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XVIII
Hogarth William (1697-1764), The Beggars Opera, 1808
30,00 €The Beggars Opera è un’incisione realizzata da William Hogarth nel 1808, un’opera che riflette il suo stile distintivo e la sua abilità nell’illustrare la vita sociale del suo tempo.
This engraving is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
HOGARTH WILLIAM (London 1697-1764), The Cockpit 1822
70,00 €The Cockpit It is an etching made by William Hogarth in 1822.
This work represents a cockfight, with the crowd in the centre Lord Albemarle Bertie († 1765), set in Royal Cockpit in Birdcage Walk, St James's Park. Hogarth captures a moment of chaos, with a crowd gathered to watch two birds fight.
The shadow of a debtor suspended in a basket is cast across the pit, while a
HOGARTH WILLIAM, France 1822
70,00 €HOGARTH WILLIAM (Londra 1697-1764) è un’incisione all’acquaforte realizzata in Francia nel 1822.
This work, which measures cm. 30×37 per l’immagine e cm. 48×64 per il foglio, è stampata su carta spessa senza filigrana.
- Technique: Acquaforte originale
- Condition: Excellent condition
- Dimensions: Great
- Support: Paper
Le tavole complementari Inghilterra e Francia, pubblicate per la prima volta nel 1756 e ripubblicate nel 1759, riflettono l’atteggiamento xenofobo delle relazioni anglo-francesi nel XVIII secolo, culminato durante la Guerra dei Sette Anni.
L’incisione rappresenta i preparativi sulla costa francese per un’invasione, con soldati riluttanti e donne che simboleggiano la miseria e la fame causate dall’invasione.
HOGARTH WILLIAM, London, 1822
70,00 €Hogarth William è un’incisione all’acquaforte realizzata nel 1822, che riflette l’atteggiamento xenofobo nelle relazioni anglo-francesi durante il XVIII secolo.
Questa opera è una delle tavole complementari pubblicate per la prima volta nel 1756 e ripubblicate nel 1759, in risposta agli eventi della Guerra dei Sette Anni.
- Sheet size: cm. 48×64 circa
- Engraving size: cm. 30×37 circa
- Support: Thick paper without watermark
- Condition: Excellent condition
La scena rappresenta le truppe britanniche, con un granatiere che dipinge una caricatura del re di Francia, suggerendo un morale alto e una preparazione adeguata per affrontare qualsiasi invasione.
HOGARTH WILLIAM, South Sea, 1822
50,00 €South Sea è un’incisione emblematica realizzata da William Hogarth nel 1822, ma originariamente creata nel 1721.
Questa opera è una critica alla speculazione finanziaria, alla corruzione e alla credulità che hanno portato alla bolla del Mare del Sud in Inghilterra tra il 1720 e il 1721.
- Sheet size: cm. 32×48 circa
- Image size: cm. 22×31 approx.
- Support: Thick paper without watermark
- Condition: Excellent condition
Hubert Gravelot, Lo Studio di un Pittore, 1750, XIX secolo
40,00 €Lo Studio di un Pittore è un’incisione realizzata da Hubert Gravelot nel 1750, un’opera che riflette la maestria dell’artista nel catturare l’essenza della pittura.
This engraving, made in etching, è stata realizzata da Amand Durand, un noto incisore del XIX secolo.
- Sheet size: cm. 28×19 approx.
- Engraving size: cm. 10×13 approx.
- Support: Laid paper with partial watermark
- Condition: Excellent
Hubert-François Bourguignon, Gravelot (1699-1773)
30,00 €Hubert-François Bourguignon, noto come Gravelot, è un incisore francese di grande rilievo, nato il 26 marzo 1699 e scomparso il 20 aprile 1773.
This etching on carta vergata presenta un’incisione di dimensioni mm. 60×105, su un foglio di mm. 120×200, con margini irregolari e retro bianco.
- Sheet size: mm. 120×200
- Engraving size: mm. 60×105
- Condition: Excellent condition
Gravelot è conosciuto per il suo contributo all’illustrazione di libri e per l’introduzione dello stile rococò nel design britannico.
L’opera è firmata da Gravelot e incisa da Catherine Elisabeth Lempereur, un’artista francese attiva nel XVIII secolo.
Veronese, Man between Vice and Virtue, 1786
50,00 €Veronese, The Man Between Vice and Virtue it is an etching made in 1786 by Paolo Caliari, known as Il Veronese.
This work is taken from the Gallery of the Palais Royal, which collects works from different artistic schools, with a historical description of each painting provided by the Abbé de Fontenai.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Condition: Good, with a lack on the lower left edge
- Support: Laid paper without watermark
- Published by: J. Couche, Paris, 1786
Industria della seta, 1700-1780
20,00 €Industria della seta, 1700-1780 è un’acquaforte che rappresenta tre scene significative della lavorazione della seta.
Realizzata su carta vergellata, questa opera offre uno sguardo affascinante su un’industria storica.
- Sheet size: cm. 20×28 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Isaac van Ostade (1621-1649), Bashan, 1771
30,00 €Isaac van Ostade (1621-1649) è un’incisione realizzata da Pierre-François Basan nel 1771, parte della collezione Cabinet of the Duke of Choiseul.
