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Showing 1993–2016 of 4785 results

The Devil's Bridge, on the Gotthard, 1875

20,00 

The Devil's Bridge on the Gotthard It is an engraving made in 1875, part of the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden.
This woodcut has a format of cm. 20×11 and includes smaller margins, with printed back.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Il Ponte di Carignano a Genova, 1837

20,00 

Il Ponte di Carignano a Genova è un’incisione in xilografia realizzata nel 1837.
This work is taken from Pictorial Cosmorama, una rivista che ha avuto un ruolo significativo nella diffusione delle illustrazioni artistiche nel XIX secolo.

  • Sheet size: cm. 20×14 approx.
  • Support: Paper
  • Condition: Buone condizioni, con scritte al retro in parte visibili

La stampa, ritagliata dal libro, viene spedita completa di passepartout e rappresenta una bella veduta decorativa di Genova.

Il Ponte di Cassano sull’Adda, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 12×16 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

The Water Carrier, F.Palizzi, 1853

60,00 

The Water Bearer It is an engraving made by Philip Palizzi in 1853, performed with the technique of Burin and enriched with a delicate watercolor.
This work is part of the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

The print has a slight imperfection in the title part, but it is a unique piece and not an anastatic copy.
It represents a moment of daily life, with a galloping horse carrying sea or spring water, used for personal baths.

The Port of Palermo Woodcut 1847

15,00 

The Port of Palermo It is a woodcut made in 1847, which offers a suggestive view of the port of the city of Palermo.
This piece is taken from the Picturesque Store of 1847, an important publication of the time.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Light paper
  • Condition: Excellent

The Prefect in a large suit, 1850

30,00 

The Prefect with a big dress It is a hand-colored lithograph, made in 1850.
This work is taken from Les Français croqués par eux-mêmes, a series that offers a humorous and satirical look at French society.

  • Sheet size: cm. 20×15 approx.
  • Support: Thick paper, glued to another paper support
  • Condition: Excellent

Il re cieco, 1840

20,00 

Il Re Cieco è una litografia realizzata nel 1840, che rappresenta un’opera significativa del XIX secolo.
Questa stampa, intitolata Le Roi aveugle, è caratterizzata da un formato compatto e dettagliato.

  • Sheet size: cm. 15×12 approx.
  • Support: Cardboard
  • Condition: Excellent condition

The King and the Subject, 1850

30,00 

The King and the Subject It is a hand-colored lithograph with watercolor, made in 1850.
This small-sized work presents a humorous and satirical print that reflects the dynamics between power and subjection.

  • Sheet size: cm. 24×18 approx.
  • Support: Thick paper, glued to another paper support
  • Era: 19th century
  • Condition: Excellent

Il Riposo, 1840

20,00 

Il Riposo è un’incisione realizzata nel 1840, rappresentante un momento di tranquillità e riflessione.
Questa opera è un’acquaforte di dimensioni contenute, perfetta per collezionisti e appassionati di arte del XIX secolo.

  • Sheet size: cm. 15×12 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Il Riposo, 1840

20,00 

Il Riposo è un’incisione realizzata nel 1840, rappresentante un momento di tranquillità e riflessione.
Questa opera è un’acquaforte di dimensioni contenute, perfetta per collezionisti e appassionati di arte del XIX secolo.

  • Sheet size: cm. 15×12 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Il ritorno dai campi, 1856

20,00 

Il ritorno dai campi it's a lithographic printing built in 1856.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 12×20 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Il Romitorio del Vesuvio, 1839

15,00 

Il Romitorio del Vesuvio It is an engraving made in 1839, from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione in rame, di dimensioni contenute, presenta margini quasi assenti e contiene scritte al verso. La stampa viene fornita con la pagina intera del libro, offrendo un pezzo autentico della storia artistica napoletana.

