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Showing 1969–1992 of 4785 results

The Monk and Death, Deuchar, 1803

50,00 

The Monk and Death It is an engraving made by David Deuchar in 1803, inspired by the famous theme of the Dance of Death.
This work comes from the volume The Dances of Death through the various stages of human life, with the original drawings by Hans Holbein.

  • Sheet size: cm. 20×16 approx.
  • Engraving size: cm. 11×9 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Mount Erice, Trapani, 1889

20,00 

Il monte Erice, Trapani it's a woodblock print realizzata nel 1889, che rappresenta il famoso monte Eryx.
This work is taken from the volume Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.

  • Sheet size: cm. 10×8 approx.
  • Margins: almost absent
  • Support: Carta, ritagliata dalla pagina del libro
  • Condition: Ottima, con retro scritto

Il Mosè di Michelangelo, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 20×15 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Moses, 1839

15,00 

The Moses It is an engraving made in 1839, from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This small copper engraving has almost no margins and includes writing on the verso. The print is contained within the book page and will be shipped with the full page that hosts it.

  • Sheet size: cm. 12×7 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

The Miller, 19th century woodcut

25,00 

Il Mugnaio it's a woodcut dell’800, ispirata a una stampa satirica antica del XVII secolo.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

The Miller, 19th century woodcut

25,00 

Il Mugnaio it's a woodcut from the 19th century, inspired by an old 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Miller, 19th century woodcut

25,00 

Il Mugnaio it's a woodcut dell’800, proveniente da una stampa satirica e umoristica antica.
This work is taken from a text from the late 19th century and features text around and on the back.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Mill of Dissent, 19th century woodcut

25,00 

Il Mulino del Dissenso it's a woodcut dell’800, ispirata a una stampa satirica del XVII secolo contro gli Ugonotti.
Questa incisione è tratta da un testo della fine dell’800 e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

The Mule of Massa, F.Palizzi, 1853

60,00 

The Mule of Massa It is an engraving made by F. Palizzi In the 1853.
This work, performed with the technique of Burin to the watercolor outline, it is printed on medium paper with white back.

  • Sheet size: cm. 17×25
  • Condition: Excellent state of preservation
  • Signed on the plate: Fil.Palizzi dis., inc. Igino Oruvasfan
  • Work taken from: Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard, 1853

This engraving is not an anastatic copy.

Il muratore e la lavandaia

25,00 

Il Muratore e la Lavandaia è una xilografia dell’800, proveniente da un’antica stampa.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 12×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Il naufrago, W.French, 1850

20,00 

Il Naufrago è un’incisione realizzata da W. French nel 1850, rappresentante un solitario naufrago pensieroso.
Questa opera è stata pubblicata da Verlag d. Englischen Kunstastalt A.H. Payne, Leipzig & Dresden.

  • Size of the joke: mm 175×150 più margini
  • Technique: Burin
  • Condition: Good state of preservation
  • Support: Medium engraving paper

​The North America, steamship, 1886

30,00 

The North America, steamship It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work features an image of cm. 11×16, with decorative writings around and annotations on the back of the sheet.

  • Sheet size: cm. 11×16 approx.
  • Support: Paper
  • Condition: Excellent

Il paludano, Duclere, 1853

60,00 

Il Paludano è un’incisione realizzata nel 1853, firmata in lastra da Duclere e incisa da Di Bartolo.
This burin al delineato acquarellato d’epoca è tratto dall’opera Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Condition: Perfect state of preservation
  • Support: Medium paper, white back

Il Paniere, Costumi napoletani, 1884

25,00 

Il Paniere, Costumi napoletani It is a woodcut engraving made in 1884 by Rudolf Kleinpaul.
This work is part of the volume Naples and its surroundings e presenta una scena vivace della vita napoletana.

  • Sheet size: cm. 16×6 circa
  • Support: Paper
  • Condition: Excellent

The hairdresser, 19th century woodcut

25,00 

Il Parrucchiere è una xilografia dell’800, proveniente da una stampa antica del XIX secolo.
Questa incisione è tratta da un testo della fine dell’800 e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 12×11 approx.
  • Support: Paper
  • Condition: Excellent

The page will be shipped in its entirety, containing the print extracted from the book.

The hairdresser, 19th century woodcut

25,00 

Il Parrucchiere è una xilografia dell’800, proveniente da una stampa antica.
Questa incisione, tratta da un testo della fine dell’800, presenta un testo attorno e al verso.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Pastry Chef, 19th century woodcut

25,00 

The Pastry Chef it's a woodcut from the 19th century, inspired by an old 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
The print will be shipped as a full page, extracted from the book.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Pastry Chef, 19th century woodcut

25,00 

The Pastry Chef it's a woodcut from the 19th century, inspired by an old 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Original Sin, Michelangelo, 1877

15,00 

The original sin it is a woodcut made by Michelangelo in 1877.
This work is taken from the volume L'Italy illustrée de 450 engravures sur wood, edited by Gourdault Jules and published in Paris by Hachette.

  • Sheet size: mm. 130×65
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

Il Pescatore, A.H.Paynes, 1850

20,00 

The Fisherman It is an engraving made by AH Payne in 1850.
This work, also known as The Fisherman, è un’acquaforte su carta spessa che presenta un’accurata rappresentazione del tema marittimo.

  • Engraving size: cm. 12×17 approx.
  • Condition: Excellent condition
  • Support: Thick paper

Il Pittore nel suo studio, 1840

20,00 

Il Pittore nel suo studio è un’incisione realizzata nel 1840, che cattura l’essenza della creatività artistica.
This work is a etching di dimensioni contenute, perfetta per gli amanti dell’arte e della storia.

  • Sheet size: cm. 15×12 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Il Pittore nel suo studio, 1840

20,00 

Il Pittore nel suo studio è un’incisione realizzata nel 1840, che cattura l’essenza della creatività artistica.
This work is a etching di dimensioni contenute, perfetta per gli amanti dell’arte e della storia.

  • Sheet size: cm. 15×12 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Il Pittore perplesso, 1850

15,00 

Il Pittore perplesso è un’incisione realizzata nel 1850, che cattura l’attenzione per la sua espressione artistica unica.
This work is made with the technique ofEtching and burin su carta di medio spessore, presentando dimensioni dell’incisione di cm. 7×8, con margini più piccoli.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The Plane Tree by Godfrey of Bouillon, 1840

20,00 

The Plane Tree by Godfrey of Bouillon It is a copper engraving made in 1840, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, measuring 13x16 cm, has small margins and was extracted from a book, with the verso printed.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

The entire page containing the print will be sent.

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