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Showing 49–72 of 788 results

Bartolomeo Pinelli, The Sweeper, 1810

40,00 

Lo scoparo It is an engraving made by Bartholomew Pinelli nel 1810, parte della sua celebre serie New Collection of fifty Picturesque Motifs and Costumes of Rome.
This work is an example of etching colorata all’acquerello, firmata in basso a sinistra con la dicitura Pinelli inv e incise.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

Bartolomeo Pinelli, Orlando Furioso, 1829

40,00 

Orlando Furious It is an engraving made by Bartholomew Pinelli in 1829, a work that reflects the artist's mastery in illustrating the great masterpieces of literature.
This engraving, made in etching on copper, features a full flap immersed in a murky wave, demonstrating his technical skill and distinctive style.

  • Sheet size: mm. 180×220 at the edge, plus margins
  • Support: Light paper
  • Condition: Good condition, with a small restored hole on the top left

Bartolomeo Pinelli, born in Rome in 1781, was an engraver, painter and ceramist of great importance, known for his vast artistic production which includes around four thousand engravings.
His works illustrate the customs of the Italian peoples and the masterpieces of literature, with a particular focus on Rome and its history.

Bassano, 1877

15,00 

Bassano, 1877 it's a woodblock print taken from the work Italy by J. Gourdault.
Questa suggestiva veduta presenta dimensioni di mm. 188×114, con margini quasi assenti.
La stampa è stata ritagliata dal libro e presenta scritte sul retro, aggiungendo un tocco di autenticità all’opera.

  • Sheet size: mm. 188×114
  • Support: Paper
  • Condition: Good

Battle of Custoza, 1866

20,00 

Battle of Custoza, 1866 It is a woodcut engraving taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1866.
This work represents an important historical scene and measures cm. 15x24, with almost no margins. The paper is light and the print was cut from the book, presenting writings on the back, partially visible.
The full-page print is shipped, offering a unique piece for collectors and history buffs.

  • Sheet size: cm. 15×24 approx.
  • Support: Light paper
  • Condition: Good

Battle of Magenta, 1859

50,00 

Battle of Magenta, 1859 it is a woodcut that represents one of the crucial moments of the Italian wars.
This print, with a printed part measurement of cm. 50×34, is extracted from the volume Wars of Italy of 1859.

  • Sheet size: Small
  • Support: Paper
  • Condition: Good

Battista Pittoni, Emblema del Conte Brandolino, 1578

35,00 

Emblema del Conte Brandolino It is an engraving made by Battista Pittoni in 1578.
This work, performed in etching, presenta un monogramma in basso a sinistra B.P.V. ed è parte del volume Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri.
L’incisione è incollata agli angoli su cartoncino, ma presenta una mancanza all’angolo superiore.

  • Sheet size: mm. 115×164
  • Condition: Good
  • Support: Laid paper

Battista Pittoni, Emblema del Conte, 1578

35,00 

Emblema del Conte It is an engraving made by Battista Pittoni nel 1578, dedicata al Conte Alfonso di Villa Chiara.
Questa opera è un’acquaforte su carta vergellata, caratterizzata dal monogramma in basso a sinistra B.P.V..

  • Sheet size: mm. 115×164
  • Support: Laid paper
  • Condition: Buone (mancanza all’angolo superiore)
  • Technique: Etching
  • Era: XVI

L’incisione è parte della raccolta Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri, datata 1578.
Giovanni Battista Pittoni, noto come Battista vicentino, è un importante artista del XVI secolo.

Benevento, Caudine Forks, 1835

25,00 

Benevento, Forche Caudine è un’incisione realizzata nel 1835 da Vogel.
Questa opera, che rappresenta il Vallo di Caudium, è eseguita in burin on copper and is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Support: Medium paper
  • Condition: Good state of preservation

Berlin, 1850

20,00 

Berlin, 1850 It is an engraving made in etching in the 19th century.
This work, of small dimensions, measures approximately cm. 9×14 and it is glued onto another piece of cardboard.
Presents a small lack top right, but retains its historical charm.

  • Era: 19th century
  • Technique: Etching
  • Condition: Good
  • Dimensions: Small
  • Support: Cardboard

Bernardo Rosaspina, Florence, 1832

30,00 

View of the S.Trinità Bridge It is an engraving made by Bernardo Thorn Rose in 1832, which captures the architectural beauty of one of Florence's most iconic bridges.
This work is an etching on laid paper, signed lower right with the words 'B.Rosaspina Incise'.

  • Sheet size: cm. 20×24 approx.
  • Engraving size: mm. 155×198 at the copper edge
  • Support: Laid paper
  • Condition: Good condition, with a stain that also partially affects the print

Bianca, Eugene Von Blaas,1889

20,00 

Bianca It is an engraving made by Eugene Von Blaas In the 1889.
Questa xilografia è tratta da The Illustrated London News e presenta una misura della battuta di mm. 200×270, con margini più piccoli.
La stampa è stata ritagliata dal libro ed ha scritte sul retro, rendendola un pezzo unico per collezionisti e appassionati d’arte.

