XVIII

Showing 121–144 of 516 results

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools

25,00 

Diderot and D'Alembert it is an engraving made by Fortunato Bartolomeo De Felice in 1771, published in 1778.
This work is part of the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, a fundamental work for the diffusion of knowledge in the 18th century.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

This engraving is an interesting example of typography, highlighting the tools used by printers of the time. His edition, known as the Encyclopedie d'Yverdon, is distinguished by a less French and less anti-religious approach than the original by Diderot and D'Alembert, earning it the nickname of Protestant encyclopedia and a notable circulation in Northern Europe.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.3

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema delle arti e mestieri, in particolare il lavoro del tipografo.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.4

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema delle arti e mestieri, in particolare il lavoro del tipografo.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

Questa incisione, realizzata nel 1771 e tirata nel 1778, è nota per la sua diffusione nel Nord Europa, grazie alla sua natura meno francese e meno antireligiosa rispetto all’originale di Diderot e D’Alembert.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.5

25,00 

Diderot and D'Alembert, 1778 It is an engraving made by Fortunate Bartholomew De Felice, part of the work Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione, che rappresenta il tema degli arti e mestieri, è nota per la sua importanza storica e culturale.

  • Sheet size: cm. 24×18
  • Engraving size: unspecified
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)
  • Technique: Etching

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, curata da De Felice, nota come Yverdon Encyclopedia.
Questa edizione, meno influenzata dal pensiero francese e antireligioso, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.6

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che rappresenta gli utensili per la stampa, parte della celebre Encyclopédie ou Dictionnaire Universel Raisonné des connaissances.
Made by Fortunate Bartholomew De Felice, questa opera è un esempio significativo della tipografia del XVIII secolo.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

Questa incisione è nota per la sua importanza storica, essendo parte dell’edizione dell’Enciclopedia curata da De Felice, che si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert, guadagnandosi il soprannome di Protestant encyclopedia e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.7

25,00 

Diderot and D'Alembert, 1778 è un’incisione realizzata da Fortunato Bartolomeo De Felice, parte della celebre Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa opera rappresenta un’importante testimonianza degli arti e mestieri, in particolare del lavoro del tipografo e degli utensili per la stampa.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

L’incisione è stata realizzata con la tecnica dell’etching e fa parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, pubblicata in Svizzera. Questa edizione, meno influenzata dal pensiero francese e antireligioso, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.

Doge, Venetian Costumes, 1724

40,00 

Doge, Venetian Costumes It is an engraving made in 1724, which offers a beautiful animated view of Venetian costumes.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Passion Sunday, Life of Jesus, 1750-1800

15,00 

Domenica di Passione, Vita di Gesù è un’incisione realizzata tra il 1750 e il 1800, che rappresenta un momento significativo della vita di Gesù.
Questa opera, di origine francese, è realizzata con la tecnica dell’colored etching, un metodo che consente di ottenere dettagli raffinati e una gamma di colori vivaci.

  • Sheet size: cm. 5,5×8 circa
  • Condition: Excellent
  • Support: Paper
  • Notes: Bordi rifilati

Passion Sunday, Life of Jesus, 1750-1800

15,00 

Domenica di Passione, Vita di Gesù è un’incisione realizzata tra il 1750 e il 1800, che rappresenta un momento significativo della vita di Gesù.
Questa opera, di origine francese, è realizzata con la tecnica dell’colored etching, un metodo che consente di ottenere dettagli raffinati e una gamma di colori vivaci.

  • Sheet size: cm. 5,5×8 circa
  • Condition: Excellent
  • Support: Paper
  • Notes: Bordi rifilati

Women and Costumes of Augsburg, 1724

40,00 

Women and costumes of Augusta It is an etching made in 1724, which represents a lively view of the city of Augsburg in Germany.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×27 approximately, plus irregular margins
  • Technique: Etching
  • Support: Laid paper with watermark
  • Condition: Good, it has two editorial folds

Women and Costumes of Nuremberg, 1724

40,00 

Women and costumes of Nuremberg It is an engraving made in 1724, which offers a lively representation of daily life in Nuremberg, Germany.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×27 approximately, plus irregular margins
  • Engraving size: cm. 16×27 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Good condition, has two editorial folds

Duke De Choiseul, Bashan, 1771

30,00 

Duke of Choiseul It is an engraving made by Pierre-François Basan in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the famous collector.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Dujardin or Du Jardin Karel, Bashan, 1771

30,00 

Dujardin o Du Jardin Karel It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This work is a etching su carta vergellata, che misura alla battuta circa cm. 14×12 su un foglio di cm. 30×20.