Questa opera è un’acquaforte su carta vergellata, che riproduce i dipinti del famoso pittore olandese Isaac van Ostade, noto per le sue scene di vita quotidiana.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Israel Silvestre, Chiesa di Notre-Dame de Boulogne
40,00 €Chiesa di Notre-Dame de Boulogne It is an engraving made by Israel Silvestre, un noto artista del XVII secolo.
Questa opera, datata al 18th century, rappresenta un’importante testimonianza artistica dell’epoca.
- Sheet size: cm. 19×27 approx.
- Engraving size: cm. 12×25 circa
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Israel Silvestre, Torre di Nesle
40,00 €Torre di Nesle It is an engraving made by Israel Silvestre, un noto artista del XVII secolo.
Questa opera, datata al XVIII secolo, rappresenta la Torre di Nesle e l’Hotel de Nevers.
- Sheet size: cm. 19×27 approx.
- Engraving size: cm. 12×25 circa
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
J.F.Swebach, Cavalli e Carro, fine XVIII sec.
40,00 €Cavalli e Carro It is an engraving made by J.F. Swebach alla fine del XVIII secolo.
Questo lavoro rappresenta una scena vivace e dinamica, tipica dello stile dell’artista, noto per le sue opere che catturano la vita quotidiana e la natura.
- Sheet size: cm. 19×26 approx.
- Engraving size: cm. 8×14 approx.
- Technique: Aquatint
- Support: Laid paper
- Condition: Excellent state of preservation
Jacob Ruisdael, Basan, 1771
30,00 €Jacob Ruisdael, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Jacques Callot, (Nancy 1594-1635) Beggar with jug
40,00 €Beggar with pitcher It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars.
This work is an unsigned etching, characterized by a format of mm. 95×160, made on laid paper without watermark.
- Sheet size: Small
- Condition: Excellent
- Era: 18th century
- Technique: Etching
Jacques Callot, King's Entreé, 18th century
60,00 €The King's Entree It is an engraving made by Jacques Callot in the 18th century, representing the Sun.
This work is a fine example of etching on thick laid paper.
- Sheet size: cm. 22×29 approx.
- Engraving size: cm. 16×23 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
- Circulation: 18th century
- Signature: Iac. Callot in et fe Nancy
Jacques-Philippe Le Bas, Basan, 1771
30,00 €Cabinet of the Duke of Choiseul è un’incisione realizzata da Jacques-Philippe Le Bas nel 1771, pubblicata da Pierre-François Basan.
Questa opera fa parte di un’importante raccolta di estampes gravées d’après les tableaux du cabinet de Monseigneur le Duc de Choiseul, and was printed in Paris.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×18 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jacques-Philippe Le Bas, Basan, 1771
30,00 €Jacques-Philippe Le Bas, Basan, 1771 è un’incisione di grande valore storico, proveniente dal Cabinet of the Duke of Choiseul.
Questo lavoro è parte di un collection of prints realizzato da Pierre-François Basan nel 1771, che raccoglie opere ispirate ai dipinti del Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×18 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jacques-Philippe Le Bas, Basan, 1771
30,00 €Festa del villaggio è un’incisione realizzata da Jacques-Philippe Le Bas nel 1771, parte del Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie incisioni basate sui dipinti del Duc de Choiseul, pubblicata a Parigi dall’editore Pierre-François Basan.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×18 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Jan Baptist Weenix, Gaius Bacchanalia, 1786
50,00 €Gaius Bacchanalia It is an engraving made by Jan Baptist Weenix in 1786.
This work is an etching on laid paper without watermark, from the prestigious Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approx.
- Support: Laid paper
- Condition: Excellent condition, nice proof with good contrast
Jan Baptist Weenix, an important Dutch Golden Age painter, is known for his skill in engraving and drawing.
This work is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.
Jan Breughel the Elder, Bashan, 1771
30,00 €Jan Breughel the Elder, Bashan, 1771 It is an engraving made by Pierre-François Basan, which collects works by the famous Flemish painter.
This print is part of the volume Record of recorded prints after the tables on the cabinet of Monseigneur le Duc de Choiseul, published in Paris in 1771.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Jan Miel, Bashan, 1771
30,00 €Jan Miel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Jan Miel, also known as Giovanni Miel, was a Flemish painter active in Italy, associated with the Scuola dei Bamboccianti, a group of artists who depicted scenes of everyday life.
Jan Miel, Bashan, 1771
30,00 €Jan Miel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 13×15 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jan Miel, noto anche come Giovanni Miel, è stato un pittore fiammingo attivo in Italia, associato alla Scuola dei Bamboccianti, il cui principale esponente era Pieter van Laer.
Jan Miel, Bashan, 1771
30,00 €Jan Miel, Bashan, 1771 It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This work is a collection of prints which collects works inspired by the paintings of the Duc de Choiseul, published in Paris.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 13×15 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Jan Miel, also known as Giovanni Miel, was a Flemish painter active in Italy, associated with the Scuola dei Bamboccianti, an artistic movement characterized by scenes of everyday life.
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