Good

Showing 193–216 of 1283 results

Capua, Chapel of Death, 1894

10,00 

Capua, Cappella della Morte è una stampa antica realizzata nel 1894, che rappresenta la Cappella della Morte a Ponticelli presso Capua.
Questa xilografia è tratta da The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno in Milan.

  • Sheet size: mm. 120×70
  • Condition: Good condition
  • Support: Paper

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo unico per collezionisti.

Capua, Church of St. Joseph, 1894

10,00 

Chiesa di San Giuseppe, Capua It is a woodcut engraving made in 1894, taken from the volume The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno in Milan.
Questa opera rappresenta la Chiesa di San Giuseppe fuori di Porta Roma e presenta dimensioni di mm. 120×70, con margini assenti. La stampa è stata ritagliata dal libro e presenta scritte sul retro.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Capua, Church of S. Angelo in Formis, 1894

20,00 

Church of Sant'Angelo in Formis It is a woodcut engraving made in 1894, taken from the volume The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno in Milan.
This print offers a fascinating view of the church, with dimensions of mm. 125×170, even if the margins are absent as the print was cut from the book.

  • Sheet size: Small
  • Condition: Good
  • Support: Paper

Capua, Church of S. Angelo in Formis, 1894

20,00 

Capua, Chiesa S.Angelo in Formis it's a old woodcut print realizzata nel 1894, che rappresenta il campanile della Chiesa di Sant’Angelo in Formis.
This work is taken from The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno in Milan.

  • Dimensions: mm. 125×170, margini assenti
  • Condition: Good condition, with writing on the back
  • Support: Paper

Capua, Judges' Square, 1894

10,00 

Capua, Judges' Square It is an old print made in 1894, part of the series The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno.
This woodcut represents an important visual testimony of the city of Capua, with significant architectural and historical details.

  • Sheet size: mm. 120×70
  • Condition: Good condition
  • Support: Paper
  • Notes: No margins, cut from the book, with writing on the back

Capua, Portico of the Church of Sant'Angelo in Formis, 1894

10,00 

Capua, Porticato della Chiesa di Sant’Angelo in Formis è una stampa antica xilografica realizzata nel 1894.
This work is taken from The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno in Milan.

  • Dimensions: mm. 120×70, margini assenti
  • Condition: Good condition, with writing on the back
  • Support: Paper

Edoardo Sonzogno, editore milanese attivo tra il 1836 e il 1929, è noto per la pubblicazione di periodici popolari illustrati e ha collaborato con alcuni dei più stimati illustratori e incisori xilografi dell’epoca.

Capua, Sant'Iorio, where Garibaldi signed the surrender, 1894

35,00 

Capua, Sant’Iorio, ove Garibaldi firmò la resa it's a old woodcut print realizzata nel 1894.
This work is taken from The 100 cities of Italy, un supplemento mensile illustrato del Secolo, edito da Sonzogno a Milano.

  • Sheet size: mm. 250×190
  • Condition: Good condition
  • Support: Paper

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo unico per collezionisti e appassionati di storia.

Capua, Tomb of Garibaldini in Sant'Angelo in Formis, 1894

10,00 

Capua, Tomba di Garibaldini a Sant’Angelo in Formis it's a old woodcut print realizzata nel 1894.
This work is taken from The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno in Milan.

  • Sheet size: mm. 80×110
  • Condition: Good condition
  • Support: Paper

The print was cut from the book and has writing on the back.

Caravaggio, Cristo al Sepolcro, 1838

15,00 

Caravaggio, Cristo al Sepolcro It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.
Questa incisione misura cm. 11×15, con margini più piccoli, ed è stata ritagliata dal libro. La stampa presenta scritte al retro e verrà spedita con l’intera pagina contenente l’incisione.

  • Era: XIX
  • Technique: Burin
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Carl Vernet, Chasse Horse, 19th century

40,00 

Hunting Horse It is a lithograph made by Carl Vernet in the 19th century.
This work depicts an elegant hunting horse, capturing the essence of the nobility and passion for hunting of the time.

  • Sheet size: cm. 12,5×11,5 approx.
  • Support: Cardboard
  • Condition: Good condition, has some creases and a small tear on the right margin

Carlo Finelli, 1854

20,00 

Carlo Finelli, 1854 it's a lithographic printing di dimensioni cm. 14×12 circa, realizzata su un foglio di cm. 30×20.
This work comes from Picturesque Polyorama, un’importante pubblicazione periodica napoletana diretta a diffondere conoscenze utili in tutte le classi sociali.

