Excellent

Showing 1513–1536 of 1736 results

Salerno, 1840

30,00 

Salerno, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, un noto paesaggista e litografo francese.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta piccoli margini e si trova in ottime condizioni generali.
Lindemann-Frommel, nato nel 1819 e morto a Roma nel 1891, ha studiato a Karlsruhe e Monaco, trasferendosi poi a Roma nel 1856, dove ha insegnato all’Accademia di Santa Lucia. Le sue opere sono conservate in diversi musei tedeschi, con vedute di Sorrento, Capri e La Spezia.

Salita al Vesuvio, Mattei, 1853

60,00 

Salita al Vesuvio è un’incisione realizzata da Pasquale Mattei nel 1853, caratterizzata da un bulino al delineato acquarellato d’epoca.
This work is taken from the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper, white back
  • Condition: Perfect state of preservation

Salvator Rosa, 1839

15,00 

Salvator Rosa It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.

  • Sheet size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent

La stampa verrà spedita nella pagina intera che la contiene.

Salvator Rosa, Three Peasants, Figurine, 18th century

75,00 

Tre contadini It is an engraving made by Salvator Rosa nel XVIII secolo, appartenente alla serie Various figures or Figurines.
This work is characterized by a etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine.

  • Monogram: RS con lettere intrecciate in basso a sinistra
  • Numero: 24 in basso a destra
  • Condition: Excellent state of preservation
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)

Sampiero of Bastelica, 1839

15,00 

Sampiero of Bastelica It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, measuring 16x12 cm, has almost no margins and is contained within the book page, with writing on the back.

  • Sheet size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

Sampiero Corso, also known as Sampiero di Bastelica, was an important Italian mercenary and soldier, considered a patriot for his role in calling for the independence of Corsica from Genoa.

Saint Celsus, Julian, Marcionilla, Basilissa, 1800

25,00 

Saint Celsus, Julian, Marcionilla, Basilissa it is an engraving made in 1800 by Gio Petrini.
This work, performed with the technique ofburin etching, has a size of cm. 10×14 and it is printed on medium thickness paper without watermark.

  • Condition: Excellent condition
  • Back: White
  • Price: €25,00

Saint Cajetan, 1800

20,00 

Saint Cajetan It is an engraving made in 1800, which represents an important religious figure.
This work is made in Etching and Burin and measure 60×70 mm on a sheet of paper 200×140 mm.

  • Era: 19th century
  • Condition: Excellent condition
  • Support: Laid paper without watermark

St. John the Baptist, 1839

15,00 

Saint John the Baptist It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.
The full page containing the print is shipped, offering a piece of artistic history of great value.

  • Sheet size: cm. 8x9 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Saint Pius V, 1854

20,00 

Saint Pius V it's a lithographic printing made in 1854, taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print, measuring approximately 16x16 cm on a 30x20 cm sheet, was cut from the book and features writing on the back. The entire page containing the print is sent, thus offering a piece of history of the culture of the Kingdom of the Two Sicilies.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 16×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Sanluri, Cagliari, 1835

20,00 

Sanluri, Cagliari, 1835 è un’incisione in rame realizzata da E. Rouargue.
Questa opera rappresenta tipici contadini nei costumi locali, con la cittadina di Sanluri visibile in alto, rendendola molto decorativa.

  • Sheet size: cm. 11×8.5 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Saint Cecilia, 1850

15,00 

Saint Cecilia It is an engraving made in 1850, using the techniques of theetching and of the burin.
This work measures cm. 8,5×12 and is printed on medium-thickness paper, without watermark and with a white back.

  • Condition: Excellent condition
  • Price: €15,00

Saint Cecilia, 1850

15,00 

Saint Cecilia It is an engraving made in 1850, which represents the figure of Saint Cecilia, patron saint of music.
This work is made in burin etching and measure cm. 7×11.

  • Support: Medium thickness paper without watermark
  • Back: White
  • Condition: Excellent condition

Santa Croce, Canivet, 1870-80

15,00 

Santa Croce, Canivet è un’opera realizzata tra il 1870 e il 1880, rappresentante un soggetto sacro di grande significato.
Pubblicato dalla casa editrice Bestault a Parigi, Francia, questo canivet è caratterizzato da una tecnica tipografica di alta qualità, con un bordo traforato al punzone che ne esalta l’estetica.

