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Showing 97–120 of 1285 results

Eagles, 1800

30,00 

Eagles It is a chromolithograph made in 1800, characterized by a fascinating and detailed design.
This work is printed on medium paper with smaller margins and features a white back.

  • Sheet size: cm. 20×13 approx.
  • Technique: Chromolithography
  • Condition: Good condition
  • Printed by: Lit.Central-Tryckeriet, Stockholm

Lobster, 1890

20,00 

Lobster It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, a German encyclopedic work published by the Bibliographischen Instituts.
This series of antique prints was created to illustrate the famous encyclopedia, which had several editions starting from the second half of the 19th century.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions with slight yellowing of the sheet

Ardea, 1846

25,00 

Ardea, 1846 è una litografia che rappresenta una veduta del castello di Ardea, situato in South Apulia.
This work is taken from the volume Picturesque Polyorama, published in Naples in 1846.

  • Sheet size: mm. 155×90
  • Condition: Buone, con margini quasi assenti e una macchia di umido che interessa anche la stampa
  • Support: Paper
  • Notes: La stampa presenta scritte al retro ed è una bella veduta, non comune.

Aretusi Caesar, 1764

40,00 

Aretusi Caesar It is an etching made in 1764, part of the Series of portraits of famous painters, published in Florence by the Moückiana printing house.
The engraving is the work of the engraver Antonio Pazzi and depicts the Bolognese painter Cesare Aretusi, known for his collaboration with Giambattista Fiorini in the decoration of the dome of St. Peter's in Bologna.

  • Sheet size: cm. 37×49 approx.
  • Engraving size: cm. 16×21 approx.
  • Support: Heavy paper
  • Condition: Good condition, with some stains on the edges that do not affect the engraving

Ariccia, 1840

30,00 

Ariccia, 1840 it is a steel engraving that offers a fascinating view of the town of Ariccia.
Made in 1840 for the volume Picturesque Italy, published by Ernst Kollmann in Leipzig, this work has wide margins and a remarkable printing quality.

  • Sheet size: mm. 140×230
  • Engraving size: mm. 102×155
  • Support: Paper
  • Condition: Good general condition

The engraving is signed by FROMMEL del. and made by Atelier C.Frommel and H. Winkles, showing a beautiful animated view, well contrasted and decorative.

Ariccia, Chigi Palace, 1834

30,00 

Ariccia, Chigi Palace It is an engraving made with the technique of burin on steel in 1834.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in the same year.

  • Sheet size: mm. 119×185 plus margins
  • Condition: Good
  • Support: Lightweight paper, white back

The view offers a clear and decorative representation of the castle, making it a fascinating work for lovers of art and history.

Arlesiana, Woman of Arles, 1850

20,00 

Arlesiana, Donna di Arles è una litografia realizzata nel 1850, che cattura l’essenza della figura femminile tipica della regione di Arles.
This work, from the period 19th century, è stampata su carta spessa e presenta dimensioni di cm. 24×13.

  • Sheet size: Small
  • Support: Thick paper glued to another paper support
  • Condition: Good

Armadillo, Sloth, 1890

15,00 

Armadillo, Sloth It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany since the second half of the 19th century by the Bibliographischen Instituts, with offices in Leipzig and Vienna.
This print features a white back and a light yellowing of the sheet, highlighting its state of conservation.

  • Sheet size: cm. 29×23
  • Condition: Discrete
  • Folding: The sheet has a central fold because it was originally inserted folded into the volume

Arnold von Winkelried, A.H.Payne, 1850

20,00 

Arnold von Winkelried It is an engraving made by AH Payne in 1850, using the technique of burin.
This work is published by Verlag d. Englischen Kunstastalt AH Payne, Leipzig & Dresden.

  • Sheet size: mm 210×270
  • Condition: Good state of preservation
  • Support: Medium engraving paper

It represents a mythical figure in Swiss history, a symbol of courage and sacrifice.

Arona, Isola Bella, 1834

30,00 

Arona, Beautiful Island It is a double burin engraving made in 1834, which offers two fascinating views of this enchanting place.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 120×85 approximately for each engraving
  • Support: Light paper
  • Condition: Good condition (has some widespread stains)

Arqua, Petrarca's House, 1840

40,00 

Arqua, Casa di Petrarca è un’incisione realizzata nel 1840, che rappresenta una bella e fine veduta animata della casa di Petrarca.
L’opera è stata disegnata da Samuel Prout and engraved by Heach utilizzando la tecnica del Burin con coloritura manuale all’acquarello.

  • Sheet size: mm. 100×140 alla battuta + piccoli margini
  • Support: Medium paper
  • Condition: Buone (lieve ingiallimento del foglio)

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art è un’opera realizzata tra la fine del XIX secolo e la prima metà del XX secolo.
Questa tempera colorata a mano è su pergamena preparata, rappresentando un esempio significativo dell’arte copta etiope.

  • Sheet size: cm. 35×23
  • Condition: Good condition, with some creasing due to the type of support
  • Support: Prepared parchment

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art it is a work made with hand-colored tempera on prepared parchment, dating back to the end of the 19th century or in the first half of the 20th century.
Questa affascinante opera rappresenta la tradizione artistica copta etiope, caratterizzata da colori vivaci e simbolismo religioso profondo.