  • Era: XIX
  • Technique: Lithography
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
Picturesque Polyorama, published from 1836 to 1860 in the Kingdom of the Two Sicilies, dealt with science, technology, art and biographies, making family reading pleasant and profitable.

Carlo Orsolini, Christ and an Angel, 1732

80,00 

Christ and an Angel it is an engraving made by Carlo Orsolini in 1732.
This work, performed in etching on parchment, measures 24x16 cm at the marginal line.
At the bottom left is the inscription “Franc. Bagozzi SS.Filippo e Giacomo” and on the right is the artist's signature “Car.Orsolini 1732”.
The print has two small holes and stains on the verso, making it a rarity of its kind.

  • Sheet size: cm. 24×16 approx.
  • Condition: Good
  • Support: Parchment

Charon, Ary Scheffer, 1856

20,00 

Charon It is a woodblock woodcut made by Ary Scheffer In the 1856.
This work represents the passage through the Styx towards the city of You say, inspired by theHell of Dante.

  • Size of the joke: mm. 220×170
  • Margins: Almost absent
  • Support: Paper
  • Condition: Good

The print was cut from the book The Illustrated London News and has writing on the back.

Carrara, 1877

15,00 

Carrara, 1877 It is a woodcut made by Adolf Closs, which represents a fountain in Carrara.
This work is taken from L'Italy illustrée de 450 engravures sur wood, published in Paris by Hachette in 1877.

  • Sheet size: mm. 130×200
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

Caserta, Esterno del Duomo, 1894

20,00 

Esterno del Duomo di Caserta Vecchia è una stampa antica xilografica realizzata nel 1894.
This work is taken from The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno in Milan.

  • Dimensions: mm. 125×100, margini assenti
  • Condition: Good condition, with writing on the back
  • Support: Paper

Edoardo Sonzogno, editore noto per la pubblicazione di periodici popolari illustrati, ha contribuito significativamente alla scena editoriale dell’epoca, collaborando con stimati illustratori e incisori xilografi.

Caserta, Palazzo Reale, 1845

70,00 

Caserta, Palazzo Reale è una litografia realizzata nel 1845, tratta dall’opera Napoli e le sue vicinanze di Nobile.
Questa opera è stata disegnata da Vianelli e litografata da Zezon, presentando un’affascinante rappresentazione del Palazzo Reale di Caserta.

  • Sheet size: cm. 18×27
  • Engraving size: cm. 14×22
  • Support: Thick paper with white backing
  • Condition: Good, with some stains on the edges

Castellammare, Naples, 1834

25,00 

Castellammare, Naples It is an engraving made in 1834, which represents a fascinating view of the city.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Castellammare, Naples, 1840

35,00 

Castellammare, Naples, 1840 è un’incisione al bulino realizzata da Frommel, che offre una vista suggestiva della città.
This work is part of the volume Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Monforti Castle, eastern view, Campobasso, 1854

25,00 

Monforti Castle, eastern view, Campobasso It is a lithograph made in 1854, which offers a fascinating view of this historic castle.
This print is taken from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli.

  • Sheet size: cm. 30×20 approx.
  • Lithograph dimensions: cm. 9×15 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print has been cut from the book and has writing on the verso; the full page containing the lithograph will be sent.
The Picturesque Polyorama It was an important publication that spread useful knowledge in various fields, from 1836 to 1860, in the Kingdom of the Two Sicilies.

Catania, 1865

20,00 

Catania, 1865 it is a woodcut representing the Elephant Square, taken from Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with approximately 1000 colored municipal weapons and was published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 213×140
  • Support: Paper
  • Condition: Good

The print was cut from the book and has writing on the back.

Catania, Eruption of 1669

30,00 

Catania, Eruption of 1669 It is a burin engraving made in 1835, which represents a significant historical event.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Catania, Elephant Square, 1835

25,00 

Catania, Piazza Elefante It is an engraving made at burin on steel in 1835.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Catania, Market Square, 1835

25,00 

Catania, Piazza mercato It is an engraving made at burin on steel in 1835.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di AUDOT padre, pubblicato tra il 1835 e il 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Palermo Cathedral, 1865

20,00 

Palermo Cathedral It is a woodcut engraving made in 1865, taken from the work Picturesque Emporium, published by Sonzogno in Milan.
This print represents an important view of the cathedral and has the following characteristics:

  • Size of the joke: mm. 240×170
  • Condition: Good
  • Support: Light paper
  • Notes: Almost no margins and writing on the back, partly visible on the back.

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.