Old Masters

Showing 793–816 of 1234 results

Israel Silvestre, Torre di Nesle

40,00 

Torre di Nesle It is an engraving made by Israel Silvestre, un noto artista del XVII secolo.
Questa opera, datata al XVIII secolo, rappresenta la Torre di Nesle e l’Hotel de Nevers.

  • Sheet size: cm. 19×27 approx.
  • Engraving size: cm. 12×25 circa
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

JC Rugendas, After the battle, 1740

80,00 

Dopo la battaglia è un’incisione realizzata da Johann Christian Rugendas nel 1740, ispirata a un dipinto di Georg Philipp Rugendas I.
This work is part of the series Scene di battaglia con cavalli, pubblicata ad Augusta.

  • Sheet size: cm. 23×42 circa
  • Engraving size: cm. 20×38 circa
  • Technique: Burin
  • Support: Carta vergata
  • Condition: Excellent state of preservation

JC Rugendas, After the battle, 1740

80,00 

Dopo la battaglia It is an engraving made by Johann Christian Rugendas In the 1740, ispirata a un dipinto di Georg Philipp Rugendas I of the 1698.
This work is part of the series Scene di battaglia con cavalli, pubblicata ad Augusta.

  • Sheet size: cm. 23×42 circa
  • Engraving size: cm. 20×38 circa
  • Technique: Mezzotinta e acquaforte stampata color seppia
  • Support: Carta vergata
  • Condition: Excellent state of preservation

Sotto il bordo dell’immagine, si possono leggere le iscrizioni che attestano la provenienza e l’autore dell’opera.

JC Rugendas, After the battle, 1740

80,00 

Dopo la battaglia It is an engraving made by Johann Christian Rugendas In the 1740, ispirata a un dipinto di Georg Philipp Rugendas I of the 1698.
This work is part of the series Scene di battaglia con cavalli, pubblicata ad Augusta.

  • Sheet size: cm. 23×42 circa
  • Engraving size: cm. 20×38 circa
  • Technique: Mezzotinta e acquaforte stampata color seppia
  • Support: Carta vergata
  • Condition: Buone condizioni, con un strappo di 7 cm riparato al verso

Sotto il bordo dell’immagine si legge: (a sinistra) “G. P. Rugendas questo fece in Roma Ao. 1694.”; (a destra) “Christiano Rugendas sculp. et excudit. Aug Vind”.

J. Houbraken, Sir Francis Drake, 1734

50,00 

Sir Francis Drake è un’incisione realizzata da J. Houbraken nel 1734, parte della serie Heads of Illustrious Persons of Great Britain di Thomas Birch.
Questa opera rappresenta un ritratto di Sir Francis Drake, un famoso navigatore e corsaro inglese.

  • Sheet size: cm. 22×34 circa
  • Engraving size: margini assenti
  • Technique: Etching and burin
  • Support: Laid paper glued onto another paper support
  • Condition: Excellent

J. Houbraken, Sir Walter Ralegh, 1734

60,00 

Sir Walter Ralegh It is an engraving made by J. Houbraken In the 1734, part of the series Heads of Illustrious Persons of Great Britain di Thomas Birch.
Questa opera, eseguita con etching and burin, misura cm. 22,5×34 alla battuta del rame e presenta margini assenti.

  • Artist: Jacobus Houbraken, incisore olandese noto per i suoi ritratti.
  • Condition: Excellent
  • Support: Carta spessa vergellata
  • Era: XVIII
  • Dimensions: Great

Sir Walter Ralegh, figura emblematica del Rinascimento, è stato poeta, esploratore e cortigiano, noto per le sue spedizioni in Nord America e per le sue opere letterarie, tra cui la Storia del Mondo.

J.Chauvet, 1800

20,00 

J. Chauvet, 1800 è un’incisione realizzata con la tecnica dell’acquaforte.
Questa opera, di dimensioni contenute, presenta margini regolari e un retro bianco, rendendola un pezzo interessante per collezionisti e appassionati.

