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Showing 25–48 of 788 results

Antonio Tempesta Caccia al serpente, 1590

80,00 

Caccia al serpente It is an engraving made by Anthony Tempest tra il 1590 e il 1610, parte della serie Diverse cacce, pesche e combattimenti di animali.
This work, performed in etching, presenta una dimensione di mm. 94×145, con margini minimi alla battuta del rame.

  • Sheet size: mm. 94×145
  • Condition: Buone condizioni generali, con qualche macchia sul retro
  • Support: Laid paper

Antonio Tempesta Bulls, 1620

60,00 

Tori It is an engraving made by Anthony Tempest nel 1620, proveniente dalla Nuova raccolta de li animali più curiosi del mondo.
This work is a fine example of etching, stampata su carta vergellata.

  • Sheet size: cm. 15×21 approx.
  • Engraving size: mm. 96×140 circa
  • Support: Laid paper
  • Condition: Good general condition

Anzio, 1834

25,00 

Anzio, 1834 It is an engraving made with the technique of burin on steel, which represents a fascinating forest interior with animals.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×110 plus margins
  • Condition: Good condition
  • Support: Lightweight paper, white back

Eagles, 1800

30,00 

Eagles It is a chromolithograph made in 1800, characterized by a fascinating and detailed design.
This work is printed on medium paper with smaller margins and features a white back.

  • Sheet size: cm. 20×13 approx.
  • Technique: Chromolithography
  • Condition: Good condition
  • Printed by: Lit.Central-Tryckeriet, Stockholm

Lobster, 1890

20,00 

Lobster It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, a German encyclopedic work published by the Bibliographischen Instituts.
This series of antique prints was created to illustrate the famous encyclopedia, which had several editions starting from the second half of the 19th century.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions with slight yellowing of the sheet

Ardea, 1846

25,00 

Ardea, 1846 è una litografia che rappresenta una veduta del castello di Ardea, situato in South Apulia.
This work is taken from the volume Picturesque Polyorama, published in Naples in 1846.

  • Sheet size: mm. 155×90
  • Condition: Buone, con margini quasi assenti e una macchia di umido che interessa anche la stampa
  • Support: Paper
  • Notes: La stampa presenta scritte al retro ed è una bella veduta, non comune.

Ariccia, Chigi Palace, 1834

30,00 

Ariccia, Chigi Palace It is an engraving made with the technique of burin on steel in 1834.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in the same year.

  • Sheet size: mm. 119×185 plus margins
  • Condition: Good
  • Support: Lightweight paper, white back

The view offers a clear and decorative representation of the castle, making it a fascinating work for lovers of art and history.

Arlesiana, Woman of Arles, 1850

20,00 

Arlesiana, Donna di Arles è una litografia realizzata nel 1850, che cattura l’essenza della figura femminile tipica della regione di Arles.
This work, from the period 19th century, è stampata su carta spessa e presenta dimensioni di cm. 24×13.

  • Sheet size: Small
  • Support: Thick paper glued to another paper support
  • Condition: Good

Arona, Isola Bella, 1834

30,00 

Arona, Beautiful Island It is a double burin engraving made in 1834, which offers two fascinating views of this enchanting place.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 120×85 approximately for each engraving
  • Support: Light paper
  • Condition: Good condition (has some widespread stains)

Assumption of the Virgin 1877

25,00 

Assumption of the Virgin It is an engraving made in 1877, which represents an important work of art of the period.
This print is taken from a late 19th century French text and attributed to the author from Perugino.

  • Sheet size: cm. 28×19 approx.
  • Print Size: cm. 22×14 approx.
  • Support: Thick, white paper
  • Condition: Good condition, with small shadows on the white part of the print

Aulitzky Erich (Germany)

7,00 

Owl by Aulitzky Erich è un’incisione su plastica realizzata nel 1990 dall’artista tedesco Aulitzky Erich.
Questa opera, monogrammata, rappresenta una civetta ed è stata commissionata da Karl-Heinz Morner.

