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Showing 1153–1176 of 2029 results

Mount St. Michael, France, 1850-60

20,00 

Mount St. Michael, France It is an engraving made between 1850 and 1860, which represents the Royal Yacht off Mont Saint-Michel, inspired by a work by Royal Collection.
This engraving was made using the technique ofEtching and Burin and it is taken from theArt Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Monte Soratte, C.Frommel, 1829

25,00 

Monte Soratte It is an engraving made by Carl Frommel In the 1829.
This work is an etching on medium paper, part of the series 50 Bilder zu Virgils Heneide…, which features engravings of great artistic value.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Montecassino, 1781-1786

60,00 

Montecassino, 1781-1786 it is an engraving representing a view of Monte Cassino in the Kingdom of Naples.
Made by C. Bourgeois and engraved by Guyot, this etching it is part of the work Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, written by the Abbot of Saint-Non between 1781 and 1786.

  • Sheet size: mm. 140×162 approximately, with irregular margins
  • Condition: Perfect state of preservation
  • Support: Paper

This beautiful view is lively and represents an important testimony of 18th century Southern Italy.

Monuments of Brindisi, 1819

25,00 

Monuments of Brindisi It is an engraving made by TO THE CASTELLAN in 1819.
This etching it is part of the work Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Antoine Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Monza, The Cathedral, 1860

35,00 

Monza, The Cathedral it is an engraving made in 1860, representing the famous Monza Cathedral.
This work is a high quality etching, from theAlbum of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Moscow, Russia, Ivan Velikoi's tour, 1850

25,00 

Moscow, Russia, Ivan Velikoi's tour It is an engraving made in 1850, representing the architectural beauty of Moscow.
This small-sized etching is printed on medium-thickness paper with a white back, making the work particularly fascinating.

  • Sheet size: cm. 10×15 approx.
  • Technique: Etching
  • Condition: Excellent condition
  • Support: Paper

Mosciarellaro, acquarello

40,00 

Mosciarellaro it's a beautiful watercolor di squisita fattura, realizzato da un autore anonimo e databile alla prima metà dell’800.
Questo piccolo capolavoro, di dimensioni cm. 7×10 approx., è eseguito su cardboard with white back.
Presenta alcune scritte sull’immagine, ma si trova in ottimo stato di conservazione e i colori sono particolarmente vivi.

  • Sheet size: cm. 7×10 approx.
  • Condition: Excellent state of preservation
  • Support: Cardboard

Moses opens the rock. 1830-1850.Exodus

25,00 

Moses opens the rock It is an engraving made between 1830 and 1850, which represents the famous biblical episode of the Exodus.
This work is taken from the Scripture Gallery of Engraving and it was engraved by J.Rogers with the original illustration of Murillo.
Published by John Tallis & Co. of London and New York, the engraving is characterised by an editorial frame decorated with vignettes.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Moses strikes the rock, N.Poussin, 1846

30,00 

Moses strikes the rock It is an engraving made by Nicolas Poussin in 1846.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Mucca e Vitello, W.French, 1840-50

20,00 

Mucca e Vitello It is an engraving made by W. French between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Engraving size: cm. not specified
  • Support: Medium thickness paper
  • Condition: Excellent condition

In basso a destra è presente la firma di W. French.
William French, artista inglese nato intorno al 1815 e morto nel 1898, ha collaborato con la casa editrice di Albert Henry Payne, incisore e disegnatore, attivo a Lipsia dal 1838.

Mugnone alle Falde di Fiesole, 1826

20,00 

Mugnone alle Falde di Fiesole it is an engraving made by Antonio Verico in 1826.
This work is an etching on copper, taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Augsburg Town Hall, 1724

40,00 

Municipio di Augusta è un’incisione realizzata nel 1724, che rappresenta una vivace veduta della città di Augusta, in Germania.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Murillo, Jacob and Rachel, 1830

70,00 

Murillo, Jacob and Rachel It is an engraving made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a colored aquatint reproducing one of the famous paintings in the gallery.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The verso bears the Haverhill Public Library stamp, making this work not only rare but decorative as well.

