Excellent

Domenico Cimarosa, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Domenico Cimarosa (Aversa, 17 dicembre 1749 – Venezia, 11 gennaio 1801) è stato un compositore italiano esponente di spicco del Classicismo; è considerato uno dei maggiori musicisti italiani della seconda metà del XVIII secolo e uno dei grandi rappresentanti della scuola musicale napoletana.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Domenico Morelli, 1869

15,00 

Domenico Morelli, 1869 è una xilografia tratta da The Picturesque Emporium, pubblicata a Milano nel 1869.
Questa opera misura la battuta di cm. 10×14 ed è realizzata su carta leggera, con retro stampato.

  • Artist: Domenico Morelli (1826-1901), uno dei più importanti pittori napoletani del XIX secolo.
  • Condition: Excellent condition.
  • Shipping: The entire page of the book containing the print will be sent.

Domodossola, Panorama, 1890

30,00 

Domodossola, Panorama it's a woodblock print built in 1890, which offers a fascinating view of the city of Domodossola.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 17x24 cm, surrounded by text and with additional information on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Support: Paper
  • Condition: Excellent

Woman from La Spezia, 1885

20,00 

Woman from La Spezia It is an engraving from 1885 which represents the clothing of the citizens of La Spezia.
This woodcut, taken from the volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by Fratelli Treves, offers a fascinating look at the fashion of the time.

  • Engraving size: cm. 15×6 approx.
  • Support: Paper
  • Condition: Excellent condition
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Donne di Frosolone, Isernia, 1851

20,00 

Donne di Frosolone, Isernia è un’incisione in legno realizzata nel 1851, che ritrae le donne del comune di Frosolone, situato in Abruzzo.
Questa opera è estratta da un testo francese dell’800 e presenta un retro stampato, rendendola un pezzo interessante per collezionisti e appassionati di storia.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Paper
  • Condition: Excellent

Donne di Miranda, Isernia, 1851

20,00 

Donne di Miranda, Isernia è un’incisione in legno realizzata nel 1851.
Questa opera, che misura cm. 12×17, è stampata su un foglio di cm. 26×17.
La stampa è estratta da un testo francese dell’800 e presenta un retro stampato, rendendola un pezzo unico e affascinante per gli amanti dell’arte e della storia.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Paper
  • Condition: Excellent

Dordrecht. Harbour and church Woodcut 1840-70

11,00 

Dordrecht. Port and Church It is a woodcut made between 1840 and 1870, which represents a suggestive view of the port of the city of Dordrecht, with the large Protestant church in the background.
This work is taken from the volume Picturesque Store and offers a lively and animated image of the urban landscape of the time.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 12×15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Syracuse Cathedral, 1865

20,00 

Syracuse Cathedral It is an engraving made in 1865, coming from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This woodcut presents a detailed representation of the Duomo, and is part of a work illustrated with around 1000 coloured municipal coats of arms, published in Milan by Vallardi Editore.

  • Sheet size: mm. 215×160
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Egeria Fontana, 1846

15,00 

Egeria Fontana è un’incisione xilografica realizzata nel 1846, che offre una vista incantevole della Fontana Egeria nella campagna romana.
Designed by Jean Joseph Bellel, un noto pittore e litografo francese, questa opera è tratta dal volume Picturesque Store.

  • Sheet size: mm. 150×141
  • Support: Paper
  • Condition: Excellent condition
  • Notes: Almost no margins, cut from the book and with writing on the back

Questa stampa rappresenta una bella veduta decorativa, ideale per gli amanti dell’arte e della natura.

Church of the Trinity in Paris. Paris 1869

11,00 

Eglise de la Trinitè a Paris è un’incisione realizzata nel 1869, che rappresenta la celebre chiesa parigina.
This work is taken from the Picturesque Store del 1869 ed è stato disegnato da H Clerget.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Light paper
  • Condition: Excellent

Emanuel Philibert, 1865, Turin

15,00 

Emanuel Philibert it is an engraving made in 1865, which represents an equestrian statue dedicated to the famous leader.
This woodcut is from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 120×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Emanuel Philibert, 1889

25,00 

Emanuel Philibert, 1889 è una xilografia su legno di testa che ritrae Sua Altezza Reale il Principe Emanuele Filiberto Duca delle Puglie.
This work is taken from The Italian Illustration, pubblicata dai Fratelli Treves a Milano nel 1889.

  • Sheet size: cm. 19×25 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print has almost no margins and was cut from the book, with writing on the back.

Emissary of the Fucino in Avezzano, 1890

20,00 

Emissario del Fucino ad Avezzano it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Empoli, Florence, 1885

30,00 

Empoli, Florence, 1885 It is an engraving that represents the Collegiate Church and Square, made by Antoine Valerie Bertrand, a French wood engraver.
This woodcut measures cm. 19×25 and is found on a light sheet of cm. 27×37, with white back. The work is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Empoli, General View, 1875

20,00 

Empoli, General View It is a woodcut made in 1875, which offers a fascinating overview of the city of Empoli.
This engraving, measuring 8x16 cm, was extracted from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 8×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print, with reduced margins and printed back, will be shipped complete with passepartout, ready to be framed.

Entry of Charles V into Antwerp, H. Makart, 1887

30,00 

Entry of Charles V into Antwerp It is an engraving made by H. Makart in 1887.
This woodcut represents an important historical scene and comes from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: cm. 46×27 approx.
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Herculaneum, Naples, 1876

20,00 

Herculaneum, Naples, 1876 è un’incisione xilografica su legno di testa acquarellata, realizzata da Auguste Paul Charles Anastasi.
Questa opera, che misura mm. 130×76, è tratta dal volume Promenades in Italy dell’Abbé Rolland, pubblicato a Tours nel 1876.

  • Sheet size: mm. 130×76
  • Condition: Excellent
  • Support: Paper

La veduta rappresenta un’interessante e decorativa scena di Ercolano, rendendola un pezzo affascinante per collezionisti e appassionati d’arte.

Herculaneum, Naples, 1884

20,00 

Herculaneum, Naples, 1884 è un’incisione xilografica su legno di testa, realizzata da Rudolf Kleinpaul.
This work is part of the volume Naples and its surroundings, pubblicato a Lipsia nel 1884.

  • Sheet size: mm. 160×120
  • Support: Light paper
  • Condition: Excellent condition
  • Characteristics: Margini quasi assenti, testo al verso

Questa incisione offre una bella veduta di Ercolano, rappresentando un’importante testimonianza storica della zona.

Farnese Hercules, 1884

30,00 

Farnese Hercules It is a woodcut engraving made in 1884, which represents one of the most famous works of classical sculpture.
This engraving is taken from the volume Naples and its surroundings by Rudolf Kleinpaul.

  • Sheet size: cm. 27×36 approx.
  • Engraving size: cm. 16×24 approx.
  • Support: Paper with wide margins and white back
  • Condition: Excellent

Esa M.du Moncel. Eze French Riviera. France.1847

15,00 

Esa M. du Moncel. Eze, Costa Azzurra, Francia è una xilografia realizzata nel 1847, tratta dal Picturesque Store.
Questa opera è un esempio affascinante della bellezza della Costa Azzurra, catturata attraverso l’abilità del disegnatore Durond.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 12 x 15 circa
  • Support: Light paper
  • Condition: Excellent

Etna, 1877

15,00 

Etna, 1877 è una xilografia che rappresenta le crevasse dell’Etna, realizzata nel 1877.
This work is taken from L'Italy illustrée de 450 engravures sur wood, published by Gourdault Jules in Paris, Hachette.

  • Sheet size: mm. 160×110
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

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