  • Sheet size: cm. 7×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Il sacrificio di Manoah. Acquaforte1830-1850

25,00 

Il Sacrificio di Manoah è un’incisione realizzata da J. Rogers, sotto la direzione di W. Hamilton, tra il 1830 e il 1850.
This work is taken from the Scripture Gallery of Engraving ed è pubblicata da John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent state of preservation, with editorial frame and vignettes

Il Salvataggio, 1850

20,00 

Il Salvataggio è un’incisione realizzata nel 1850, che combina la tecnica dell’acquaforte e del bulino.
This work, of small dimensions, measures cm. 13×15 senza margini e presenta un retro bianco.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Medium thickness paper

Il sarto ambulante, xilografia dell’800

25,00 

Il Sarto Ambulante è una xilografia dell’800, proveniente da una stampa antica.
Questa opera è tratta da un testo della fine del XIX secolo e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 11×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Il Sarto, 1850

20,00 

The Tailor It is a lithograph made in 1850, rappresentativa dell’arte del XIX secolo.
This work, of dimensions cm. 27×18, is printed on thick paper and is glued onto another paper support.

  • Sheet size: cm. 27×18 approx.
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Other

The tailor, 19th century woodcut

25,00 

The Tailor it's a woodcut humorous 19th century joke, based on a late 19th century text.
This antique print features a vivid and detailed illustration, with text surrounding it and also found on the verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The page will be shipped in its entirety, containing the print extracted from the book.

The tailor, 19th century woodcut

25,00 

The Tailor è una xilografia dell’800 che rappresenta una boutique di sarto olandese.
This work is taken from an old 17th century print and comes from a text from the late 19th century.

  • Engraving size: cm. 9×8 approx.
  • Sheet size: cm. 27×18 approx.
  • Support: Paper
  • Condition: Excellent

La pagina intera, contenente la stampa, verrà spedita estratta dal libro.

The Soldier and Death, Deuchar, 1803

50,00 

The Soldier and Death It is an engraving made by David Deuchar in 1803, inspired by the famous theme of the Dance of Death.
This work comes from the volume The Dances of Death through the various stages of human life, with the original drawings by Hans Holbein.

  • Sheet size: cm. 20×16 approx.
  • Engraving size: cm. 11×9 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Il Taglialegna, xilografia dell’800

30,00 

Il Taglialegna è una xilografia dell’800, proveniente da una stampa antica.
Questa opera è acquarellata e tratta da un testo della fine dell’800.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Il tavernaio, Duclere, 1853

60,00 

Il Tavernaio è un’incisione realizzata nel 1853 da Duclere, caratterizzata da un bulino al delineato acquarellato su carta media.
Questa opera è firmata in lastra e proviene dal volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Condition: Perfect state of preservation
  • Support: Medium paper, white back

The Temple of S. Fedele in Milan, 1837

20,00 

The Temple of S. Fedele in Milan It is a woodcut engraving made in 1837, which offers a beautiful decorative view of the historic Milanese church.
This print was extracted from the magazine Pictorial Cosmorama, published in the third year of its edition.

  • Printed part dimensions: cm. 11×16
  • Margins: almost absent
  • Condition: Excellent, with writing on the back partly visible
  • Support: Card, shipped complete with passepartout

Pictorial Cosmorama It was an innovative magazine for its time, founded by Giovanni Francesco Zini and directed by Giuseppe Sacchi, who gave great importance to illustrations.
This engraving represents a significant piece of Milanese artistic history.

Il Tessitore, xilografia dell’800

25,00 

Il Tessitore It is a 19th century woodcut, made by Jost Amman.
Questa opera è tratta da un testo della fine dell’800 e presenta un’incisione di dimensioni cm. 8×6 circa, su un foglio di cm. 27×18.
La stampa include testo attorno e al verso, e verrà spedita la pagina intera, estratta dal libro.

  • Sheet size: cm. 27×18
  • Engraving size: cm. 8×6
  • Support: Paper
  • Condition: Excellent state of preservation

Il Tipografo, xilografia dell’800

25,00 

Il Tipografo it's a woodcut satirica dell’800, che rappresenta un tipografo vestito di lettere.
Questa stampa è tratta da un testo della fine dell’800 e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent

The page will be shipped in its entirety, containing the print extracted from the book.

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