Woodcut

Showing 145–168 of 206 results

Fabio Glissenti, La Morte in una cassa, 1596

35,00 

La Morte in una cassa It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Support: Paper
  • Condition: Excellent state of preservation

Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora il dispiacere della morte attraverso dialoghi e novelle, rendendo questa incisione un’importante testimonianza del pensiero colto del tardo Cinquecento.

Fabio Glissenti, La Morte nel Letto, 1596

35,00 

La Morte nel Letto It is an engraving made by Fabio Glissenti in 1596, part of the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
In questa scena, l’uomo tenta di sfuggire alla Morte cadendo dal letto, con un esito tragico che lo porta a rompersi una costola.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Questa stampa, non firmata, è un esempio della riflessione di Glissenti sulla morte, affrontata con un tono a volte ironico e irriverente.
La sua opera, che ha subito la censura, è un’importante testimonianza del pensiero colto del tardo Cinquecento.

Fabio Glissenti, La Prudenza e la Morte, 1596

35,00 

La Prudenza e la Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, riflettendo il pensiero colto del tardo Cinquecento. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che include cinque dialoghi e trenta novelle, affrontando la censura e le controversie del suo tempo. Queste rare stampe rappresentano un’importante testimonianza della cultura e della filosofia dell’epoca.

Fabio Glissenti, La Sfortuna e la Morte, 1596

35,00 

La Sfortuna e la Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia rappresenta un’importante riflessione sul tema della morte, affrontato con un tono a volte ironico e irriverente.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Support: Paper
  • Condition: Excellent

Glissenti, medico e filosofo, ha affrontato la censura e un processo per le sue idee audaci, rendendo questa opera un raro esempio del pensiero colto del tardo Cinquecento.
La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che include dialoghi e novelle, esplorando il tema della morte con una profondità unica.

Fabio Glissenti, Lo Stemma della Morte, 1596

50,00 

Lo Stemma della Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente. La sua opera principale, Athanatophilia, è un voluminoso lavoro che esplora il dispiacere del morire attraverso cinque dialoghi e trenta novelle.
Nonostante le censure e le controversie legate alla sua pubblicazione, Glissenti ha mantenuto una visione critica e profonda sulla vita e la morte, rendendo queste stampe un’importante testimonianza del pensiero colto del tardo Cinquecento.

Fabio Glissenti, Moglie e la Morte, 1596

35,00 

Fabio Glissenti, Moglie e la Morte è una xilografia realizzata nel 1596, parte dell’opera Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This print represents a significant example of the cultured thought of the late sixteenth century, addressing the theme of death with an approach that is at times ironic and irreverent.

  • Sheet size: cm. 21×15 approx.
  • Image size: cm. 6,5×10 circa
  • Support: Paper
  • Condition: Excellent

L’opera di Glissenti, medico e filosofo, è composta da cinque dialoghi e trenta novelle, affrontando la morte con una visione disincantata. Nonostante le censure e le controversie legali, il suo lavoro rimane un’importante testimonianza del pensiero dell’epoca.

Fabio Glissenti, Morte a Venezia, Il Doge, 1596

35,00 

Morte a Venezia, Il Doge It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia rappresenta un’importante riflessione sulla morte, affrontata con un tono a volte ironico e irriverente dall’autore, un intellettuale disincantato del suo tempo.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Support: Paper
  • Condition: Excellent

L’opera di Glissenti, che affrontò la censura e un processo per le sue idee, è un raro esempio del pensiero colto del tardo Cinquecento.
Le stampe, parte del ciclo della ‘Danza Macabra’, sono adornate da bellissime figure e rappresentano un’importante testimonianza della cultura del tempo.

Fabio Glissenti, Nobili e la Morte, 1596

40,00 

Fabio Glissenti, Nobili e la Morte è una xilografia acquarellata realizzata nel 1596, parte dell’opera Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa, non firmata, misura circa cm. 6,5×10 sull’intero foglio di cm. 21×15.

  • Sheet size: cm. 21×15 approx.
  • Image size: cm. 6,5×10 circa
  • Technique: Watercolor woodcut
  • Condition: Excellent
  • Support: Paper

Glissenti, medico e filosofo, affronta il tema della morte con un approccio ironico e provocatorio, sfidando la censura del suo tempo. La sua opera, composta da cinque dialoghi e un trattato, riflette il pensiero colto del tardo Cinquecento, rendendo queste stampe rare e preziose.

Fabio Glissenti, Venezia e la Morte, 1596

35,00 

Venezia e la Morte It is an engraving made by Fabio Glissenti in 1596, part of the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Support: Paper
  • Condition: Excellent

Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, nonostante le censure e le controversie legali che ha dovuto affrontare. Le sue opere, tra cui l’Athanatophilia, offrono uno sguardo penetrante sul pensiero colto del tardo Cinquecento, rendendo questa incisione un’importante testimonianza storica.

Frankfurt, St.Munster, 1614

60,00 

Frankfurt, St.Munster, 1614 It is a historical map of the region of Hessen, in Hesse, Germany, taken from the famous work Cosmography Universalis by Sebastian Munster.
This map, made in 1614, offers a detailed representation of the city of Frankfurt and its surrounding territory.

