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Showing 1393–1416 of 2189 results

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, which represents a significant moment in the work The Divine Comedy by Dante Alighieri.
This etching is part of a volume dedicated to Her Sacred Imperial Majesty Elizabeth Petrovna, Empress of All the Russias, and features a richly detailed illustration.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, which represents an iconic moment of the Divine Comedy by Dante Alighieri.
This work is taken from the volume THE DIVINE COMEDY OF DANTE ALIGHIERI WITH VARIOUS ANNOTATIONS AND COPIOUS COPPERWORKS ADDED, dedicated to Empress Elizabeth Petrovna of all the Russias.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, Angels, 1757

40,00 

Paradise, Dante and Beatrice, Angels It is an engraving made in 1757, which illustrates a significant moment in the Divine Comedy by Dante Alighieri.
This work is part of a volume dedicated to Empress Elizabeth Petrovna of Russia, printed in Venice by Antonio Zatta.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, Faith, 1757

40,00 

Paradise, Dante and Beatrice, Faith it is an engraving made in 1757, part of the famous work The Divine Comedy by Dante Alighieri.
This etching on laid paper measures 20x13 cm at the copperplate edge, on a 28x21 cm sheet.

  • Sheet size: cm. 28×21
  • Engraving size: cm. 20×13
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

This work is dedicated to the Sacred Imperial Majesty of Elizabeth Petrovna, Empress of all the Russias, and was published in Venice by Antonio Zatta.

Paradise, Dante, Beatrice, Jesus, 1757

40,00 

Paradise It is an engraving made in 1757, which represents a significant moment in the Divine Comedy by Dante Alighieri.
This work, dedicated to Empress Elizabeth Petrovna of all the Russias, is an example of 18th-century engraving art.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante, Holy Theology, 1757

40,00 

Paradise, Dante, Holy Theology it is an engraving made in 1757, part of the famous work The Divine Comedy by Dante Alighieri.
This etching is dedicated to Empress Elizabeth Petrovna of all the Russias and features a fine line on laid paper.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paris, Les Tuileries, Paris, 1850

25,00 

Paris, The Tuileries It is an engraving made in 1850, which offers a splendid view of the famous Parisian garden.
This work is an etching on light paper, from a book from the mid-19th century.

  • Image size: cm. 10×15 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Parma, Panorama, 1850

40,00 

Parma, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Parma.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent

Questa incisione è caratterizzata da una rappresentazione nitida e animata della città, perfetta per gli amanti dell’arte e della storia.

Partenone, Parthenon, Atene, Grecia, 1833

25,00 

Partenone, Parthenon, Atene, Grecia It is an etching made in 1833.
Questa opera rappresenta un’importante testimonianza artistica della prima metà del XIX secolo.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Partenza per la guerra, 1750

20,00 

Partenza per la guerra è un’incisione del 1750 che rappresenta tre cavalieri che partono per la guerra, salutando le proprie donne.
Questo affascinante soggetto è accompagnato dalla frase in tedesco ‘Es ritten drei Reuter zum Thor hinaus-Ade!’, che aggiunge un tocco di autenticità storica all’opera.

  • Sheet size: cm. 12×18 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper white back
  • Condition: Excellent state of preservation

Shepherd, 1840

50,00 

Pastore è un’acquaforte acquarellata realizzata nel 1840, taken from the work Costumes of Rome and its surroundings, drawn by various artists and engraved by Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma, presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Pastore, acquarello

40,00 

Pastore it's a beautiful watercolor of exquisite workmanship, created by an anonymous author in the first half of the 19th century.
This little masterpiece, measuring approximately 7x10 cm, is made on cardboard with a white back and features bright colors that enhance its beauty.

  • Sheet size: cm. 7×10 approx.
  • Condition: Excellent state of preservation
  • Support: Cardboard

Paulus Potter (1625-1654), Basan, 1771

30,00 

Paulus Potter (1625-1654) è un’incisione realizzata da Pierre-François Basan nel 1771, parte del volume Record of recorded prints after the tables on the cabinet of Monseigneur le Duc de Choiseul.
Questa opera è un esempio della maestria di Potter, noto per le sue rappresentazioni di animali e paesaggi.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Paulus Potter (1625-1654), Basan, 1771

30,00 

Paulus Potter (1625-1654) è un’incisione realizzata da Pierre-François Basan nel 1771, parte della collezione Cabinet of the Duke of Choiseul.
This work is a etching su carta vergellata, che rappresenta il talento di Potter, noto per le sue opere che ritraggono animali e paesaggi.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Support: Laid paper
  • Condition: Excellent condition

Paulus Potter (1625-1654), Basan, 1771

30,00 

Paulus Potter (1625-1654) è un’incisione realizzata da Pierre-François Basan nel 1771, che fa parte del Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie incisioni basate sui dipinti del Duc de Choiseul, pubblicata a Parigi.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paulus Potter, Basan, 1771

30,00 

Paulus Potter, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise da opere del celebre pittore olandese Paulus Potter, noto per i suoi dipinti di animali e paesaggi.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paulus Potter, Il Toro, 1650, XIX secolo

60,00 

Il Toro è un’incisione realizzata da Amand Durand nel 1831, che riproduce l’opera originale di Paulus Potter del 1650.
Questo capolavoro rappresenta un toro, un soggetto tipico della pittura di Potter, noto per la sua abilità nel ritrarre animali e paesaggi.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Pavia, Certosa, copper etching, 1712

35,00 

Pavia, Certosa It is an engraving made in 1712, using the copper etching technique.
This work is taken from The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 15×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Pavia, Interior of the Certosa 1712

30,00 

Pavia, Interno della Certosa è un’incisione realizzata nel 1712, rappresentante un interno della Certosa di Pavia.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 15×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Pavia, Panorama, 1850

40,00 

Pavia, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Pavia.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18
  • Support: Strong paper
  • Condition: Excellent

Questa incisione si presenta in condizioni perfette, con un retro bianco, e offre una rappresentazione nitida ed animata della città.

Payne’s, 1850, Cinque volti

30,00 

Cinque volti è un’incisione realizzata da Albert Henry Payne nel 1850, incisa per Payne’s Universal Geography.
This work is made with the technique ofetching and burin e presenta dimensioni di circa cm. 18×22 alla battuta.

  • Sheet size: cm. 18×22 approx.
  • Support: Carta vergellata con filigrana corona, corna e G R
  • Condition: Excellent condition

Pazzi Antonio, Portrait of Martino Meytens, 1725

50,00 

Portrait of Martin Meytens It is an engraving made by Crazy Antonio in 1725, in collaboration with Domenico Campiglia.
This portrait depicts the well-known painter Martin Meytens, an important figure of the 18th century.

  • Sheet size: cm. 38×28 approx.
  • Engraving size: cm. 26×17 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Sheep, Lamb, 18th century

20,00 

Pecora, Agnello it is an anonymous engraving dating back to 18th century.
Made in etching on heavy laid paper, questa opera presenta un formato compatto che la rende ideale per collezionisti e appassionati di arte antica.

  • Sheet size: cm. 7×10 approx.
  • Condition: Excellent

Sheep, Anonymous, 18th century

15,00 

Sheep It is an engraving made by an anonymous artist in 18th century.
This work is an example of etching on heavy laid paper, which highlights the artist's mastery.

  • Sheet size: cm. 7x8 approx.
  • Condition: Excellent

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