  • Sheet size: mm. 90×100
  • Support: Light paper
  • Condition: Good

Avellino, 1835

35,00 

Avellino, 1835 è un’incisione al bulino su acciaio acquarellata, realizzata nel 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Avernus, Lake, Phlegraean Fields, 1835

20,00 

Avernus, Lake, Phlegraean Fields It is a burin engraving made in 1835, which captures the beauty of the Phlegraean landscape.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Good state of preservation

Babiana, 1852

20,00 

Babiana, 1852 è un’incisione che rappresenta una composizione floreale decorativa.
Realizzata con la tecnica del burin e colorata a mano all’acquerello, questa opera è stampata su carta media.

  • Sheet size: mm. 130×220
  • Support: Paper
  • Condition: Good condition

L’incisione proviene da Ladies' Wreath an illustrated annual, pubblicato a New York da J.C. Burdick, datato 1852.

Bacchus and Ariadne, Tintoretto, 1887

20,00 

Bacchus and Ariadne it is an engraving made by Tintoretto in 1887.
This woodcut on end grain is taken from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 170×145
  • Support: Paper
  • Condition: Good condition, with writing on the back

Baia, Temple of Venus, 1834

20,00 

Baia, Temple of Venus it is a burin engraving made in 1834, which represents the famous Temple of Venus in Baia.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.

  • Sheet size: mm. 117×90
  • Support: Light glued paper
  • Condition: Good state of preservation

Baia, Temple of Venus, Phlegraean Fields, 1835

20,00 

Baia, Tempio di Venere, Campi Flegrei è un’incisione realizzata nel 1835, che rappresenta un’importante testimonianza artistica dei Campi Flegrei.
Questa opera è stata realizzata da STRUTT e fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Engraving size: mm. 105×73 circa
  • Technique: Burin
  • Support: Medium paper
  • Condition: Good state of preservation

Children Dancing, 1850

30,00 

Bambini che ballano it's a chromolithography made in 1850, che cattura la gioia e l’innocenza dell’infanzia attraverso una vivace rappresentazione di bambini intenti a ballare.
This work, of dimensions cm. 13×21, is printed on thick paper ed è stata incollata su un altro supporto cartaceo, rendendola un pezzo unico da collezione.

  • Era: 19th century
  • Technique: Chromolithography
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Bari, Castle, 1872

20,00 

Bari, Castle it's a small woodcut original made in 1872, representing the castle of Bari.
This work is taken from The Popular Illustration, published in Milan by the Treves Brothers.

  • Sheet size: mm. 90×70
  • Support: Light sheet
  • Condition: Good, with writing on the back partly visible

Bartolomeo Pinelli, Acquavitaro, 1810

40,00 

Acquavitaro It is an engraving made by Bartholomew Pinelli in 1810, executed with etching and coloured with watercolour.
This work is taken from the New Collection of fifty Picturesque Motifs and Costumes of Rome, published in Rome by Lorenzo Lazzari.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Burin
  • Condition: Good
  • Support: Paper

Bartolomeo Pinelli, Costumes of Tivoli, 1810

40,00 

Tivoli Costumes It is an engraving made by Bartholomew Pinelli in 1810.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Etching
  • Condition: Good
  • Support: Paper

The work is signed lower left with “Pinelli inv e incise”.
Please note that the sheet has some color stains on the back and a small repair at the bottom left.

Bartolomeo Pinelli, Gioncataro, 1810

40,00 

Player It is an engraving made by Bartholomew Pinelli nel 1810, parte della sua New Collection of fifty Picturesque Motifs and Costumes of Rome.
This work is an example of etching, colorata all’acquerello, firmata in basso a sinistra con la dicitura ‘Pinelli inv e incise’.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

Si segnala che il foglio presenta alcune macchie di colore al verso e risulta un po’ sciupato.

Bartolomeo Pinelli, The Callararo, 1810

40,00 

Il Callararo è un’incisione realizzata da Bartolomeo Pinelli nel 1810, che rappresenta un affascinante esempio della vita quotidiana a Roma.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, incisa all’acquaforte e colorata a mano con acquerello.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Buone, con riparazione al verso e macchie di colore

Bartolomeo Pinelli, Washing machines, 1810

40,00 

Washing machines It is an engraving made by Bartholomew Pinelli in 1810, which represents a picturesque scene of the washing machines of Tivoli.
This work is taken from the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

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