Murillo, Saint John the Baptist, 1830

20,00 

Saint John the Baptist It is an engraving made by Murillo, dated between 1830 and 1850.
It represents the Saint John the Child with a lamb, an iconic subject taken from the Scripture Gallery of Engraving.
The engraving was performed by J.Rogers and published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

N. Poussin, A Landscape, 1830

70,00 

N. Poussin, Un Paesaggio è un’acquatinta colorata realizzata nel 1830, che misura cm. 17×23.
Questa opera è montata su un supporto in cartoncino spesso di dimensioni cm. 26×31 circa.

  • Origin: DULWICH GALLERY by R. Cockburn, 1830
  • Stamping: Haverhill Public Library stamp on the back
  • Artist: Ralph Cockburn, pittore ed incisore, primo custode della Galleria
  • Characteristics: Splendida esecuzione tratta da uno dei quadri presenti nella Dulwich Picture Gallery
  • Rarity: Rare and decorative work

N.Berchem, Fording the stream, 1830

70,00 

Wading the stream It is a colored aquatint made by N. Berchem in 1830.
This work, which measures 17x24 cm, is mounted on a thick cardboard support measuring approximately 26x32 cm.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Cardboard

This engraving is from R. Cockburn's DULWICH GALLERY and bears a Haverhill Public Library stamp on the verso.
This is a splendid execution inspired by one of the paintings in the Dulwich Picture Gallery, made by Ralph Cockburn, painter and engraver as well as the first Keeper of the Gallery.
A rare and decorative work.

N.Poussin, The Assumption of the Virgin, 1830

70,00 

The Assumption of the Virgin It is a colored aquatint made by N. Poussin in 1830.
This work, taken from the Dulwich Gallery by R. Cockburn, presents a splendid execution and is one of the paintings exhibited in the Dulwich Picture Gallery.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Nantes, Francia, 1850

25,00 

Nantes, Francia, 1850 It is an engraving made in etching su carta leggera, che offre una splendida veduta della città di Nantes nel XIX secolo.
Questo pezzo è tratto da un libro di metà ‘800 e presenta un’immagine di dimensioni cm. 10×15 approx., rendendolo un’opera di dimensioni Small.

  • Condition: Excellent state of preservation
  • Support: Light paper

Napoleone ad Arcole, 1840

20,00 

Napoleone ad Arcole è un’incisione che ritrae il celebre condottiero Napoleone Bonaparte durante la battaglia di Arcole, realizzata nel 1840.
Questa opera è un esempio significativo dell’arte del XIX secolo, caratterizzata da un’elegante esecuzione in etching.

  • Sheet size: cm. 9×14 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Napoleone al mercato degli innocenti, 1827

20,00 

Napoleone al mercato degli innocenti è un’incisione realizzata nel 1827, che rappresenta un momento significativo della storia.
This work, entitled Napoleon au marché des Innocens, è un’acquaforte di dimensioni cm. 12×10, incollata su cartoncino.

  • Era: 19th century
  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Cardboard

Napoleone I e III, A.H.Payne, 1840-50

20,00 

Napoleone I e III it is an etching made by A.H. Payne between 1840 and 1850.
Questa opera rappresenta una celebrazione storica dei due imperatori e fa parte della pubblicazione Payne's Universum und Buch der Kunst, edita a Lipsia e Dresda.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Medium thickness paper
  • Condition: Excellent condition

Napoli da Capodimonte, 1820

50,00 

Napoli da Capodimonte è un’incisione realizzata in acquatinta nel 1820, che offre una vista suggestiva della città di Napoli dal punto di vista di Capodimonte.
Questa opera anonima cattura una scena vivace e animata, rendendo omaggio alla bellezza del paesaggio napoletano.

  • Sheet size: mm. 275×210 circa
  • Support: Thick paper
  • Condition: Excellent condition

Napoli, Altare Chiesa di Monteoliveto, 1712

25,00 

Napoli, Altare Chiesa di Monteoliveto it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy, German edition by De Rogissart, published in Berlin in the same year.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Bagni di Tritoli, 1712

25,00 

Napoli, Bagni di Tritoli è un’incisione realizzata nel 1712, che rappresenta un affascinante scorcio di Lucrino, nei Campi Flegrei.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

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