  • Sheet size: cm. 35×23
  • Condition: Good condition, with some creasing due to the type of support
  • Support: Parchment

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art it is a work made with hand-colored tempera on prepared parchment, dating back to the end of the 19th century or in the first half of the 20th century.
Questa affascinante opera d’arte riflette la ricca tradizione dell’arte copta etiope, caratterizzata da colori vivaci e dettagli intricati.

  • Sheet size: cm. 35×23
  • Condition: Good condition, with some creasing due to the type of support
  • Support: Parchment

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art è un’opera realizzata a mano con tempera colorata su pergamena preparata, risalente alla fine del XIX secolo o alla prima metà del XX secolo.
Questa affascinante opera d’arte riflette la tradizione religiosa copta etiope, caratterizzata da colori vivaci e dettagli intricati.

  • Sheet size: cm. 35×23
  • Condition: Buone, con qualche increspatura dovuta al tipo di supporto
  • Support: Parchment

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art it is a work made with hand-colored tempera on prepared parchment, dating back to the end of the 19th century or in the first half of the 20th century.
This fascinating work reflects the Ethiopian Coptic artistic tradition, characterized by bright colors and religious symbolism.

  • Sheet size: cm. 35×23
  • Condition: Good condition, with some creasing due to the type of support
  • Support: Prepared parchment

Limbs, Hand, Muscles, 1865

25,00 

Arti, Mano, Muscoli It is an anatomical plate made in 1865, taken from the work Atlas of the anatomy of the forms of the human body for the use of painters and sculptors di Le Docteur J.Fau, seconda edizione.
Questa litografia su carta di medio spessore offre una rappresentazione dettagliata degli arti e dei muscoli umani, rendendola un’importante risorsa per artisti e studiosi.

  • Sheet size: cm. 27×36
  • Engraving size: cm. 25×34 approx.
  • Support: Medium thickness paper
  • Condition: Buone condizioni con lievi tracce di sporco

Assarotti Octavius, 1857

30,00 

Assarotti Octavius It is an original etching made in 1857, part of the Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
This work portrays Octavius John Baptist Assarotti, an important Italian religious man and theologian, known for being the founder of schools for the deaf and the inventor of the manual alphabet.

  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Good, with some light foxing on the edges, which does not affect the engraving

Assumption of the Virgin 1877

25,00 

Assumption of the Virgin It is an engraving made in 1877, which represents an important work of art of the period.
This print is taken from a late 19th century French text and attributed to the author from Perugino.

  • Sheet size: cm. 28×19 approx.
  • Print Size: cm. 22×14 approx.
  • Support: Thick, white paper
  • Condition: Good condition, with small shadows on the white part of the print

Audot père, L'Italia descrizione, 1834-38 complete work in 8 volumes

1.400,00 

AUDOT LOUIS EUSTACHE (FATHER): Italy, Sicily, the Aeolian Islands, the Island of Elba, Sardinia, Malta, the Island of Calypso, etc.
Work in 8 volumes in 4° format (Turin, Giuseppe Pomba, 1834-1838), first Italian edition enriched with additions and corrections. This important work represents one of the most complete descriptions of 19th century Italy, combining historical, artistic and customs information.
Of particular note is the iconographic apparatus, which includes 329 plates in excellent condition, made on the basis of works by illustrious artists such as Haudebourt-Lescot, Horace Vernet, Granet, Isabey, Ciceri, Pinelli, and many others. Despite slight peeling on the bindings, the copy is complete and preserved in good general condition.

  • Era: 19th century
  • Technique: Lithography
  • Dimensions: Large (4th size)
  • Support: Paper
  • Condition: Good overall condition, boards in excellent condition

This rare edition is a treasure for collectors and enthusiasts of Italian history and culture.

Aulitzky Erich (Germany)

7,00 

Owl by Aulitzky Erich è un’incisione su plastica realizzata nel 1990 dall’artista tedesco Aulitzky Erich.
Questa opera, monogrammata, rappresenta una civetta ed è stata commissionata da Karl-Heinz Morner.

  • Sheet size: mm. 90×100
  • Support: Light paper
  • Condition: Good

Avellino, 1835

35,00 

Avellino, 1835 è un’incisione al bulino su acciaio acquarellata, realizzata nel 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Avernus, Lake, Phlegraean Fields, 1835

20,00 

Avernus, Lake, Phlegraean Fields It is a burin engraving made in 1835, which captures the beauty of the Phlegraean landscape.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Good state of preservation

Babiana, 1852

20,00 

Babiana, 1852 è un’incisione che rappresenta una composizione floreale decorativa.
Realizzata con la tecnica del burin e colorata a mano all’acquerello, questa opera è stampata su carta media.

  • Sheet size: mm. 130×220
  • Support: Paper
  • Condition: Good condition

L’incisione proviene da Ladies' Wreath an illustrated annual, pubblicato a New York da J.C. Burdick, datato 1852.

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