  • Engraving size: mm. 82×44
  • Sheet size: mm. 243×157
  • Support: Carta vergata
  • Condition: Excellent condition

J.F.Swebach, Cavalli e Carro, fine XVIII sec.

40,00 

Cavalli e Carro It is an engraving made by J.F. Swebach alla fine del XVIII secolo.
Questo lavoro rappresenta una scena vivace e dinamica, tipica dello stile dell’artista, noto per le sue opere che catturano la vita quotidiana e la natura.

  • Sheet size: cm. 19×26 approx.
  • Engraving size: cm. 8×14 approx.
  • Technique: Aquatint
  • Support: Laid paper
  • Condition: Excellent state of preservation

J.H.Ramberg, W.Bohm, Amorini e Leone, 1800-1823

25,00 

Amorini e Leone è un’incisione realizzata da J.H. Ramberg e W. Bohm tra il 1800 e il 1823.
This etching su carta non vergellata misura circa cm. 11×8 e rappresenta una scena incantevole con vari amorini che giocano con un mite leone.
L’opera presenta una riparazione con carta al verso del margine inferiore, testimoniando la sua storia e il suo utilizzo nel tempo.

  • Sheet size: Small
  • Condition: Good
  • Support: Unlaid paper

Jacob Ruisdael, Basan, 1771

30,00 

Jacob Ruisdael, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jacob Ruisdael, Il campo di Grano, 1640, XIX secolo

30,00 

Il campo di Grano It is an engraving made by Jacob Ruisdael nel 1640, un’opera emblematicamente rappresentativa del secolo d’oro olandese.
Questa incisione, eseguita da Amand Durand nel XIX secolo, è un esempio di maestria nell’arte della Etching.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 13×16 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jacques Callot The great miseries

80,00 

Le grandi miserie della guerra It is an engraving made by Jacques Callot, un importante incisore francese del Seicento.
Questa opera, conosciuta come L’arruolamento delle truppe, è la Tav.2 della serie dedicata alle miserie della guerra.

  • Sheet size: mm. 75×184 circa
  • Engraving size: mm. 75×184 circa
  • Technique: Etching
  • Support: Laid paper without watermark
  • Condition: Buone, con alcuni fori restaurati al verso e qualche spellatura

Callot, nato a Nancy nel 1594, è noto per la sua abilità nell’incisione e per la sua capacità di catturare la vita quotidiana e le miserie della guerra con un tocco di eleganza e precisione.
Questa opera è un esempio della sua maestria e della sua visione artistica unica.

Jacques Callot Little Passion 1625-1699

35,00 

Lavaggio dei Piedi è un’incisione realizzata da Jacques Callot, parte della serie The Little Passion, datata tra il 1624 e il 1625.
Questa opera è basata su 12 disegni conservati al Louvre e rappresenta un esempio di alto livello incisorio, molto rara nel suo genere.

  • Sheet size: mm. 76×59 circa
  • Support: Light laid paper
  • Condition: Buone (presenti un piccolo foro e qualche macchia)

Jacques Callot The Martyrdom of the Apostles 1634

120,00 

The Martyrdom of the Apostles It is a series of four plates made by Jacques Callot in 1634.
This series includes representations of the Martyrdom of St. Paul, Martyrdom of St. Philip, Martyrdom of St. Thaddeus And Martyrdom of St. Peter.

  • Sheet size: mm. 63×45 without margins
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jacques Callot Little Passion 1625-1699

35,00 

Jacques Callot – Piccola Passione è un’acquaforte realizzata tra il 1625 e il 1699, rappresentante il tema di Cristo nel Getsemani.
Questa opera fa parte della serie conosciuta come The Little Passion, datata dagli studiosi al 1624-1625 circa, e si basa su 12 disegni conservati al Louvre.

  • Engraving size: mm. 67×55 alla battuta del rame
  • Support: Incollata su altro supporto cartaceo
  • Condition: Excellent
  • Rarity: Opera di alto livello incisorio, molto rara

Jacques Callot, (Nancy 1594-1635) Beggar with jug

40,00 

Beggar with pitcher It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars.
This work is an unsigned etching, characterized by a format of mm. 95×160, made on laid paper without watermark.

