Excellent

Showing 1561–1584 of 1736 results

Shakespeare, 1839

20,00 

Shakespeare è un’incisione realizzata da Morghen nel 1839, rappresentante un mezzobusto del celebre drammaturgo.
This work is taken from The Picturesque Omnibus, published in Naples.

  • Sheet size: cm. 11×12 approx.
  • Engraving size: cm. 11×12 approx.
  • Support: Copper
  • Condition: Excellent

Siena, The Cathedral, 1835

25,00 

Siena, Il Duomo It is a copper engraving made in 1835, che rappresenta uno dei simboli architettonici più importanti della città di Siena.
This work is taken from The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs by C. Strahlheim, published in Frankfurt am Main.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Siena, Cathedral Library, 1834-1837

25,00 

Siena, Libreria della Cattedrale It is a steel engraving made between 1834 and 1837.
This work, taken from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe di Audot Père, offre una veduta animata e decorativa della storica libreria.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Siena, Cathedral Square, 1856

40,00 

Siena, Cathedral Square it is a very fine burin engraving made in 1856.
This work was produced by Rouargue freres and is part of the volume Picturesque voyage in southern Italy, written by M. Paul De Musset and published in Paris by Morizot editeur.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Heavy paper
  • Condition: Perfect condition

Siena, San Giovanni, 1834-1837

25,00 

Siena, St. John It is a steel engraving made between 1834 and 1837, which offers a lively and decorative view of the city.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Syracuse, 1840

20,00 

Syracuse, 1840 It is a watercolour copper engraving that offers a fascinating view of the historic Sicilian city.
This work is taken from The picturesque Omnibus and has dimensions of 100x80 mm, with no margins.

  • Sheet size: mm. 100×80
  • Support: Paper
  • Condition: Excellent
  • Notes: The print was cut from the book and has writing on the back.

A beautiful decorative view that enriches any collection.

Syracuse, Amphitheatre and City, 1834

30,00 

Syracuse, Amphitheatre and City It is a burin engraving made in 1834, which offers a splendid view of the amphitheatre and the city of Syracuse.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De NORVINS and C. NODIERS, published in Paris in 1834.

  • Sheet size: mm. 180×115 plus margins
  • Engraving size: mm. 180×115
  • Support: Light paper
  • Condition: Perfect state of preservation

Syracuse, Timoleon's Country House, 1835

25,00 

Syracuse, Timoleon's Country House It is an engraving made in 1835, using the technique of burin on steel, with manual watercolouring.
This work represents a fascinating view of the Syracusan countryside, evoking the atmosphere of the period.

  • Sheet size: mm. 142×95
  • Condition: Excellent
  • Support: Steel

Syracuse, Dionysius, Latomie, 1835

30,00 

Syracuse, Dionysus, Latomie It is a double copper engraving made in 1835.
This work represents the Ear of Dionysius and the Latomie, and is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 270×160
  • Engraving size: mm. 90×105 for each
  • Support: Medium paper
  • Condition: Perfect state of preservation

Syracuse, Epipoli, 1835

20,00 

Syracuse, Epipoli It is a burin engraving made in 1835, which represents a fascinating view of the Souterrain des Epipoles.
This work is taken from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and has a frame size of 132x90 mm, excluding margins.

  • Sheet size: mm. 132×90 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Syracuse, Arethusa Fountain, 1835

20,00 

Syracuse, Arethusa Fountain It is a burin engraving on steel made in 1835.
This work is taken from Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and features a beautiful animated view of the famous fountain.

  • Sheet size: mm. 132×90 plus margins
  • Engraving size: mm. 132×90
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Syracuse, Ciane Spring, 1835

20,00 

Syracuse, Ciane Spring It is a burin engraving made in 1835.
This work offers a beautiful view of the Ciane Spring, and is taken from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Sheet size: mm. 130×90 plus margins
  • Technique: Burin
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Syracuse, Temple of Minerva, 1835

20,00 

Syracuse, Temple of Minerva It is a burin engraving made in 1835, which offers a splendid view of the famous temple.
This work is taken from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and has a frame of 132x90 mm, excluding margins.