  • Author: Sebastian Münster (1488-1552)
  • Taken from: Cosmographia Universalis, Basel, 1614
  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12×15 approx.
  • Technique: Woodcut on laid paper with watercolour
  • Condition: Excellent state of preservation

Franconia, St.Munster, 1614

60,00 

Franconia, St.Munster, 1614 It is a detailed map of the region of Franconia, located in Germany, taken from the famous work Cosmography Universalis by Sebastian Munster.
This woodcut, made on watercolour laid paper, offers a precious view of Bavaria in the 17th century.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 9.5×13.5 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Friburgo, Germania, Cosmographia, 1588

20,00 

Friburgo, Germania, Cosmographia è una xilografia realizzata nel 1588, che presenta uno stemma con scritta in gotico antico.
Questa opera è stata pubblicata da Sebastian Munster nel celebre volume Cosmography, uno dei libri più popolari del XVI secolo.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 7x9 approx.
  • Support: Handmade laid paper
  • Condition: Excellent

North Germany, S.Munster, 1614

40,00 

Northern Germany, St.Munster It is a detailed map of Northern Germany, taken from the famous Cosmography by Sebastian Munster.
This map, published in Basel in 1614, offers an accurate representation of the territory of the time, with a written back that enhances its historical value.

  • Author: Sebastian Münster (1488-1552)
  • Taken from: Cosmographia Universalis, Basel, 1614
  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 7×13,5 approx.
  • Technique: Woodcut on laid paper with watercolour
  • Condition: Excellent state of preservation

Grafschaft Tyrol, S.Munster, 1614

60,00 

County of Tyrol it is a view extracted from the Cosmography Universalis by Sebastian Munster, published in Basel in 1614.
This engraving represents an important geographical testimony of the time, offering a detailed vision of the Tyrol region.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 14.5x18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Hammelburg, St.Munster, 1614

120,00 

Hammelburg, St.Munster, 1614 it's a map view of the city of Hammelburg, located in the Franconia region of Bavaria, Germany.
This map was extracted from the famous work Cosmography Universalis by Sebastian Munster, published in Basel in 1614.

  • Image size: cm. 23×38 approx.
  • Full page size: cm. 35×44 approx.
  • Technique: Woodcut on laid paper with watercolour
  • Condition: Excellent

Ingelheim, St.Munster, 1614

60,00 

Ingelheim, St.Munster, 1614 It is a watercolour woodcut representing a view of Ingelheim, taken from the famous work Cosmography Universalis by Sebastian Munster.
This page, published in Basel in 1614, offers a fascinating look at the city of Ingelheim, with accurate details and a back enriched with additional images.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 9×12,5 approx.
  • Support: Laid paper
  • Condition: Excellent

Leyden, St.Munster, 1614

90,00 

View of Leyden It is a historical map of the city of Leiden, Netherlands, made by Sebastian Munster in 1614.
This work is extracted from his famous Cosmography Universalis, published in Basel.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12.5×16 approx.
  • Technique: Woodcut on laid paper with watercolour
  • Condition: Excellent state of preservation
  • Support: Paper

Leipzig, St.Munster, 1614

60,00 

Leipzig, St.Munster, 1614 It is a historical view of the city of Leipzig, taken from the famous work Cosmography Universalis by Sebastian Munster.
This map, made in 1614, offers a fascinating representation of the German city, highlighting architectural and topographical details of the time.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12×15 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Louvain, Malines, S.Munster, 1614

60,00 

Lovanio, Malines, S.Munster It is a page extracted from the Cosmography Universalis by Sebastian Munster, published in Basel in 1614.
Questa incisione presenta vedute dettagliate della città di Leuven (Lovanio) e, sul retro, una veduta della città di Mechelen (Malines).

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12.5x15.5 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent

Lucerne, Switzerland, Cosmographia, 1588

30,00 

Lucerna, Svizzera, Cosmographia è una mappa storica della città di Lucerna, realizzata nel 1588.
Questa xilografia, caratterizzata da scritte in ancient gothic, measures approximately cm. 9×13 and it is presented on a sheet of cm. 33×20.
Published by Sebastian Munster in the work Cosmography, one of the most popular books of the 16th century, this illustration is printed on handmade laid paper and comes from the edition From the German Lands.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Handmade laid paper
  • Condition: Bad

Magdenburg and Aldenburg. S. Munster, 1614

90,00 

Magdenburg and Aldenburg It is a historical view made by Sebastian Munster in 1614, extracted from his famous work Cosmography Universalis.
This engraving features maps of Magdenburg and Aldenburg Oldenburg, depicted on a single page on the recto and verso.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12.5×15 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Mainz, St.Munster, 1614

60,00 

Mainz It is a watercolour woodcut made by Sebastian Munster in 1614, taken from his famous work Cosmography Universalis.
This page offers a fascinating view of Mentz (Mainz), highlighting the importance of the city in the geographical context of the time.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12×15,5 approx.
  • Support: Laid paper
  • Condition: Excellent

Map of Bavaria, St.Munster, 1614

80,00 

Map of Bavaria It is an engraving made by Sebastian Munster in 1614, extracted from his famous work Cosmography Universalis.
This map depicts the Schwabenland region in detail, highlighting significant places such as the Danube and Nordlingen.

  • Sheet size: cm. 35×44 approx.
  • Image size: cm. 26×34 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Map of France, 1614

60,00 

Map of France It is a page extracted from the Cosmography Universalis by Sebastian Munster, published in Basel in 1614.
This map represents Gaul and includes the coat of arms of France, dating back to the 16th century. On the back there is a writing that adds further historical value to the work.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 8×13 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.