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Showing 721–744 of 788 results

Stefano Della Bella, Landscape with Mill

120,00 

Landscape with Mill It is an engraving made by Stephen Of The Beautiful between 1650 and 1699.
This fascinating landscape represents a windmill without sails and is part of the First series of four landscapes.

  • Sheet size: mm. 101×201
  • Support: Laid paper
  • Condition: Good state of preservation
  • Technique: Etching
  • Era: 17th century

The engraving is signed on the plate with the intertwined initials of Stef. of the Beautiful And F. Colignon.
This specimen is partially glued onto another paper support, making it a unique piece for collectors and enthusiasts.

Stefano Della Bella, Six Landscapes…, 1646

150,00 

Sei Paesaggi con soggetti di animali It is a work created by Stephen Of The Beautiful nel 1646 circa.
Questa acquaforte, firmata in lastra in basso a sinistra con la dicitura S.D.Bella inu. et fec., rappresenta una splendida prova nel secondo stato su due.

  • Sheet size: mm. 135×135
  • Support: Laid paper glued onto another paper support
  • Condition: Buono stato di conservazione, con qualche spellatura
  • Era: First half of the 17th century

Questa tavola n. 2 della serie Sei paesaggi con soggetti di Animali è catalogata nel De Vesme-Massar con il numero 715.

Stefano Della Bella, Heads of Warriors 1630

45,00 

Warriors' Heads it is an etching made by Stephen Of The Beautiful In the 1630.
This small and uncommon engraving features, in the upper part, three studies for the heads of warriors with helmets of different make, while in the lower part one can observe a group of peasants leading the flock to pasture, carrying long sticks in their hands.

  • Sheet size: cm. 13×18 approx.
  • Support: Unlaid paper
  • Condition: Good condition, with a small tear on the bottom right that is barely visible

Taormina, 1840

30,00 

Taormina, 1840 It is a burin engraving made by Frommel, which offers a suggestive view of the famous Sicilian location.
This work is taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Taormina, 1877

15,00 

Taormina, 1877 It is a woodcut that offers a splendid view of the historic Sicilian city, with the remains of the amphitheatre clearly visible.
This work is taken from the volume Italian of Kaden and has almost no margins.

  • Sheet size: mm. 160×210
  • Support: Light paper
  • Condition: Good condition, with writing on the back

Taormina, Teatro, Etna, 1835

30,00 

Incisione realizzata al burin in 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16×25 approx.
  • Dimensione dell’immagine: cm. 11×16 circa
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Taranto, 1835

25,00 

Taranto, 1835 it is an engraving made with a burin on steel, which represents a fascinating view of the city of Taranto.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Tarantula, 1890

20,00 

Tarantola It is an old lithographic print made in 1890, taken from the publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa celebre enciclopedia, pubblicata a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 20×13 approx.
  • Condition: Fair general conditions, with slight yellowing of the sheet
  • Support: Paper

Insects Table, 1890

20,00 

Tavola di Insetti It is a lithograph made in 1890, tratta dalla celebre pubblicazione Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa enciclopedia, pubblicata a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Syracuse Theatre, 1865

15,00 

Syracuse Theatre It is an engraving made in 1865, coming from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This woodcut, which measures mm. 140×130, is part of a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Terni, 1835

20,00 

Terni, 1835 è un’incisione al bulino su acciaio, proveniente dall’opera Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE, pubblicata nel 1835.
Questa veduta panoramica di Terni è caratterizzata da un’elegante decorazione e presenta una misura della battuta di mm. 130×90.

  • Sheet size: Small
  • Condition: Good
  • Support: Lightweight paper with white backing

Terni, The Waterfalls, 1835

20,00 

Terni, The Waterfalls It is an engraving made in 1835, taken from the work Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.
This work, which represents a suggestive view of the Terni waterfalls, is made with the technique of burin on steel.

  • Sheet size: mm. 90×130
  • Support: Lightweight paper with white backing
  • Condition: Good condition

A decorative work that captures the natural beauty of waterfalls, ideal for collectors and engraving enthusiasts.

Land of Otranto, 1835

30,00 

Land of Otranto It is an engraving made by Sauvage in 1835, which offers a picturesque view of the city, animated and decorative.
This work is taken from “Italie picturesque tableau historique et descriptif de l’Italie…” by M. De Norvins and C. Nodiers, published in Paris in 1835.