  • Sheet size: mm. 132×90 approx.
  • Technique: Burin
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Syracuse, Temple of Minerva, 1835

20,00 

Syracuse, Temple of Minerva It is a burin engraving made in 1835, which offers a splendid view of the interior of the Temple.
This work is taken from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and has a frame size of 90x130 mm, excluding margins.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Lightweight paper with white backing

Sixtus IV, 1839

20,00 

Sisto IV It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
Questa stampa, con margini quasi assenti, è contenuta nella pagina del libro e presenta scritte al verso. Sarà spedita l’intera pagina che contiene la stampa.

  • Sheet size: cm. 12×10 approx.
  • Support: Paper
  • Condition: Excellent

Sisto IV, nato Francesco della Rovere, è stato il 212º papa della Chiesa cattolica dal 1471 alla sua morte nel 1484.
È noto per essere il papa da cui prende il nome la Cappella Sistina, che sarà affrescata da Michelangelo durante il papato del nipote Giulio II.

Soldato con Bambino, Disegno a matita, XIX sec.

80,00 

Soldato con Bambino è un raffinato disegno a matita realizzato da Theodore Hildebrandt nel XIX secolo.
Questa opera, di ottima fattura, è eseguita su carta di medio spessore e non presenta filigrana.

  • Sheet size: cm. 12×13 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Soldier, Genre Scene, 1850

20,00 

Soldier, Genre Scene It is an engraving made in 1850, representing a scene of everyday life.
This small engraving, measuring approximately 8×11 cm, is characterised by narrow margins and a white back.

  • Excellent workmanship: The characters are perfectly outlined, comparable to high quality miniatures.
  • Versatility: it can be framed and considered a precious furnishing accessory.

Solfatara, Pozzuoli, 1840

30,00 

Solfatara, Pozzuoli è un’incisione in acciaio realizzata intorno al 1840, che offre una bella veduta animata dei Campi Flegrei, con lo sfondo del Smoking Vesuvius.
This work is taken from Meyer's Universe e rappresenta un’importante testimonianza della bellezza naturale della regione.

  • Sheet size: cm. 18×25 approx.
  • Engraving size: mm. 100×155 circa
  • Support: Paper
  • Condition: Excellent

​Soliloquy, terracotta by Ettore Ximenes, 1886

30,00 

Soliloquio è una terracotta realizzata da Ettore Ximenes nel 1886, pubblicata nell’opera The Italian Illustration from the Treves Editors of Milan.
Questa incisione presenta un’immagine di dimensioni cm. 16×25, con scritte decorative attorno e annotazioni al retro del foglio.

  • Sheet size: cm. 16×25 approx.
  • Support: Paper
  • Condition: Excellent

Sora, 1835

20,00 

Sora, 1835 It is an engraving made with the technique of burin su acciaio, datata 1835.
Questa opera rappresenta l’Isola di Sora ed è parte della bibliografia: Histoire et description de tous les peuples, Artaud, 1835, Paris, Firmin Didot Freres Editeurs.

  • Size of the joke: mm 95 x 132
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Soracte, Monte Oreste, 1829

35,00 

Soracte, Monte Oreste è un’incisione a bulino realizzata nel 1829, che rappresenta una suggestiva veduta del Monte Soratte, una montagna del Lazio.
La sua forma e la posizione centrale nella valle del Tevere hanno da sempre stimolato la fantasia e la curiosità degli osservatori.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper
  • Condition: Excellent

Soratte, 1850

30,00 

Soratte It is a burin engraving made in 1850 da Finden.
Questa opera presenta una bella veduta del monte Soratte e del ponte, animata e dettagliata.

  • Sheet size: mm. 135×94 circa
  • Condition: Excellent
  • Support: Medium paper with white back

Sorrento, Tasso's House, 1835

35,00 

Sorrento, Tasso's House it is a double burin engraving made in 1835, which represents a view of Tasso's house.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 240×160
  • Engraving size: mm. 80×110 each
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Perfect state of preservation

Sorrento, 1829

40,00 

Sorrento, 1829 It is a watercolour copper engraving, made in 1829.
This suggestive view of Sorrento is part of the work Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 22×13 approx.
  • Engraving size: mm. 107×75 approx.
  • Support: Medium paper, white back
  • Condition: Excellent condition

This engraving is very decorative and represents a fascinating piece of artistic history.

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