  • Era: XIX
  • Technique: Woodcut
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Bologna, 1840

30,00 

Bologna, 1840 è un’incisione realizzata da Frommel nel 1840, che offre una beautiful animated view of the city.
Questa opera è stata realizzata con la tecnica del burin su acciaio ed è parte del volume Picturesque Italy, pubblicato a Lipsia.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Bologna, Leaning Towers, 1877

15,00 

Bologna, Torri Pendenti It is a woodcut engraving made in 1877, taken from the work Italy by J. Gourdault.
Questa stampa rappresenta un’affascinante vista delle torri pendenti di Bologna, con margini quasi assenti e una misura della battuta di mm. 100×156.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Light paper

Bolzano, 1840

30,00 

Bolzano, 1840 è un’incisione realizzata da Frommel, che combina abilmente l’arte del disegno e della scultura.
Questa incisione al bulino su acciaio presenta una beautiful view di Bolzano, catturando l’essenza del paesaggio italiano dell’epoca.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Bonaparte Letizia, 1889

20,00 

Bonaparte Letizia è un’incisione del 1889 che ritrae S.A.R. la principessa Letizia.
Questa xilografia su legno di testa presenta una misura della battuta di cm. 19×27, con margini quasi assenti.
It is taken from The Italian Illustration, pubblicato dai Fratelli Treves di Milano nel 1889.
The print was cut from the book and has writing on the back.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Bordighera, 1877

20,00 

Bordighera, 1877 it is a woodcut representing a villa near Bordighera.
This work is taken from L'Italy illustrée de 450 engravures sur wood, created by Gourdault Jules and published in Paris by Hachette in 1877.

  • Sheet size: mm. 180×150
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

Brenner, 1877

15,00 

Brenner, 1877 it is a woodcut that represents la route du Brenner en aval de Gossensass.
This work is taken from L'Italy illustrée de 450 engravures sur wood, created by Gourdault Jules and published in Paris by Hachette in 1877.

  • Sheet size: mm. 185×145
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

Brescia, Campo Santo, 1837

25,00 

Brescia, Campo Santo, 1837 it's a lithography che rappresenta una veduta esterna del Campo Santo a Brescia.
This print comes from the volume Pictorial Cosmorama, anno terzo, del 1837.
La stampa misura cm. 18×23 e presenta margini quasi assenti. È importante notare che la stampa è contenuta nella pagina estratta dal libro e presenta scritte al verso.
The entire page containing the print is sent.

Busseto, 1872 The Pallavicino Fortress

25,00 

The Pallavicino Fortress It is an original woodcut engraving made in 1872, which represents an important view of Busseto.
This work is taken from The Popular Illustration, published in Milan by the Treves Brothers.

  • Sheet size: mm. 180×130
  • Support: Light sheet
  • Condition: Good, has writing on the back as it was cut from the book

Cagliari, 1834

30,00 

Cagliari, 1834 It is an engraving made with the technique of burin su acciaio, che misura mm. 183×114 più margini.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 183×114 circa
  • Support: Light paper
  • Condition: Good condition

The press offers a bella veduta di Cagliari dal mare, con i monti sullo sfondo, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Callot, Transport of the Cross

80,00 

Carrying the Cross It is an engraving made by Jacques Callot in the 17th century, part of the series The Great Passion.
This work, identified as Plate no. 5, is a reverse etching, characterised by a size of 110x208 mm, with very small margins.

  • Sheet size: Small
  • Support: Laid paper with unknown watermark
  • Condition: Good, with traces of previous gluing on the back

Chameleon, 1850

20,00 

Chameleon It is a woodcut made in 1850, representative of the era 19th century.
This work, of small dimensions, measures cm. 8×11 and is glued onto another piece of cardboard, making it an interesting piece for collectors and enthusiasts.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Cardboard

Champs Elysees, 1835

35,00 

Campi Elisei è un’incisione realizzata nel 1835, eseguita con la tecnica del burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Condition: Good state of preservation
  • Support: Medium paper

Canivet, Bouasse-Lebel, 1850, Baby Jesus

15,00 

Canivet, Baby Jesus It is an engraving made by Bouasse-Lebel in 1850, representing the famous subject of the Baby Jesus.
This work is an example of sacred art typical of the period, printed in Paris, France.

  • Sheet size: cm. 8×12 approx.
  • Technique: Etching with lace-cut edges
  • Condition: Good, with small losses at the edges and traces of paper on the back
  • Support: Paper
  • Prayer: Yes

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