  • Dimensions: cm. 6,5×9,5
  • Condition: Perfect
  • Support: Paper
  • Prayer: Yes
  • Serial number: PL.184

Santa Maria Czestochowskiey, 1830-50

10,00 

Santa Maria Czestochowskiey è un’incisione realizzata tra il 1830 e il 1850, raffigurante la Madonna.
Questa opera, di origine austriaca, è caratterizzata da una tecnica di siderografia su pizzo traforato, che conferisce un aspetto unico e delicato all’immagine sacra.

  • Sheet size: cm. 7,5×11,5 circa
  • Condition: Excellent condition
  • Support: Paper

Saint Veronica, Turgis, 1830-50

20,00 

Saint Veronica it is an engraving made by L. Turgis jeune between 1830 and 1850.
This work, which represents the subject of Saint Veronica, is an example of high quality monochrome etching.

  • Sheet size: cm. 6×10 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Country of origin: France, Paris
  • Serial number: 516
  • Prayer: Yes

Santino antico, Gesù, XIX sec.

20,00 

Santino antico di Gesù dating back to 19th century.
Questo santino è realizzato con un offset su cartoncino merlettato a punzone meccanico, presentando un’immagine sacra di grande impatto visivo.

  • Dimensions: cm. 11×8 approx.
  • Condition: Excellent condition

Ancient holy card, The Cross, on a wafer, 19th century.

30,00 

Ancient holy card, The Cross It is a fascinating work dating back to the 19th century.
This dog measures approximately cm. 11×8 and features applications of small fake flowers on wafers.
The edges are richly punched, making this artifact rare and highly valuable.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Ancient holy card, Floral motifs, 19th century

15,00 

Santino antico con motivi floreali dating back to 19th century.
Questo santino merlettato, che ricorda un arazzo, presenta un’elegante decorazione floreale.

  • Sheet size: cm. 11×6 approx.
  • Condition: Excellent condition
  • Support: Paper

Ancient holy card, St. Teresa of Jesus, 19th century.

30,00 

Ancient holy card of St. Teresa of Jesus dating back to 19th century.
This work is made with the technique of Colored burin and has dimensions of approximately cm. 11×7.
Lamarche Edition in Paris.

  • Condition: Excellent condition
  • Back: Prayer in Spanish

Santuri, Sassari, 1839

20,00 

Santuri, Sassari, 1839 è un’incisione in rame realizzata da Segoni, tratta dall’opera Picturesque Omnibus, una enciclopedia artistica e letteraria pubblicata a Napoli nel 1839.
Questa bella veduta decorativa misura cm. 12×8, con margini più piccoli, ed è stata ritagliata dal libro, presentando scritte al retro. La stampa viene fornita completa di passepartout, rendendola ideale per l’esposizione.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Sardinia, Southern Costumes, 1835

20,00 

Sardinia, Southern Costumes it is an engraving made in 1835 by Chasselat, with the collaboration of Audot and Rouargue.
This work depicts typical Sardinian farmers in their traditional costumes, offering a fascinating glimpse into the culture and traditions of Southern Italy.

  • Sheet size: cm. 11×8,5 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Sarzana, 1833, La Magra

25,00 

Sarzana, 1833 – La Magra It is a steel engraving made by J.D. Harding, taken from The Landscape Annual, published in London in 1833.
Questa suggestiva veduta offre una rappresentazione nitida e ben contrastata del paesaggio, animata da dettagli vivaci.

  • Sheet size: mm. 140×95 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Sarzana, The Thin, 1833

30,00 

Sarzana, The Thin It is a steel engraving made by J.D. Harding in 1833, taken from The Landscape Annual, published in London.
This evocative view presents a clear and well-contrasted image, animated by landscape elements typical of the period.

  • Sheet size: cm. 12×19 approx.
  • Size of the joke: mm. 140×95 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Sassari and Oristano, 1834-1837

30,00 

Sassari and Oristano It is a double steel engraving made between 1834 and 1837.
This work is taken from Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Dimensions of each engraving: cm. 11×8 approx.
  • Support: Lightweight paper, white back
  • Condition: Excellent state of preservation

The views are lively and decorative, making this work a fascinating piece for collectors and enthusiasts.

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