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Philippes Wouwermens, The Prey, 1786
70,00 €La Preda è un’incisione realizzata da Philippes Wouwermens nel 1786.
Questa opera è un’acquaforte su carta vergellata con filigrana, proveniente dalla Gallery of the Palais Royal, e rappresenta una bella prova con buon contrasto.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Support: Laid paper
- Condition: Excellent
Philips Wouwerman, Basan, 1771
30,00 €Philips Wouwerman, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Philips Wouwerman è stato un rinomato pittore olandese del secolo d’oro, noto per le sue scene di genere e paesaggi.
Philips Wouwerman, Basan, 1771
30,00 €Philips Wouwerman, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Philips Wouwerman (Haarlem, 24 maggio 1619 – Haarlem, 19 maggio 1668) è stato un rinomato pittore e disegnatore olandese del secolo d’oro, noto per le sue opere paesaggistiche e di genere.
Map of Rome, 1791
80,00 €Pianta di Roma, made in 1791, è un’acquaforte su carta vergellata che offre una vista dettagliata della città eterna.
Questa pianta, parte dell’opera Histoire Universelle depuis les commencement du monde jusque a present, pubblicata a Parigi, rappresenta l’evoluzione di Roma dai tempi di Servio Tullio fino alla conquista da parte dei Galli.
- Sheet size: cm. 16×33 alla linea marginale, con margini irregolari di 2-7 cm
- Technique: Etching
- Condition: Excellent
- Support: Laid paper
Ai lati della pianta si trovano le legende dei siti indicati e numerati, rendendo questa opera non solo un documento storico, ma anche un utile strumento di riferimento.
Arezzo Square, 1826
20,00 €Piazza di Arezzo it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
Piazza di S.Maria Novella di Firenze, 1826
20,00 €Piazza di S.Maria Novella di Firenze It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
Piazza di S.Spirito, Firenze, 1826
20,00 €Piazza di S.Spirito, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent condition
Piazza di S.Trinità di Firenze, 1826
20,00 €Piazza di S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent
Piazza e Duomo di Fiesole, 1826
20,00 €Piazza e Duomo di Fiesole it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
Livorno's Piazza Grande, 1826
20,00 €Livorno's main square It is an engraving made by Anthony Verico in 1826, using the technique ofEtching on copper.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
St. Mark's Square, Venice, 1883
40,00 €St. Mark's Square, Venice It is an engraving made in 1883, which portrays one of the most iconic places in Venice.
This etching It is signed by Francesco Guardi and has wide margins, making it a work of great artistic value.
- Sheet size: cm. 28×39
- Size of the joke: mm. 305×200
- Support: Thick paper
- Condition: Excellent
Pier Francesco Mola, Hagar and Ishmael, 1786
70,00 €Hagar and Ishmael it is an engraving made by Pier Francesco Mola in 1786.
This work is an etching on laid paper with watermark, from the prestigious Gallery of the Palais Royal.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
The engraving is dedicated to SAS Monseigneur le Duc d'Orléans and was published by J. Couche in Paris in 1786.
Pier Luigi Gerosa bookplate
20,00 €Pier Luigi Gerosa Exlibris è un’incisione realizzata nel 1988 dall’artista Pier Luigi Gerosa.
Questo exlibris, commissionato dalla BNEL, è un esempio di raffinata tecnica di etching e rappresenta un’opera di grande valore artistico.
- Sheet size: mm. 140×190
- Support: Medium thickness paper
- Condition: Excellent
Pierre Corneille, 1873
30,00 €Pierre Corneille It is a watercolour etching made in 1873, depicting the famous French playwright.
This engraving is part of the volume Oeuvres de P. Corneille, theater complet, published in Paris in 1873.
- Sheet size: cm. 26×17 approx.
- Engraving size: cm. 9×17 approx.
- Support: White backed paper
- Condition: Excellent state of preservation
Pierre Mariette, 8 views of Rome, 18th century
120,00 €8 Vedute di Roma è un insieme di incisioni realizzate da Pierre Mariette nel XVIII secolo, che rappresentano monumenti e rovine iconiche della città eterna.
Le vedute includono il Colosseo, il ponte delle Sabine, la piramide di Cestius, i bagni di Antonino Pio, le rovine del tempio della Pace e le terme di Antonino Pio.
- Sheet size: cm. 18×24 approx.
- Engraving dimensions: cm. 14×20 approx.
- Technique: Etching and burin
- Support: Laid paper
- Condition: Excellent
Cinque delle stampe presentano il titolo in inglese, mentre le altre tre sono in latino, con la dicitura in basso Chez P. Mariette avec Privilege du Roy.
Pierre Moreau, Ships in the Port, ca. 1760
60,00 €Ships in the port It is an engraving made by Pierre Moreau around 1760.
This work, which represents a suggestive scene of moored ships, is executed in etching on laid paper.
- Sheet size: cm. 13×19 approx.
- Support: Glued at the edges to another paper support
- Condition: Excellent condition
Pierre Vander AA, Plan of the city of Nola, 1729
Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the volume Thesaurus antiquitatum et historiarum Italiae.
This map, from Leiden, offers a detailed representation of the city of Nola, located in the province of Naples.
The map includes a legend explaining the various locations, making it not only a work of art, but also an important historical resource.
- Sheet size: cm. 33×25 approx.
- Engraving size: cm. 47×40 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
- Rarity: Extremely rare
Pierre Vander AA, Plan of the city of Nola, 1729
Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the Thesaurus antiquitatum et historiarum Italiae.
This detailed map represents the city of Nola, located in the province of Naples, and was created using the etching technique on laid paper.
- Sheet size: cm. 40×24 approx.
- Engraving size: cm. 18×24 approx.
- Support: Laid paper
- Condition: Excellent
Pieter Neefs (1578-1661), Bashan, 1771
30,00 €Pieter Neefs (1578-1661), Bashan, 1771 It is an engraving made by Pieter Neefs, a Flemish painter known for his architectural church interiors.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the Duc de Choiseul, published in 1771 by Pierre-François Basan.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×21 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Peter Paul Rubens, St. Catherine, 1620, 19th century
60,00 €St. Catherine It is an engraving made by Peter Paul Rubens in 1620, reproduced by Amand Durand in the 19th century.
This work is a significant example of Flemish art, reflecting Rubens' mastery in portraying sacred figures.
- Sheet size: cm. 28×19 approx.
- Engraving size: cm. 23×15 approx.
- Support: Laid paper
- Condition: Excellent
Pieter van der Werff, Bashan, 1771
30,00 €Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent condition
Pieter van der Werff (1665 – 1722) was a Dutch Golden Age painter, known for his collaboration with his brother Adriaen van der Werff.
Pieter van der Werff, Bashan, 1771
30,00 €Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del duca.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 13×10 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Pieter van der Werff (1665 – 1722) è noto come un pittore dell’età d’oro olandese, che ha collaborato con suo fratello Adriaen van der Werff.
Pieter van Laer called Bamboccio, The Servants, 1786
50,00 €Pieter van Laer called the Bamboccio, The Servants It is an engraving made in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
- Taken from: Galerie Du Palais Royal, with works from different schools
- Description: Includes an abbé of the painters' lives and a historical description of each painting, by Mr l'abbé de Fontenai
- Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
- Published by: J. Couche, Paris, 1786
- Condition: Excellent condition, nice proof with good contrast
Pietramarina, (Firenze), 1819
25,00 €Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.
- Size of the joke: mm. 105×140
- Margins: Piccoli margini irregolari
- Back: White
- Condition: Excellent
Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.
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