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Showing 1681–1704 of 2360 results

Ponte a Signa, Firenze, 1826

20,00 

Ponte a Signa, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja di Firenze, 1826

20,00 

Ponte alla Carraja di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching rappresenta un’importante veduta della città di Firenze, ed è parte del volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja e Palazzo Corsini, Firenze, 1826

20,00 

Ponte alla Carraja e Palazzo Corsini, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Civita Castellana Bridge, 1798

40,00 

Civita Castellana Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Trajan's Bridge, Danube, 1700

30,00 

Trajan's Bridge, Danube it is a vintage watercolour etching depicting the famous Trajan's bridge over the Danube.
This work, made by an unknown engraver, is printed on light laid paper and measures 28x17 cm without margins.

  • Sheet size: cm. 28×17 approx.
  • Support: Light laid paper
  • Condition: Good condition

Ponte presso Vicovaro, 1798

40,00 

Ponte presso Vicovaro è un’incisione realizzata nel 1798, che offre una splendida veduta del ponte situato a Vicovaro.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The print features a beautiful view, animated and well contrasted, with an explanation on the back.

Ponte santa Trinità 1833-35

30,00 

Ponte Santa Trinità It is an engraving made by James Duffield Harding between 1833 and 1835.
Questa suggestiva veduta di Firenze è tratta da The Landscape Annual of London.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Acquaforte su acciaio
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

La stampa presenta una nitida e ben contrastata rappresentazione del ponte, animata da dettagli vivaci.

Ponte Volante sul Po, 1801

40,00 

Ponte Volante sul Po è un’incisione realizzata nel 1801, tratta dal volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta è caratterizzata da un’animazione vivace e un contrasto ben definito, con un retro bianco che ne esalta la qualità.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Condition: Excellent
  • Support: Paper

Porta a San Frediano, Firenze, 1826

20,00 

Porta a San Frediano, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Porta alla Croce di Firenze, 1826

20,00 

Porta alla Croce di Firenze it is an engraving made by Antonio Verico in 1826.
Questa opera è un’acquaforte su rame, estratta dal volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Metwaleys Gate, Cairo, 1850-60

20,00 

Metwaleys Gate, Cairo It is an engraving made between 1850 and 1860, coming from the royal collection.
This work is an example of etching and burin, published in Art Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Lille Gate, 1850

25,00 

Lilla Gate it is an engraving made by Saverio Pistolesi in 1850.
This work is an etching on tissue paper, glued on cardboard, and is part of the album entitled Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in 1850.

  • Sheet size: cm. 35×26
  • Engraving size: cm. 12×9
  • Support: Tissue paper and cardboard
  • Condition: Excellent

Porta Tiburtina today called S. Lorenzo, 1843

50,00 

Porta Tiburtina oggi detta di S.Lorenzo It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa di Roma, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Support: Heavy paper
  • Condition: Ottima prova con buon contrasto, retro bianco, foglio un po’ sporco con pieghe

L’incisione verrà spedita in tubo rigido per garantire la massima protezione durante il trasporto.

Portugal, Cintra, Sintra, 1833

25,00 

Portugal, Cintra, Sintra It is an etching made in 1833.
This work represents a fascinating glimpse of the city of Sintra, famous for its landscapes and architecture.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Portugal, Mafra, 1833

25,00 

Portugal, Mafra, 1833 it is an etching made in etching, which represents a work from the first half of the 19th century.
This engraving has an image size of cm. 9×13 on a sheet of paper cm. 16×22, printed on medium-weight paper with white backing.

  • Sheet size: cm. 16×22
  • Engraving size: cm. 9×13
  • Support: Medium thickness paper
  • Condition: Excellent condition

Posso aiutarla?, A.H.Payne, 1840-50

20,00 

Posso aiutarla? It is an engraving made by A.H. Payne between 1840 and 1850.
This work, entitled Kann ich dienen?, is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Pourbus, Basan, 1771

30,00 

Cabinet of the Duke of Choiseul It is an engraving made by Pierre-François Basan in 1771.
Questa opera fa parte di un collection of prints che raccoglie le incisioni tratte dai dipinti del cabinet di Monseigneur le Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Poussin, Adamo ed Eva, 1809

30,00 

Adam and Eve è un’incisione realizzata da Nicolas Poussin, incisa da De Villiers nel 1809.
Questa opera rappresenta una scena iconica di Adamo ed Eva nel Paradiso, catturando l’essenza della bellezza e della grazia.

  • Sheet size: cm. 12×21 circa
  • Engraving size: cm. 8×11 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Pozzuoli, 1840

40,00 

Pozzuoli, 1840 It is an engraving made by C. Frommel, which represents the picturesque city of Pozzuoli.
This work is part of the volume Picturesque Italy, which celebrates Italian beauty and culture through art.

  • Sheet size: cm. 15×23 approx.
  • Image size: cm. 10×16 approx.
  • Support: White backed paper
  • Condition: Excellent

Pozzuoli, Anfiteatro, 1819

25,00 

Pozzuoli, Amphitheatre It is an engraving made by Antoine Laurent Castellan in 1819.
Questa acquaforte rappresenta l’anfiteatro di Pozzuoli ed è stata pubblicata nel volume Letters on Italy, edito a Parigi da A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Pozzuoli, Saint-Non, 1781-1786

40,00 

Pozzuoli, Saint-Non, 1781-1786 è un’incisione che rappresenta una vista di una delle principali carriere di pouzzolane.
Realizzata in acquaforte, questa opera misura circa mm. 230×165, con margini irregolari.
It is part of the volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, scritto e illustrato dall’Abate Jean-Claude Richard de Saint-Non.

  • Sheet size: Great
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Questa bella veduta è animata e rappresenta un’importante testimonianza del paesaggio napoletano del XVIII secolo.

Pozzuoli, Tempio di Serapide, 1819

25,00 

Pozzuoli, Tempio di Serapide è un’incisione realizzata da Antoine-Laurent Castellan nel 1819.
Questa opera è un’acquaforte che rappresenta il famoso Tempio di Serapide, un’importante testimonianza architettonica dell’antichità.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un rinomato pittore e incisore.
Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere soprattutto di paesaggi per libri illustrati come View of Italy And Letters from Italy.

Pratica di Mare, Pomezia, C.Frommel, 1829

25,00 

Pratica di Mare It is an engraving made by Carl Frommel In the 1829, part of the series 50 Bilder zu Virgils Heneide….
This etching su carta presenta un’incisione di dimensioni cm. 7×10, su un foglio di cm. 13×22, con retro bianco.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Prima della caccia, 1850-60

20,00 

Prima della caccia è un’incisione realizzata tra il 1850 e il 1860, che rappresenta un momento di preparazione per la caccia.
This work is taken from the Art Journal Engraving e fa parte della collezione reale.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent general condition

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