  • Author: Karel Dujardin, pittore e incisore olandese
  • Era: 18th century
  • Condition: Excellent condition
  • Support: Laid paper
  • Dimensions: Small

Dujardin or Du Jardin, Bashan, 1771

30,00 

Dujardin o Du Jardin It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie incisioni basate sui dipinti del Duc de Choiseul, pubblicata a Parigi.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×15 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Dujardin or Du Jardin, Bashan, 1771

30,00 

Dujardin o Du Jardin It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
Questo volume raccoglie una serie di estampes incise da opere del celebre pittore olandese Karel Dujardin, noto per i suoi paesaggi italiani.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×15 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Enna, Sperlinga Castle, Saint-Non, 1781-86

40,00 

Enna, Castello di Sperlinga It is a magnificent engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
Questa opera proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta una bella veduta animata del castello di Sperlinga, ben conservata e di grande valore storico.
Jean-Claude Richard de Saint-Non, noto come Abate di Saint-Non, è stato un importante disegnatore e archeologo francese, la cui opera ha influenzato la percezione dei regni di Napoli e Sicilia.

Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86

40,00 

Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent condition

The animated view offers a fascinating look at the surroundings of Castrogiovanni, representing an important testimony of the Sicilian cultural heritage.

Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86

40,00 

Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Questa incisione offre una bella veduta animata della Sicilia, ben conservata e di grande valore storico.

Enna, Surroundings of Leonforte, Saint-Non, 1781-86

40,00 

Enna, Dintorni di Leonforte It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent state of preservation

Questa incisione offre una bella veduta animata dei dintorni di Leonforte, rappresentando un’importante testimonianza della Sicilia del XVIII secolo.

F. Vivares, View, 18th century

60,00 

View of monuments with figures It is an engraving made by François Vivares in the 18th century, in collaboration with Antonio Visentini.
This work represents a detailed view of monuments, enriched by the presence of human figures, typical of the art of the period.

  • Sheet size: cm. 24×34 approx.
  • Engraving size: cm. 22×32 approx.
  • Support: Heavy laid paper
  • Condition: Excellent state of preservation

Fano, Salmon Thomas, 1738-1768

50,00 

The City of Fano in the Duchy of Urbino It is an engraving made by Thomas Salmon between 1738 and 1768.
This work, an etching on copper, is part of the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, published in Naples.

  • Sheet size: cm. 15×10 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Favarotta, Agrigento, Saint-Non, 1781-86

40,00 

Favarotta, Agrigento It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Questa incisione offre una bella veduta animata della Rocca di Favarotta, ben conservata e di grande valore storico.

Ferdinand Kobell (1740-1799)

30,00 

Ferdinand Kobell (1740-1799) è un’incisione di piccole dimensioni realizzata in acquaforte.
Questa opera, attribuita a Kobell, presenta una misura dell’incisione di mm. 117×56 alla battuta del rame, con margini irregolari.

  • Sheet size: Small
  • Support: Laid paper without watermark
  • Condition: Excellent condition

Ferdinand Kobell, pittore e incisore attivo a Mannheim, è noto per i suoi paesaggi ispirati alla maniera olandese del XVII secolo.
Le sue opere sono conservate in musei di prestigio come Schwerin, Aschaffenburg e Mannheim.

Firenze, Ponte della S.Trinità, 1707

35,00 

Firenze, Ponte della S.Trinità è un’incisione realizzata nel 1707, che rappresenta una vista del famoso ponte fiorentino.
This work is an etching on copper, part of the volume The delights of Italy di De Rogissart.

  • Sheet size: mm. 65×125
  • Support: Light paper
  • Condition: Excellent
  • Margins: Irregular

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