  • Sheet size: Small
  • Condition: Excellent
  • Era: 18th century
  • Technique: Etching

Jacques Callot, (Nancy 1594-1635) A Beggar

40,00 

A Beggar It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars.
This etching It is unsigned and measures 95x160 mm without a frame, printed on laid paper without watermark.

  • Condition: Excellent condition
  • Era: 17th century
  • Dimensions: Small

Callot is known for his ability to capture the fantastic freedom and sensitivity of light in his works. His favorite themes, such as soldiers and beggars, offer an elegant and picturesque vision of the life of his time.

Jacques Callot, Pistol Fight, 1632-34

40,00 

Gun Fight It is an engraving made by Jacques Callot between 1632 and 1634.
This work, part of the series The Combats of Cavalry, is an etching that represents an intense moment of battle.

  • Sheet size: mm. 55×91 at the copper edge plus 1.5 cm of margins
  • Support: Laid paper
  • Condition: Excellent

Jacques Callot, King's Entreé, 18th century

60,00 

The King's Entree It is an engraving made by Jacques Callot in the 18th century, representing the Sun.
This work is a fine example of etching on thick laid paper.

  • Sheet size: cm. 22×29 approx.
  • Engraving size: cm. 16×23 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Circulation: 18th century
  • Signature: Iac. Callot in et fe Nancy

Jacques Callot, Hunchback with Stick, 1621

70,00 

Hunchback with stick It is an engraving made by Jacques Callot between 1621 and 1625.
This work is part of the series Various hunchback figures and is a significant example of Callot's mastery of engraving.

  • Sheet size: mm. 64×90 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jacques Callot, The Beggars, 1622

650,00 

The Beggars It is a complete series of engravings made by Jacques Callot in 1622, coming from The Guess (The beggars).
This series consists of 25 tables, mostly in counterpart, with variable dimensions of mm. 122/140×88/102.

  • Margins: small to thin, some trimmed incisions
  • Conditions: some plates have small missing parts at the edges and peeling on the back, with traces of glue or paper
  • Notes: the series, although complete, is not homogeneous and the tables come from different editions

This is an interesting suite for engraving enthusiasts.

Jacques Callot, The New Testament, 1635

450,00 

The New Testament It is a complete series of 10 tables made by Jacques Callot in 1635, the year of his death.
This series includes a frontispiece engraved later by Abraham Bosse.

  • Sheet size: mm 70/72×93/95
  • Dimensions of the tables: mm 60/63×83/86
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper without watermark

The proofs are in the 2nd state of 2, with the writing in the lower margin and the number. The margins vary from thin to small, with minimal paper residue and traces of old tape on the upper verso. For the rest, the work is in excellent condition.

Jacques Callot, The Little Passion, 1624

250,00 

The Little Passion It is a series of 11 engravings made by Jacques Callot in 1624, part of a larger work comprising 12 engravings.
This suite, which lacks the Crucifixion, is a fine example of etching and represents one of Callot's most significant works, inspired by 12 drawings preserved at the Louvre.

  • Sheet size: cm. 20×16 approx.
  • Engraving size: cm. 11×9 approx.
  • Support: Laid paper
  • Condition: Good condition of conservation, with traces of paper on the back and some peeling

Jacques Callot, The Great Miseries of War

900,00 

The Great Miseries of War It is a complete series of 18 engravings made by Jacques Callot in 1633, published by Israel Henriet.
This series, known as Les Misères et les Malheurs de la guerre, represents in a crude and realistic way the atrocities and suffering caused by war conflicts.

  • Engraving dimensions: mm. 75×185
  • Support: Unlaid paper
  • Condition: Excellent, except for board no. 9 with a small repaired tear
  • Era: 17th century
  • Technique: Burin
  • Dimensions: Small

The series includes plates illustrating various aspects of war, such as conscription, battles, plunder and public executions, culminating in a reflection on the human condition in times of war.
Each panel is a powerful visual commentary on the brutality of the conflict and the suffering of civilians, making this work an important historical and artistic testimony.

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