  • Sheet size: mm. 190×117
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Technique: Burin
  • Price: €30,00

Terracina, 1834

35,00 

Terracina, 1834 è un’incisione al bulino acquarellata che offre una splendida veduta della città di Terracina.
Realizzata da Coignet, questa opera è parte del volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 approx.
  • Support: Light paper
  • Condition: Good condition

Terracina, 1834

25,00 

Terracina, 1834 è un’incisione in acciaio realizzata nel 1834, proveniente dal volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
Questa opera è caratterizzata da dimensioni di mm. 140×90 su un foglio di mm. 240×150, con un supporto in light paper e un retro bianco. Presenta sporadiche fioriture, che ne attestano l’autenticità e la storia.

  • Era: XIX
  • Technique: Burin
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Terracina, 1850

25,00 

Terracina, 1850 It is an engraving made with the technique of Burin, which offers a splendid view of the city of Terracina, animated by fishermen intent on their daily activities.
This work, dated 1850, presents

  • Engraving size: mm. 116×87
  • Margins: small irregular margins
  • Support: light paper
  • Back: white
  • Condition: good condition

Terracina, Dintorni, 1840

20,00 

Terracina, Dintorni è una litografia realizzata nel 1840, che offre una vista affascinante dei dintorni di Terracina.
This print is taken from the work Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge across all social classes.

  • Sheet size: cm. 15×13 approx.
  • Support: Paper
  • Condition: Good condition, with writing on the back and on the back

La stampa è stata ritagliata dal libro e viene fornita completa di passepartout, rendendola una bella veduta decorativa per ogni collezionista.

Thomas Goff Lupton, Soggetto Olandese, 1830

30,00 

Thomas Goff Lupton, Soggetto Olandese è un’incisione realizzata nel 1830, che presenta un soggetto di ispirazione olandese.
Questa opera è un’acquatinta su carta leggera, incollata su un altro supporto cartaceo e rifilata alla battuta del rame.

  • Engraving size: cm. 18×15 circa con piccoli margini
  • In basso a sinistra: painted by Teniers
  • In basso a destra: Engraved on Stell by Thomas Lupton
  • Condition: Good condition

Thomas Goff Lupton (1791-1873) è stato un incisore e artista di mezzotinto inglese, noto per le sue incisioni su opere di Turner e altri pittori britannici del XIX secolo.
Ha anche contribuito all’evoluzione tecnica dell’incisione introducendo piastre di acciaio morbido.

Tiger, 1890

20,00 

Tiger, 1890 è una litografia realizzata per la celebre enciclopedia Meyers Conversations Lexicon, pubblicata in Germania a partire dalla seconda parte del XIX secolo.
Questa stampa appartiene a una vasta serie di illustrazioni progettate per arricchire l’opera, ed è specificamente tratta da un’edizione del 1890.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Tivoli, 1834

25,00 

Tivoli, 1834 It is a steel engraving made in 1834, taken from the work Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
This engraving represents a significant example of 19th century art, with fine details and a fascinating composition.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Titian, The Magdalen, 1838

15,00 

Tiziano, La Maddalena It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione misura cm. 11×15, con margini più piccoli, ed è stata ritagliata dal libro, presentando scritte al retro. La stampa verrà spedita con l’intera pagina contenente l’incisione.

  • Sheet size: Small
  • Condition: Good
  • Support: Paper
  • Technique: Burin
  • Era: XIX

Omnibus è stata una rivista fondata a Napoli nel 1833, tra i primi e più longevi periodici del Regno delle Due Sicilie. Le sue pubblicazioni continuarono fino al 1882. Fondata da un gruppo di giornalisti e scrittori, tra cui Vincenzo Torelli, la rivista ha avuto un’importante influenza culturale nel periodo post-unitario.

Torcello, 1865

15,00 

Torcello, 1865 It is a woodcut made in 1865, taken from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with about 1000 colored municipal weapons and was published in Milan by the publisher Vallardi.

  • Sheet size: mm. 140×110
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Torcello, 1877

15,00 

Torcello, 1877 it is a woodcut engraving on end grain, taken from the work Italy by J. Gourdault, published in Paris in 1877.
This small engraving features a decorative design and measures mm. 187×116, with almost no margins.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Light paper

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