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XVIII
Jan van der Heyden, 1771
30,00 €Jan van der Heyden, 1771 è un’incisione realizzata da Jan van der Heyden, un noto pittore olandese specializzato nella pittura di paesaggio.
Questa opera è parte del Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del Duc de Choiseul, pubblicata a Parigi nel 1771.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×13 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jan van der Heyden, Bashan, 1771
30,00 €Jan van der Heyden, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, a collection of prints which collects the engravings taken from the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jan van der Heyden, known for his mastery of landscape painting, is considered a pioneer of vedutism.
Pierre-François Basan, a French engraver, contributed significantly to the dissemination of works of art through his engravings.
Jan van der Heyden, Bashan, 1771
30,00 €Jan van der Heyden, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise da opere del celebre pittore olandese Jan van der Heyden, noto per la sua maestria nella pittura di paesaggio.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Jan van der Heyden, Bashan, 1771
30,00 €Jan van der Heyden, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, a collection of prints che raccoglie incisioni basate sui dipinti del Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent condition
Jan van der Heyden, noto per la sua maestria nella pittura di paesaggio, è considerato un precursore del vedutismo.
Pierre-François Basan, a French engraver, contributed significantly to the dissemination of works of art through his engravings.
Jane Shore, Francesco Bartolozzi, 1790
40,00 €Jane Shore It is an engraving made by Francesco Bartolozzi In the 1790.
Questa opera rappresenta una donna sconosciuta incisa come Jane Shore, pubblicata da Edward Harding, dopo Silvester Harding.
- Sheet size: cm. 25×20 approx.
- Engraving size: cm. 14×11 approx.
- Technique: Etching
- Support: Carta non vergellata di medio spessore
- Condition: Excellent state of preservation
Firmata in basso a destra F.Bartolozzi RA sc. e a sinistra S.Harding del..
Jean de La Fontaine, 1770
30,00 €Jean de La Fontaine It is an etching made in 1770, which portrays the famous French writer and poet known for his moralistic fables.
This work is printed on laid paper and has a white back.
- Sheet size: cm. 26×21 approx.
- Engraving size: cm. 9×7 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Jean-Baptiste Greuze, Bashan, 1771
30,00 €Jean-Baptiste Greuze, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, a collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 11×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jean-Baptiste Greuze, noto per il suo stile emotivo e realistico, è stato un importante pittore e disegnatore francese del XVIII secolo.
Johann Daniel De Montalegre (1697-1768), Zittau, 1740 ca
30,00 €Johann Daniel De Montalegre è un’incisione realizzata intorno al 1740, che rappresenta un’opera significativa dell’artista.
Questa acquaforte, stampata su laid paper, has a size of mm. 150×85 alla linea marginale.
Al retro si possono notare tracce della stessa stampa, rendendo questa opera ancora più affascinante per i collezionisti.
- Era: XVIII
- Technique: Etching
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Johann Heinrich Meil, (1729-1803) Etching. The Sculptor and the Statue of Jupiter
25,00 €The sculptor and the statue of Jupiter It is an engraving made by Johann Heinrich Meil in 1729-1803.
This etching represents a significant moment in sculptural art, highlighting the artist's mastery in capturing the beauty of the statue of Jupiter.
- Sheet size: mm. 76×139 approx.
- Support: Heavy paper
- Condition: Good condition
Johann-Elias Haid (Augusta 1739 – 1809) Jesus and Apostles – Fient Signa
30,00 €Gesù e Apostoli è un’acquatinta su rame realizzata da Johann-Elias Haid, un artista di Augusta attivo nel XVIII secolo.
Questa opera, firmata in basso a destra in lastra con ‘I.E.Haid exc.’ e a sinistra ‘F.M.Denzel del.’, rappresenta un bell’esemplare di un tema religioso, raro e di grande interesse.
- Sheet size: cm. 27×18 alla battuta
- Support: Laid paper
- Condition: Non buone, con alcune macchie, pieghe e un piccolo strappo con perdita di carta al centro
Johann Elias Haid, figlio di Johann Jakob Haid, proveniva da una dinastia di incisori ed editori di Augsburg. Dopo la morte del padre, ha diretto la casa editrice di famiglia, diventando un artista ricercato grazie ai suoi viaggi a Venezia e nei Paesi Bassi.
Karel Dujardin, Bashan, 1771
30,00 €Karel Dujardin, Bashan, 1771 It is an engraving made by Karel Dujardin and published by Pierre-François Basan in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
LA Zentner, N. Berghem, Landscape with Cows, 1789
40,00 €Paesaggio con mucche è un’incisione realizzata da L.A. Zentner e N. Berghem nel 1789.
Questa opera rappresenta un affascinante paesaggio rurale, caratterizzato dalla presenza di mucche, tipico dello stile dell’epoca.
- Sheet size: cm. 15×20 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
- Signature: N. Berghem pinx L. Zentner fecit acquaforte 1789 Londini
The Tomb of Bacchus, 1724
40,00 €The Tomb of Bacchus It is an engraving made in 1724 by Graf van Bachchus.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.
- Sheet size: cm. 16×13 approximately, plus irregular margins
- Engraving size: cm. 16×13 approx.
- Technique: Etching
- Support: Medium paper with white back
- Condition: Excellent
This engraving features a beautiful animated view, which captures the essence of the Bacchic theme.
Lago di Albano, 1798
40,00 €Lago di Albano It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta è caratterizzata da un’animazione vivace e un contrasto ben definito.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent
Lancia di Longino, 1724
40,00 €Lancia di Longino è un’incisione realizzata nel 1724, tratta dall’opera Nieu We Reize van Misson naen door Italy by François Misson.
This engraving features a beautiful animated view e si distingue per la sua eleganza e il suo significato storico.
- Sheet size: cm. 16×12 approximately, plus irregular margins
- Engraving size: cm. 16×12 approx.
- Technique: Etching
- Support: Medium paper, white back
- Condition: Excellent
Lazzaroni e Mendicanti Napoletani, 1796
60,00 €Lazzaroni e Mendicanti Napoletani è un’acquatinta acquarellata realizzata nel 1796, che rappresenta una scena vivace della vita napoletana.
Questa opera è parte dell’opera Encyclopédie des voyages, dove le immagini sono tratte da disegni fatti dal vivo e incise con grande cura.
- Sheet size: cm. 18×25 approx.
- Engraving size: cm. 11×15 approx.
- Support: Carta vergata con stemma in filigrana
- Condition: Excellent
The Aldobrandini Wedding, 1724
40,00 €The Aldobrandini Wedding it is an etching made in 1724, taken from the volume Nieu We Reize van Misson naen door Italy by François Misson.
This work represents a beautiful animated view of a famous mural from the time of Augustus, discovered in 1601 and illustrating a wedding scene.
- Sheet size: cm. 13×36 approximately, plus irregular margins
- Engraving size: cm. 13×36 approx.
- Support: Laid paper
- Condition: Good condition, with two editorial folds
Letter A, Iacobonus and Domenico Campiglia, 18th century.
20,00 €Lettera A It is a very charming capital letter, created by Iacobonus And Dominic Campiglia in the 18th century.
Questo pezzo presenta un soggetto mitologico ed è stato creato tramite la tecnica dell’etching.
- Sheet size: cm. 6×6 circa alla battuta del rame
- Support: Paper
- Condition: Excellent condition
L’opera è ritagliata da un testo italiano del XVIII secolo e presenta un retro scritto. È firmata in basso da GDCampiglia of. And PAPazzi f.
Lettera C, Antonio Pazzi e Domenico Campiglia, XVIII sec.
20,00 €Letter C It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo presenta un soggetto mitologico ed è un’incisione in etching che misura circa cm. 6×6 alla battuta del rame.
È ritagliato da un testo italiano del XVIII secolo e presenta un retro scritto, firmato in basso da GDCampiglia And PAPAZZI.
- Sheet size: cm. 6×6 approx.
- Condition: Excellent condition
- Support: Paper
Letter C, Iacobonus and Domenico Campiglia, 18th century.
20,00 €Letter C It is a mythological capital letter, created by Iacobonus And Dominic Campiglia in the 18th century.
This etching, measuring approximately 6 x 6 cm at the copperplate strike, was cut from an Italian text of the time.
The work has a written back and is signed at the bottom by GDCampiglia of. And PAPazzi f.
- Sheet size: cm. 6×6 approx.
- Technique: Etching
- Condition: Excellent
- Support: Paper
Lettera D, Antonio Pazzi e Domenico Campiglia, XVIII sec.
20,00 €Lettera D It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questa acquaforte, con un soggetto mitologico, misura circa cm. 6×6 alla battuta del rame ed è ritagliata da un testo italiano dell’epoca.
Sul retro è presente una scritta e l’opera è firmata in basso da GDCampiglia of. And PAPazzi f.
- Sheet size: cm. 6×6 approx.
- Technique: Etching
- Condition: Excellent
- Support: Paper
Letter G, Antonio Pazzi and Domenico Campiglia, 18th century.
20,00 €Letter G It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
This piece, which features a mythological subject, was created using the technique ofetching and measures approximately 6x6 cm at the copper edge.
The initial letter is cut from an 18th century Italian text and features a written verso, signed at the bottom by GDCampiglia And PAPAZZI.
- Sheet size: cm. 6×6 approx.
- Condition: Excellent condition
- Support: Paper
Letter G, Antonio Pazzi and Domenico Campiglia, 18th century.
20,00 €Letter G It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo presenta un soggetto mitologico ed è stato creato tramite la tecnica dell’etching, con dimensioni di circa cm. 6×6 alla battuta del rame.
La lettera è ritagliata da un testo italiano del XVIII secolo e presenta un retro scritto, firmato in basso da GDCampiglia of. And PAPazzi f.
- Sheet size: cm. 6×6 approx.
- Condition: Excellent
- Support: Paper
Lettera I, Antonio Pazzi e Domenico Campiglia, XVIII sec.
20,00 €Lettera I It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo, che presenta un soggetto mitologico, è un’acquaforte che misura circa cm. 6×6 alla battuta del rame.
- Sheet size: cm. 6×6 approx.
- Support: Paper
- Condition: Excellent condition
- Back: Scritto, firmato in basso G.D.Campiglia del. e P.A.Pazzi f.
Pier Antonio Pazzi (1706-1768) è noto come incisore, mentre John Domenico Campiglia (1692-1768) è riconosciuto come disegnatore. Questo lavoro rappresenta un esempio significativo dell’arte incisoria del periodo.
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